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James Carlès au Centre chorégraphique d'Angers : interview et représentations filmée

James Carlès au Centre chorégraphique d'Angers : interview et représentations filmée

Interview de James Carlès à Angers

Carlès, James

James Carles is a choreographer, researcher and lecturer. He received initial training in dance and music of Africa and its Diaspora and then trained with the great names of modern dance in New York and London mainly. Since 1992, he hired an artistic and analytical approach that explores the “places junctions” between the dances, rhythms and philosophies of Africa and its Diaspora with technical and western thoughts frames. To date, his company’s directory contains more than fifty pieces of his own creation and authors like Katherine Dunham, Pearl Primus, Talley Beatty, Asadata Dafora, Geraldine Armstrong, Rick Odums, Wayne Barbaste, Carolyn Carlson, Robyn Orlin, etc.


Dancer soloist and outstanding performer, James Carles was performer and artistic collaborator for not only numerous “all music” ranging from Baroque to contemporary music, through jazz; but also choreographers such as Carolyn Carlson, Robyn Orlin, Rui Horta, Myriam Naisy, etc.

Artist associated with Astrada- Jazz In Marciac 2012-2014, research associate in the laboratory of the University LLA Créatis Jean Jaures Toulouse, James Carles is particularly invests in heritage projects for diversity and diffusion of choreographic culture. He is also founder and artistic director of the festival “Dances and Black Continents”.

Carlès, James

Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.

Centre chorégraphique James Carlès

Two methodologies transmitted by James Carlès and recognized internationally are part of the artistic and pedagogical project of the center :

- R.E.S.E.T. : Movement techniques with multiple applications for dancers and the person: form, health, expression, creativity, physicality are the assets of this method.

- James Carlès Dance Methodology : Choreographic technique for artists and thinkers. It allows dancers to develop their awareness and mastery of movement (flow), their gesture and their infinite technical and choreographic applications.


More than 2100 students have been trained in the span of 20 years, of which :

- 40% became artists/dancers

- 10% are working in cultural administration, in distribution or production

- 40% became teachers

- 10% are working in the body and well-being professions

Interview de James Carlès à Anger

Artistic direction / Conception : James Carles

Choreography : James Carlès

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Peuplé, dépeuplé

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Coupé Décalé Act 2

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Cinderella

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Eins Zwei Drei

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CHUT

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Coupé Décalé

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The spectator's moment (2020): Peeping Tom

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Coupé Décalé studies Extract

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Coupé Décalé Act 2

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Coupé Décalé Act 1 Extract 3

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Opus 07

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Coupé Décalé

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