A choreographic extract remodelled by the group Le Terrain Vague II, choreography, transmission Christine Caradec, as part of the “Danse en amateur et repertoire” programme 2020/2022 (a programme created to assist and promote amateur dancing). 

Presented on 18 June 2022, Maison de la danse in Lyon.

The piece when it was created 

Totentanz I

Firstly produced 18 June 1917 during a dancing night et the Pfauentheater in Zurich

Choreography: Mary Wigman

Piece for one performer: Mary Wigman

Performers on 14 January 1921 in Dresden: Mary Wigman, Gret Palucca, Berthe Trümpy and Yvonne Georgi

Music: Danse macabre, Camille Saint-Saëns

Original duration: 8 minutes

The group

Founded in 2010, and bringing together dancers from ages 10 to 67, this group draws on a variety of styles and techniques including, classical ballet, jazz and contemporary dance. They develop their craft as dancers and creators through regular classes and workshops. Based in Nice and headed up by school teacher Isabelle Blondeau, this amateur group, whose members have been working together for several years, is participating in the programme Amateur Dance and Repertoire for the fourth time. The group aims to delve further into its exploration of iconic, historical works from the first half of the 20th century. To reconstruct historical pieces, the group uses Labanotation with the help of dance notator and coach Christine Caradec. 

The project

Mary Wigman’s Totentanz I, was created in 1921 and danced by the choreographer up until 1924. Originally, the piece was performed by Gret Palucca, Berte Trümpy, Yvonne Georgi and Wigman herself. Its story might have stopped there if it wasn’t for a 2017 reconstruction by a team of dancers and researchers based at the Osnabrück theatre (Germany), including Christine Caradec, performance coach, teacher trainer and Laban dance notator. Using archives, including illustrations, texts and two photos, this iconic piece of German expressionist dance was transcribed into Labanotation so it could be taught to dancers. Christine Caradec is piloting this delicate and complex reconstruction, which aims to remain as faithful as possible to the aesthetic of the original costumes and headpieces.  

German dancer and choreographer (Hanover 1886-Berlin 1973).

Despite being trained by Rudolf van Laban, she was not his follower.  Her ideas about dance free from music have found a broad audience in Germany, Switzerland, and America.  In one of the first, she used percussion instruments. She is known for creating The Language of Dance (1996).

Film director, Ivan Chaumeille, has worked with choreographer Dominique Brun a long time, most notably in the production of + One (2014), a creative documentary scheduled as part of the festival “Vidéodanse”, in the editing of which Rafaël Gubitsch participated; he filmed and edited two versions of Afternoon of a faun, choreographed by Vaslav Nijinski for the film Le Faune -un film ou la fabrique de l’archive. He also carried out interviews, and devised and formulated the ROM and video dimensions of the DVD (2007). He shot video sequences for the show Medea-Stimmen by Virginie Mirbeau, created at Festival Les Météores CNN du Havre (2008). With a background in philosophy, he produced a creative documentary entitled Avec François Châtelet, un voyage différentiel (2010) for the collection “À Contre-temps” in co-production with Groupe Galactica, Mosaïque films and Canal 15.

Amateur Dance and Repertory is a companion program to amateur practice beyond the dance class and the technical learning phase. Intended for groups of amateur dancers, it opens a space of sharing for those who wish to deepen a practice and a knowledge of the dance in relation to its history.

Laurent Barré
 Head of Research and Choreographic Directories
Anne-Christine Waibel
 Research Assistant and Choreographic Directories
 +33 (0)1 41 83 43 96
danse-amateur-repertoire@cnd.fr

Source: CN D

More information: https://www.cnd.fr/en/page/323-danse-en-amateur-et-repertoire-grant-programme