The images created by Édouard Lock in The Seasons revitalize - become alive again - the sense memory of dance. In the scene you can observe several layers, which interact or interfere with each other - dance, music, scenery and light - which will be reorganized from the perception of the viewer. Each element that presents interferes and creates new relationships, both for the audience, as to who is on the scene. Each gesture has its counterpart in a movement of light that cuts the space as a live edition of what you see. At the same time, it creates options for the viewer while focusing on different elements of the scene. The choreographer uses the current vocabulary of dance in a number of large energy and extreme intensity. The sign wavers between vigorous movements - sometimes fluid, sometimes angular - and very gently. Slowness and speed permeate intense scenes, the speed of thought, disorienting our perception.

Source: Sâo Paulo Dance Company 

La La La Human Steps Founder, Artistic Director and Choreographer Édouard Lock began his choreographic career at the age of 20, creating works from 1974 to 1979 for a variety of Canadian dance companies and institutions, including Groupe Nouvelle Aire, Les Grands Ballets Canadiens de Montréal, the Montréal Museum of Fine Arts and the Musée d'Art Contemporain de Montréal. In 1980 he founded La La La Human Steps, a company that has garnered strong national and international recognition and that celebrated its 25th anniversary in 2006. Over the years Mr. Lock has been invited to create works for some of the world's leading dance companies, including the Ballet de l'Opéra de Paris, the Nederlands Dans Theater and Het Nationale Ballet of Holland. His works have garnered many awards, including Canada's most important choreographic award. Mr. Lock co-conceived and was Artistic Director for David Bowie's world tour, "Sound and Vision", in 1990. He also collaborated with Frank Zappa on "the Yellow Shark concert" -an occasion that marked Mr. Zappa's final performances-alongside Germany's Ensemble Modern, Frankfurt's Alte Oper, the Berlin Philharmonic and Vienna's KonzertHaus. Since "Human Sex" in 1985, which catapulted La La La Human Steps to the forefront of the international dance scene, the troupe has performed shows - "New Demons" (1987), "Infante, c'est destroy" (1991), 2 (1995), "Exaucé/Salt" (1998), "Amelia" (2002) and "Amjad" (2007) -on international tours, two years for each creation, in the major capitals of Europe, Asia and America. Edouard Lock created "The Seasons" (2014) for the Sao Paulo Dance Company, revisiting Vivaldi's Four Seasons. The company has been dissolved in 2015.

Source : Maison de la Danse press file ; Epidemic.net

More information : epidemic.net

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Artistic direction: Inês Bogéa

Creation: 2008

Created in January 2008 by the Government of the State of Sao  Paulo, The São Paulo Dance Company (SPDC) is directed by Inês Bogéa,  doctor of arts, ballet-dancer, documentary maker and writer.

Throughout this period, the Company has been seen by an audience of  more than 1.000,000 people in different countries (Argentina, Austria,  Belgium, Canada, Chile, Colombia, France, Germany, Holland, Israel,  Italy, Luxembourg, Paraguay, Switzerland, the United States of America,  Uruguay, Mexico, the United Arab Emirates), experiencing approximately  150 cities, totaling more than 1,100 performances. The Company has a  varied repertoire, ranging from classical to contemporary. Recognized by  specialized critics as one of the main dance companies of Latin  America, since its creation, the Company has produced more than 80  choreographies, including commissioned new works  of important names of international dance like Edouard Lock, Richard  Siegal and Marco Goecke, and Brazilian choreographers, as Rodrigo  Pederneiras, Henrique Rodovalho e Jomar Mesquita; and restages of works from Jirí Kylián, William Forsythe, George Balanchine, Nijinska, Nacho Duato among others.

SPDC searches for a connection with the audience by curiosity and  perception of the dance world in motion. The programs show the variety  of the repertoire of SPDC and the dynamics of Brazilian dancers. The  dancers are versatile and able to move from classical to contemporary  dance with a particular accent. The Company is a meeting place of  distinct artists – such as choreographers, light designers,  photographers, guest lecturers, restagers, writers, artists,  cartoonists, musicians, costume designers and others.

The Educational and Audience Awareness Programs, another strand of  action of SPDC, are divided into: Lecture For Educators, in which we  have the opportunity to dialogue about the backstage of this art; Dance  Workshops, a meeting to experience the daily life of the dancers; Open  Performances for Students and Senior Citizens, in which the proposal is  to see, hear and perceive the dance world; Programs focus on social  institutions and organizations aimed to take the dance culture to  different audiences and spaces; Dança em Rede (Dance Network), an online  dance encyclopedia on the Company’s website and a series of 39  documentaries about the History of Dance in Brazil.

Source: The São Paulo Dance Company 's website

More information : spcd.com.br