DéBaTailles [transmission 2015]
2015 - Director : Zeriahen, Karim
Choreographer(s) : Plassard, Denis (France)
Present in collection(s): Centre national de la danse , Danse en amateur et répertoire
Video producer : Centre national de la danse
Integral video available at CND de Pantin
DéBaTailles [transmission 2015]
2015 - Director : Zeriahen, Karim
Choreographer(s) : Plassard, Denis (France)
Present in collection(s): Centre national de la danse , Danse en amateur et répertoire
Video producer : Centre national de la danse
Integral video available at CND de Pantin
DéBaTailles [transmission 2015]
A choreographic extract remodelled by the group Ainsi Danse (Épinal), artistic coordinator Danielle Grandmougin, as part of the “Danse en amateur et repertoire” programme (2014) (a programme created to assist and promote amateur dancing).
The group
In Épinal in Les Vosges region, for the past fifteen years and more, the group Ainsi Danse has occasionally organised workshops-training courses with guest dancers and choreographers (Daniel Larrieu, Hans Van den Broek, Jean-François Duroure, Annick Charlot, Accrorap company). It also organises contemporary balls. Originally an offshoot from the French Education Board’s workshops for school teachers, the eight members of Ainsi Danse are normally more than forty years old (and up to sixty). Their meeting with Denis Plassard thanks to his presence at the scène nationale d’Épinal, instilled in these women the desire to take on a very masculine piece and to take up the choreographic challenge concealed in DéBaTailles, an excellent incentive in terms of implication and technicity.
The project
This is Denis Plassard’s fourth project with “Danse en amateur et repertoire”. The choreographer is a great fan of this context in which amateurs push back the limits of the “conveniences” of the workshops adapted to their level. Deceptively nonchalant, DéBaTailles conceals a great many situations, figures and relationships that are very tricky to reproduce. Also, its lack of any formal stability means it is far from a safe option for transmission purposes. Yet it is well and truly a written piece that must be recreated as closely as possible to the original, although it is full of very specific human landscapes and situations that nurture its creative process, joyfully uniting a young all-male band of contemporary and hip-hop dancers and circus artists.
The choreographer
A graduate from the Conservatoire national supérieur de Lyon, Denis Plassard created his solo Propos in 1990, and his company of the same name the following year. His works have often played on the link between word and movement, in relationships of quirkiness, mockery and humour. The choreographer enjoys bringing different aesthetics and universes into contact with each other. Created in 2008 and performed more than one hundred and twenty times, the piece DéBaTailles is the perfect example of this. Following work with hip-hop dancers, Denis Plassard decided to graft his experience of battle challenges onto the world of contemporary dance, without forgetting to include circus artists with whom, incidentally, he had already worked. The piece brims over with the playful and sprightly experience of its preparation.
Plassard, Denis
After training in classical and contemporary dance at the CNSMD in Lyon and a brief career as a performer (Josette Baïz), Denis Plassard created his first solo Propos in 1990, which gave its name to the company he founded the following year. He was awarded the D.E. as a teacher of contemporary dance in 1991. He has been choreographer and dancer with Cie Propos for over 30 years.
Over the years with the company, he has built up a vast repertoire of non-mainstream shows that combine acting, text and humour. Alongside these stage adventures, Denis Plassard has developed original artistic projects involving photography (Hors Sol, photo novels), sound design (audioguides, audio-guided warm-ups, indoor radio guidance, etc.) and acting (La clinique du docteur D).
Since the beginning of the Cie Propos adventure, he has nurtured a passion for transmission and the invention of processes for working with audiences, with the idea of sharing a dance that is accessible to all.
He is regularly invited by other theatres (CDN de Valence, Théâtre Craie, Turak, Raskine & Cie), circus companies (Virevolt, CNAC, Rasposo), music companies (Ensemble Boréades) and dance companies (Käfig, Panthera Ballet Kazan Russia).
Source : The company Propos 's website
More information : compagnie-propos.com
Zeriahen, Karim
From live stage images to life in images, the director and video artist Karim Zeriahen seems to have found the shortest way. Since the beginning of the 90s, when he worked in close relationship with choreographer Philippe Decouflé, he learned how to put the art of stage in motion, contemporary dance most of the time. Karim Zeriahen then starts a fruitful collaboration with Montpellier based choreographer Mathilde Monnier. Stop, Videlilah, day of night, short films adapted from her stage creations. Each time, Karim Zeriahen's camera takes over the place with movement, the body language is not frozen but magnified. Choreographer Herman Diephuis also joins this gallery of dancing portraits. Documentaries on figures such like Albert Maysles or Hubert de Givenchy and from Joe Dalessandro to Paul Morrissey, he sets a signature, a camera always in action with confidence.
Today the director goes further with a new project and tracks the subtle movements of the body language beyond the physical appearance. A collection of living portraits as unique pièces reminding us of the master portraitists of renaissance. These living natures consists in filming the subject in a certain amount of time, almost still, with signs of respiration, eye blinks, as if it were posing for a painting. They are then displayed on a flat screen with a memory card. With this collection starting, Karim Zeriahen, with his documentary and artist vision, interrogates himself about the virtual world filled with images. By taking a pause, and his models with him, he questions the way we look at things, the way we look at life.
Source: Philippe Noisette
En savoir plus: www.karimzeriahen.com
DéBaTailles [transmission 2015]
Choreography : Denis Plassard
Interpretation : Béatrice Bernasconi, Dominique Canizares, Danielle Grandmougin, Nathalie Hanzo, Christine Humbert, Nathalie Larcher, Dominique Mathieu, Sandrine Régnard
Original music : Quentin Allemand, Jean-Paul Hervé, Norbert Pignol
Other collaborations : Extrait chorégraphique remonté par le groupe Ainsi Danse (Épinal), coordinatrice artistique Danielle Grandmougin, dans le cadre de Danse en amateur et répertoire (2014) - Transmission Denis Plassard, Xavier Gresse
Production / Coproduction of the choreographic work : avec le soutien de Scènes Vosges - Épinal et de l’association départementale pour la musique, la danse et le théâtre Vosges Arts vivants - Épinal
Duration : 12 minutes
Danse en amateur et répertoire
Amateur Dance and Repertory is a companion program to amateur practice beyond the dance class and the technical learning phase. Intended for groups of amateur dancers, it opens a space of sharing for those who wish to deepen a practice and a knowledge of the dance in relation to its history.
Laurent Barré
Head of Research and Choreographic Directories
Anne-Christine Waibel
Research Assistant and Choreographic Directories
+33 (0)1 41 83 43 96
danse-amateur-repertoire@cnd.fr
Source: CN D
More information: https://www.cnd.fr/en/page/323-danse-en-amateur-et-repertoire-grant-programme
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