Questcequetudeviens ?
2018 - Director : Plasson, Fabien
Choreographer(s) : Bory, Aurélien (France)
Present in collection(s): Maison de la danse , Saisons 2010 > 2019
Integral video available at Maison de la danse de Lyon
Questcequetudeviens ?
2018 - Director : Plasson, Fabien
Choreographer(s) : Bory, Aurélien (France)
Present in collection(s): Maison de la danse , Saisons 2010 > 2019
Integral video available at Maison de la danse de Lyon
Questcequetudeviens?
In 1995 Aurélien Bory, who was new to the world of theater, met Stéphanie Fuster, a young woman who leaves everything to become a flamenco dancer and works with more like Israel Galván. A few years later, in 2008, they find themselves well and the flamenco is foreign to the world of Aurélien Bory, became a recognized director, he decided to work together to develop a scenic portrait. A symbolic space of the inner / outer dialogue, Questcequetudeviens? brilliant of the fight against the obstacles that are artfully imposed on him the director: to play with a dress which is not really a dancer in a huge puddle or a tiny box. Stéphanie Fuster is radiant, laureate of the award, Flagship Flaunt her flamenco on the music of José Sanchez and the song of Alberto Garcia.
Source : Maison de la Danse de Lyon
Bory, Aurélien
Aurélien Bory was born in Colmar in 1972. His studies in physics in Strasbourg led him to the field of architectural acoustics. He then ended his scientific curriculum in 1995. He settled in Toulouse where he joined the creative studio at the Lido, the Circus Arts Centre. In 1998, he played in Theatre Tattoo's "L'Odyssée" directed by Mladen Materic. In 2000 he founded Compagnie 111 with actor Olivier Alenda. He then conceived and began the six-year-long space trilogy project, in collaboration with Phil Soltanoff, including "IJK", "Plan B" and "Plus ou moins l'infini" (More or less, Infinity).
In 2003 he directed Pierre Rigal in his first solo creation Erection, the stem of their ungoing collaboration, which also originated their second work together: Arrêts de Jeu premiered in 2006. Merging various other fields, he created "Taoub" in 2004 in Tangier with twelve moroccan acrobats, this very show will launch the international career of the Groupe acrobatique de Tanger (Tangier Acrobatic Group). In 2008 Aurélien was the recipient of the "Créateur sans frontières" (Creator without borders)/ Radio France trophy for his international creations, notably "Les sept planches de la ruse" (The seven boards of skill) created in China in 2007 with performers from Dalian. In 2008 and 2009, he conceived two creations: "Questcequetudeviens?", a portrait of a woman, and "Sans Objet", a piece for an industrial robot. His creations include different artistic fields : theatre, circus, dance, visual arts, music... His genre-crossing approach is inscribed within the question of space and is explored through his distinctive scenography. In 2016, he created "ESPÆCE" based on the French writer Georges Perec 's work, at the Festival d'Avignon (France).
Source: Company 111 's website ; Plan Bey 's press file
More information : cie111.com
Fuster, Stéphanie
Dancer, choreographer, author, Stéphanie Fuster lives and works in Toulouse.
Trained in dance since a young age, she discovers flamenco with Isabel Soler. In 1997 she obtained a choreographic scholarship from the Ministry of Culture and moved to Seville (Spain) to further her flamenco training. There, she studied with the great masters, including Manolo Marin, Belen Maya, Andres Marin, Rafaela Carrasco ...
From 1998 she began her professional career as a solo dancer in traditional Sevillian tablaos and in companies in international flamenco festivals (Bienal de Sevilla, Dusseldorf, Jerez, Perth, Moscow, Barcelona, Istanbul, Paris ...).
Source: Site web de Stéphanie Fuster
More information: http://www.fanifuster.com
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Questcequetudeviens?
Artistic direction / Conception : Aurélien Bory
Choreography : Stéphanie Fuster
Interpretation : Stéphanie Fuster
Stage direction : Aurélien Bory, Sylvie Marcucci (assitance)
Set design : Aurélien Bory
Original music : José Sanchez
Live music : José Sanchez (guitare), Alberto Garcia (chant)
Lights : Arno Veyrat
Costumes : Sylvie Marcucci
Settings : Pierre Dequivre, Arnaud Lucas
Sound : Stéphane Ley
Other collaborations : Arno Veyrat (régie générale)
Production / Coproduction of the choreographic work : compagnie 111 - Aurélien Bory
Production / Coproduction of the video work : Maison de la Danse de Lyon - Fabien Plasson, 2018
Roots of Diversity in Contemporary Dance
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Vlovajobpru company
LATITUDES CONTEMPORAINES
40 years of dance and music
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
les ballets C de la B and the aesthetic of reality
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
The BNP Paribas Foundation
Maison de la danse
Improvisation
Discovery of improvisation’s specificities in dance.
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Dance and music
The relationship between music and choreographic works varies throught dance history.
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.