Skip to main content
Back to search
  • Add to playlist

Un faible degré d'originalité, version Bêta

Maison de la danse 2015 - Director : Plasson, Fabien

Choreographer(s) : Defoort, Antoine (France)

Present in collection(s): Maison de la danse , Saisons 2010 > 2019

Video producer : Maison de la Danse

en fr

Un faible degré d'originalité, version Bêta

Maison de la danse 2015 - Director : Plasson, Fabien

Choreographer(s) : Defoort, Antoine (France)

Present in collection(s): Maison de la danse , Saisons 2010 > 2019

Video producer : Maison de la Danse

en fr

Un faible degré d'originalité, version bêta

A tercentennial institution established to stimulate artistic creativity, today cracks are appearing in the notion of royalties due to the repressive apparatus implemented by their beneficiaries and numerous intermediaries who are their de facto beneficiaries. Royalties are also crumbling under the clicks of a hoard of counterfeiters operating from the peace and quiet of their sofa.

'Un Faible Degré d'Originalité' is both a conference and a show.

A conference in that an hour and a quarter is spent retracing the extraordinary history of royalties, from the 15th century to today. Denis Diderot will, in person, explain the context of the Enlightenment; we will hear about the incredible saga of the creative estate of Maurice Ravel and we will learn about the concept of 'competition for resources' through the distribution of Pépito® sweets to the audience.

A show in that there will be jokes and sleights of hand to make the topic digestible, as well as onstage strategies whose simplicity/effectiveness ratio has been painstakingly tested. We will make a model of royalties with cardboard boxes; there will be a little cartoon made for A3 paper and we will sing a song to highlight what is so truly terrible about the film 'Les Parapluies de Cherbourg' (The Umbrellas of Cherbourg).


Source : L'amicale de production

Defoort, Antoine

Antoine Defoort was born in Lille. Trained as a plastic artist, he has an unfettered and quirky humour. If this guy from Lille, who began by studying maths and performance arts before turning to fine arts, started to take an interest in the performance of the installation, it is because he can store everything that interests him there: sounds, texts, videos, bodies. A surprising piece of work, bordering on digital art, contemporary art and schoolboy jokes.

“After a chaotic mini university experience, I began studying art via a variety of French institutions and I am now the owner of the prestigious Diplôme National Supérieur d'Expression Plastique (Higher Diploma in Plastic Arts), approved by the French Minister of Culture and Communication, the famous DNSEP diploma, that I obtained in 2004 in my school, called ERSEP in Tourcoing, which, for a laugh, my mates and I called ERPES. During these studies I gradually realized that contemporary art performance was the perfect container for storing all types of miscellaneous contents, and that was just brilliant because miscellany was one of my pet subjects (dada in French), and was, moreover, my references. The purpose of this piece of work is to establish connections. Connections between forms, senses, media, materials. We could say that this is really collections of connections. Or, if you prefer, “collexions”. Failures and approximations are adjusted with care and create a unique line of beauty. Even though I create shows and am invited to dance festivals, I still declare that I am a plastic artist, that I have an approach and I propose a framework that is based on visual art. I have a plan B just in case I fail in my artistic career, but I'm not going to tell you what it is, because if that fails too, then it's lousy. » (Antoine Defoort)

Source: Antoine Defoort 's website

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Un faible degré d'originalité, version bêta

Artistic direction / Conception : Antoine Defoort (Réfléchit, fait des schèmas, fait du python et parle tout haut)

Artistic direction assistance / Conception : Robin Mignot (Anticipe et résout les problèmes techniques), Julien Fournet (Alimente la réflexion et met en perspective), Guillaume Libersat (Aide avec le python), Olivier Demario (A aussi fait du python)

Artistic consultancy / Dramaturgy : Julie Valero (Dramaturge - du verbe dramaturge - et tergiverse)

Other collaborations : Belinda Annaloro (A pris une photo), Marion Le Guerroué (Prend en charge la production du projet et ourdit les plans), Mathilde Maillard (Coordonne les projets et éprouve les idées), Sarah Calvez (Fait les contrats, les déclarations et bien d’autres choses)

Production / Coproduction of the choreographic work : L’Amicale de Production (A produit) / Le Vivat, Scène conventionnée danse et théâtre d’Argentiers (A indéfectiblement soutenu le projet) / Le Vivat, Scène conventionnée danse et théâtre d’Argentiers, Le CND Paris, Buda Kunstencentrum, Bit Teatergarasjen, Le Centquatre, Le Phénix (Ont coproduit)

Production / Coproduction of the video work : Maison de la Danse

Our videos suggestions
03:38

Yvette Chauviré

Fokine, Michel (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
02:48

Questcequetudeviens ?

Bory, Aurélien (France)

  • Add to playlist
31:26

Montpellier, le saut de l'ange

Bagouet, Dominique (France)

  • Add to playlist
57:26

A Vida Enorme/performance

Huynh, Emmanuelle (France)

  • Add to playlist
02:02

Odile Duboc, une conversation chorégraphique

Duboc, Odile (France)

  • Add to playlist
02:12

Odile Duboc, une conversation chorégraphique

Duboc, Odile (France)

  • Add to playlist
01:18:58

Heroes

Huynh, Emmanuelle (France)

  • Add to playlist
54:55

Words of dancers

Paroles de danseurs (France)

  • Add to playlist
11:06

To Hang

  • Add to playlist
19:41

Reine-Claude

Juvanon du Vachat, Martin (France)

  • Add to playlist
03:32

BGirls

  • Add to playlist
03:04

BGirls

  • Add to playlist
33:46

Talking In/To Myself

  • Add to playlist
53:55

My Country Music

Hay, Deborah (France)

  • Add to playlist
01:30:03

Fragments

Bouvier, Joëlle (France)

  • Add to playlist
16:18

Wunsch

Biondi, José (France)

  • Add to playlist
18:11

Thesis in Bodinier

Giordano, Raffaella (France)

  • Add to playlist
47:49

Hurry Up !

Bouvier, Joëlle (France)

  • Add to playlist
05:28

Your teacher, please

Teodoro, Ana Rita (France)

  • Add to playlist
Our themas suggestions

Animal Kingdom, participant's words

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

Noé Soulier Rethinking our movements

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/

James Carlès

Exposition virtuelle

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

Improvisation

 Discovery of improvisation’s specificities in dance. 

Parcours

fr/en/

A Numeridanse Story

Exposition virtuelle

fr/en/

The American origins of modern dance: [1930-1950] from the expressive to the abstract

Parcours

fr/en/

30 YEARS OF GRENADE

Exposition virtuelle

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more