Skip to main content
Back to search
  • Add to playlist

Mokorea (aparima)

Numeridanse 2004

Choreographer(s) : Foster Delcuvellerie, Makau (France)

Present in collection(s): Numeridanse , Danses Polynésiennes

Video producer : TNTV

en fr

Mokorea (aparima)

Numeridanse 2004

Choreographer(s) : Foster Delcuvellerie, Makau (France)

Present in collection(s): Numeridanse , Danses Polynésiennes

Video producer : TNTV

en fr

Mokorea

« Mokorea » was created by Makau Foster Delcuvellerie for the 2004 Heiva i Tahiti. It is based on a legend from the atoll of Makemo in the Tuamotu archipelago.
Long ago, inhabitants would live off fishing and coconuts. On the distant islet of Vainitika in Makemo, several men worked in a coconut tree plantation. At the end of the season, the men would canoe back to the village of Te Ava to sell the product of their work. One of the men would stand guard on the islet and keep it tidy. Once left alone on the island, he hears someone crying. Very surprised he calls out but he gets no answer. He then hears the sound of footsteps and sees a shadow beginning to run in the plantation. He runs in pursuit. It's a woman. He follows her to a waterhole in the coral reef. She dives in it to never reappear…


Source : Marc E. Louvat

Foster Delcuvellerie, Makau

Makau Foster Delcuvellerie spent the first years of her life on the atoll of Hao and was brought up, as customary in those days, by her grand parents. They were very simple folks who lived like their parents, and the parents of their parents before them, to the soothing rhythm of the islands, fishing and foraging. Then she had to go to Tahiti for school and to Hawai'i for a college education.

Whenever you start a conversation with her on that period of her life, she remembers the Paumotu (inhabitants of the Tuamotu islands) whom she says taught her everything and had been living in Hawai'i for the longest time, teaching young Hawaiians the traditions of the South Pacific Islands. Their classes were hard, very demanding for these youngsters who had been brought up according to the “American way of life”. She always seems to get a bit emotional when she talks about these moments. She remembers the pain of the long warm up training sessions when yours body does the talking and tells stories. She didn't learn in the books but from the oral tradition that allowed generations to preserve the knowledge of their ancestors.

« At the age of 16 I was already dancing on stage at the Polynesian Cultural Center in Hawai'i. For years I travelled the world extensively to dance and finally came back to Tahiti to keep on learning from Coco Hotahota, the famous choreographer and director of the “Temaeva” dance company. Then time came for me to start teaching “Ori Tahiti” (Tahitian dancing) and to create my own dance company Tamariki Poerani  ».

Since then the company has created various productions: "Munanui" (1999), "Merehenua" (2001), "Te ariki Tuohea" (2003), "Mokorea" (2004) et "Mono'i" (2009).
Choreographies by Makau Foster Delcuvellerie have been recreated by different “Ori Tahiti” dance companies in Japan, Mexico and the USA.

Source : The company Tamariki Poerani 's website

More information

tamarikipoerani.com

 

Mokorea

Choreography : Makau Foster Delcuvellerie

Interpretation : Compagnie Tamariki Poerani

Technical direction : Tahiti Nui Télévision

Production / Coproduction of the choreographic work : Production TNTV, Le Heiva i Tahiti 2004 était une manifestation organisée par Heiva Nui.

Our videos suggestions
02:55

Relâche

  • Add to playlist
01:46

Grand Finale

Shechter, Hofesh (United Kingdom)

  • Add to playlist
01:16

The art of Ohad Naharin

Naharin, Ohad (Israel)

  • Add to playlist
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
03:04

Lobby

Zebiri, Moncef (France)

  • Add to playlist
02:58

Another look at memory

Lebrun, Thomas (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
57:18

Cribles

Huynh, Emmanuelle (France)

  • Add to playlist
46:49

Cribles/live

Huynh, Emmanuelle (France)

  • Add to playlist
30:33

Leïla "the night"

Lagraa, Abou (France)

  • Add to playlist
15:34

Cinderella

Malandain, Thierry (France)

  • Add to playlist
03:58

Impair - focus

Brabant, Jérôme (Reunion)

  • Add to playlist
14:31

DéBaTailles [transmission 2015]

Plassard, Denis (France)

  • Add to playlist
11:26

Passages

  • Add to playlist
11:58

Carte blanche of Talia de Vries (2010)

  • Add to playlist
24:23

Triton (audiodescription)

  • Add to playlist
01:30:03

Fragments

Bouvier, Joëlle (France)

  • Add to playlist
01:02:20

Furies

Bouvier, Joëlle (France)

  • Add to playlist
04:00

Tschägg

Eidenbenz, Lucie (France)

  • Add to playlist
01:33:50

L'Effraction du silence

Bouvier, Joëlle (France)

  • Add to playlist
Our themas suggestions

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

(LA)HORDE: RESIST TOGETHER

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times


Parcours

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

Dance in Quebec: Collectivities in motion

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Parcours

fr/en/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

Pantomimes

Presentation of Pantomimes in the different types of dance.

Parcours

fr/en/

Dance and music

The relationship between music and choreographic works varies throught dance history.

Parcours

fr/en/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/

A Numeridanse Story

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more