Project 5
2008
Choreographer(s) : Naharin, Ohad (Israel)
Present in collection(s): Numeridanse
Video producer : Batsheva Dance Company
Project 5
2008
Choreographer(s) : Naharin, Ohad (Israel)
Present in collection(s): Numeridanse
Video producer : Batsheva Dance Company
Project 5
PROJECT 5, for 5 female dancers, is composed of 5 sections: 4 pieces and a video interlude.
The work includes Naharin's “B/olero” (2008), to an electronic version of Ravel's Boléro, created on a synthesizer by the Japanese composer Isao Tomita.
The other pieces: the rarely-seen trio of “Moshe” (1999), George & Zalman (2006), a quintet to music by Arvo Pärt and text by Charles Bukowski , and the famous Black Milk (1985), often performed by men and reworked here for a female cast.
Source: Per Diem & Co
Naharin, Ohad
Born in 1952 on Kibbutz Mizra, Ohad Naharin began his dance training with Batsheva Dance Company in 1974. During his first year with the Company, guest
choreographer Martha Graham singled out Naharin for his talent and invited him to join her own company in New York. Whilst in New York, Naharin studied on a scholarship from the America-Israel Cultural Foundation at the School of American Ballet, The Juilliard School, and with Maggie Black and David Howard. He went on to perform one season with Israel’s Bat-Dor Dance Company and Maurice Bejarts Ballet du XXe Siecle in Brussels.
Naharin returned to New York in 1980, making his choreographic debut at the Kazuko Hirabayshi studio. From 1980 until 1990, Naharin has presented his works in New
York and abroad and was invited to create works for different companies, including Batsheva, the Kibbutz Contemporary Dance Company, and Nederlands Dans Theater. Simultaneously, he regularly worked in New York with a group of dancers on different projects, together with his first wife, Mari Kajiwara. Naharin and Kajiwara worked together for many years, up to her death from cancer in 2001.
Naharin was appointed Artistic Director of Batsheva Dance Company in 1990 and has served in this role until today. During his tenure with the company, Naharin choreographed over 30 works for Batsheva and its junior division, Batsheva - the Young Ensemble. Alongside his work as a choreographer, Naharin developed Gaga, an innovative movement language intended for everyone. The dancers of Batsheva Dance Company train with Gaga on a daily basis, and it is also taught to dancers and the public worldwide by certified teachers.
Source: Batsheva Company 's website
More information : batsheva.co
Batsheva Dance Company
Artistic direction: Ohad Naharin
Creation: 1979
Batsheva Dance Company has been critically acclaimed and popularly embraced as one of the foremost contemporary dance companies in the world. Together with Batsheva - The Young Ensemble, the Company boasts a roster of 34 dancers drawn from Israel and abroad. Batsheva Dance Company is Israel's biggest company, maintaining an extensive performance schedule locally and internationally with over 250 performances and circa 100,000 spectators every year. Hailed as one of the world's preeminent contemporary choreographers, Ohad Naharin assumed the role of Artistic Director in 1990, and propelled the company into a new era with his adventurous curatorial vision and distinctive choreographic voice. Naharin is also the originator of the innovative movement language, Gaga, which has enriched his extraordinary movement invention, revolutionized the company’s training, and emerged as a growing international force in the larger field of movement practices for both dancers and non-dancers. The Batsheva dancers take part in the creative processes in the studio and even create their own works in the annual project "Batsheva Dancers Create" supported by The Michael Sela Fund for Cultivation of Young Artists at Batsheva. Batsheva Dance Company was founded as a repertory company in 1964 by the Baroness Batsheva de Rothschild who enlisted Martha Graham as its first artistic adviser. Since 1989, Batsheva Dance Company has been in residence at the Suzanne Dellal Centre in Tel Aviv.
Source: Batsheva Dance Company 's website
More information: batsheva.co.il/en/home
Project 5
Choreography : Ohad Naharin
Additionnal music : George & Zalman (2006) : musique Arvo Pärt. paroles Charles Bukowski lu par Bobbi Smith / B/olero (2008) : musique Maurice Ravel, arrangé et interprété par Isao Tomita “Park” from Moshe (1999) : musique Pan Sonic, Ohad Naharin / Black Milk (1985/1991) : musique Paul Smadbeck
Lights : Avi Yona Bueno (Bambi), Ohad Naharin
Costumes : Alla Eisenberg, Rakefet Levy
Production / Coproduction of the video work : Batsheva Dance company, 2008
Duration : 60'
Animal Kingdom, participant's words
Roots of Diversity in Contemporary Dance
Noé Soulier Rethinking our movements
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
40 years of dance and music
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
les ballets C de la B and the aesthetic of reality
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
States of the body
Explanation of the term « State of the body » when it’s about dance.
Maison de la danse
Improvisation
Discovery of improvisation’s specificities in dance.
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.