L'ogresse des archives et son chien
2011
Choreographer(s) : Ben Aïm, Christian & François (France)
Present in collection(s): Christian et François Ben Aïm , Intégrales
L'ogresse des archives et son chien
2011
Choreographer(s) : Ben Aïm, Christian & François (France)
Present in collection(s): Christian et François Ben Aïm , Intégrales
L'ogresse des archives et son chien
FEAR, VIOLENCE AND POWER
In this group piece, Christian and François Ben Aïm draw on and reinvent the fairy tale to help them investigate contemporary life.
Like escapees from classic fables, a variety of legendary characters invade the stage and coexist in this surreal fable. The fairy tale characters are updated so that they can become an extension of us all and of our inner reality.
Their excesses enable the choreographers to explore human emotions and probe the dark side of our human nature. Christian and François Ben Aïm thus explore the themes of fear, violence and power by examining how we all react to them. Often addressed in literature and fairy tales, these subjects are also recurring themes in the choreographers’ work.
The choreographers give rise to an unusual universe of strange beauty, where nothing is really what it seems.
UNUSUAL AND STRANGE
Throughout the piece, the viewer oscillates between dream and reality. Reality is continually subverted and disrupted by the superimposition and surreal arrangement of the events represented. Different dimensions and proportions appear alongside each other: the infinitely small and very large, the multiplication of characters and unity.
The dancers embody this strangeness in choreographic roles that exude offbeat attitudes and behaviours. The moves are unstructured, engaged and naïve, sweet and deformed, with an uncertain rhythm, monstrous jerks and absurd dance steps.
The concept of metamorphosis, which is at the core of the piece, also drives this subversion. We witness various transformations, from princess to Little Red Riding Hood, from the Big Bad Wolf to the Sleeping Beauty, from the Ogre to Tom Thumb.
Through costume changes and soft, sensual movements, the male performers embody a succession of different female figures, playing with their ambiguities.
LIVE MUSIC
A cellist and percussionist share the stage with dancers and circus artists. Combining dance and music with the theme of fairy tales reinforces the poetic elements of the piece.
The music of the show is the second original création of Jean-Baptiste Sabiani for Christian and François Ben Aïm.
Ben Aïm, Christian & François
For more than twenty years, Christian and François BEN AÏM have been building a work rich of poetry and high standards, fraternal bond and singularity.
At the end of a multidisciplinary training combining dance, physical theater and circus, each one follows his path as a performer, then the two brothers meet to create À l’abri du regard des hommes, avant d’aller mourir ailleurs, a hybrid dance-theater piece which marks the beginning of their collaboration in 1997. Twenty pieces will follow which anchor their fieldwork as much as they travel internationally. They draw their inspiration from literary, musical and pictorial sources, and intimately mixing artistic disciplines on the stage : En plein coeur (2006), Valse (2010), The Ogresse on archives and her dog (2011), Lightness of Storms (2014), Burn, rebellious hearts (2017), Mirages — boreal souls (2018), Arise (2019), JESTS (2021).
Marked by an uncompromising energy, summoning the performer to an intimate relationship with movement, the dance of the BEN AÏM brothers offers, beyond a speech, an experience, a "crossing" that the dancer performs in front of our eyes, that he lives each time with the sincerity of a full and entire presence.
With this demanding writing comes an art of composition which gives birth to the stage an imagination borrowing from dreams, from the marvelous of the tale and from invisible realities. Through a subtle effect of empathy, the audience enters an unstable world, where everything is the object of poetic questioning - a world to be experienced together.
Calendar of creations
2021
2019
Snapshots - A series femal solos
2018
2017
Brûlent nos coeurs insoumis (Burn, rebellious hearts)
2016
Peuplé, dépeuplé (Inhabited, uninhabited)
2014
2013
La forêt ébouriffée (The Dense Forest)
2011
L'Ogresse des archives et son chien
2010
2008
2007
2006
2004
2003
Ne vous fiez pas au titre, il peut encore changer
2001
La Frontera
1999
L'enfant du miroir
1998
L'homme rapaillé
1997
A l'abri du regard des hommes, avant d'aller mourir ailleurs
L'ogresse des archives et son chien
Artistic direction / Conception : Christian et François Ben Aïm
Choreography : Christian et François Ben Aïm
Interpretation : Peggy Grelat Dupont, Waldemar Krechkowsky, Paolo Locci, Grégoire Puren, Pierre-Emmanuel Sorignet, Gill Viandier, François Ben Aïm, Interprétation film : Eva Defouloy-Mosoni, Jean Ben Aïm, Christian Ben Aïm
Original music : Jean-Baptiste Sabiani, sauf La Passion selon Saint-Mathieu de Jean-Sébastien Bach
Live music : Mathilde Sternat (violoncelle), Bruno Ferrier (percussions & voix)
Video conception : Mélusine Thiry
Lights : Laurent Patissier
Costumes : Dulcie Best
Settings : Olivier Crochet assisté de Sylvie Chancelades-Weidmann, Stéphane Bardin, Francisco Galan et Kitar Saida
Sound : Sébastien Teulié
Other collaborations : Régie générale : Luc Béril
DANCE AND DIGITAL ARTS
Yield Variations on dissuasive urban furniture
Roots of Diversity in Contemporary Dance
(LA)HORDE: RESIST TOGETHER
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Vlovajobpru company
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
Memories (ou l'oubli)
les ballets C de la B and the aesthetic of reality
When reality breaks in
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
The BNP Paribas Foundation
Maison de la danse
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Pantomimes
Presentation of Pantomimes in the different types of dance.
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.