(LA)HORDE initiates a meeting between choreographers Lucinda Childs, Tânia Carvalho, Lasseindra Ninja and Oona Doherty. 

The contemporary dance of Lucinda Childs and Tânia Carvalho, the voguing of Lasseindra Ninja and the physical theater of Oona Doherty echo the stage of MC2 Grenoble. Four choreographers, four works and four universes united in the same desire for inclusion and the same creative energy by the dancers of the Ballet national de Marseille.
 

Programme:

Tempo Vicino - Lucinda Childs
One Of Four Periods In Time (Ellipsis) - Tânia Carvalho
Mood - Lasseindra Ninja
Lazarus - Oona Doherty
 

Directed on march, the 9th of 2022 at MC2 - Maison de la Culture de Grenoble.

Lucinda Childs began her career at the Judson Dance Theater in 1963 where she choreographed thirteen works and performed in works of Yvonne Rainer, Steve Paxton, and Robert Morris. Since forming her dance company in 1973, she has created over fifty works, both solo and ensemble.

In 1976, she collaborated with Robert Wilson and Philip Glass on the opera Einstein on the Beach, as principal performer and choreographer for which she received a Village Voice Obie award. In the subsequent revival in '84 Childs choreographed the two "Field Dances" for the opera. Childs has appeared in a number of Wilson's major productions among them, Marguerite Duras' Maladie de la Mort, Wilson's I Was Sitting on my Patio This Guy Appeared I Thought I Was Hallucinating, Heiner Muller's Quartett, and Wilson and Glass' opera White Raven and Arvo Part’s Adams Lament. and collaborated with Robert Wilson and Mikhail Baryshnikov on Wilson’s new production Letter to a Man which premiered in Spoleto Italy in 2015.

She received a Guggenheim Fellowship in 1979 for her collaboration, Dance, with music by Philip Glass, and film décor by Sol LeWitt. In a Washington Post review of Dance, Alan M. Kriegsman wrote, "a few times, at most, in the course of a decade a work of art comes along that makes a genuine breakthrough, defining for us new modes of perception and feeling and clearly belonging as much to the future as to the present. Such a work is Dance".

Since 1981, she has choreographed over thirty works for major ballet companies which include the Paris Opera Ballet, Les Ballets de Monte Carlo, and Baryshnikov's White Oak Dance Company. She has also worked as choreographer and more recently both choreographer and director for sixteen opera productions including Mozart's Zaide for La Monnaie in Brussels, Stravinsky's Le Rossignol et Oedipe, Vivaldi's Farnace, and Handel's Alessandro, voted "Opera of the Year" by Mezzo-TV 2013. In 2014 she directed a new production of John Adams Dr. Atomic for the Opera du Rhin and Jean Baptiste Lully's Atys and Gluck's Orfeo ed Euridice for Opera Kiel in Germany.

The Summerscape Festival at Bard College commissioned the revival of Dance in 2009, which continues to tour in the United States and Europe and is currently included in the repertory of the Lyons Opera Ballet. Available Light (1983) with music by John Adams and set by architect, Frank Gehry was revived for the 2015-16 season, and she is recently choreographed Beethoven’s Grande Fugue for the Lyons Opera Ballet, which premieres in November, 2016.

Childs received the Bessie Award for Sustained Achievement in 2001, and was elevated from the rank of Officer to Commander in France's Order of Arts and Letters in 2004, and in 2009 she received the NEA/NEFA American Masterpiece Award. In 2017, she was awarded the Venice Biennale de la Danse Golden Lion Award, and the Samuel H. Scripps/American Dance Festival Lifetime Achievement Award. 

Source : Lucinda Childs’ Website

More informations :

http://www.lucindachilds.com/

 Independent director, Josselin Carré works in the field of live performance, particularly music and dance. Comfortable as well alone or in pairs, or at the head of a team, he creates feature films (documentaries, multi-camera recordings) and short forms (EPK, teasers, reports). 

Source: Josselin Carré

More information: josselincarre.com

Back in 1972, Roland Petit created the Ballets de Marseille. Having lost  its -s, the Ballet has become a Centre Chorégraphique National in 1984  wille  be run by the collective (LA)HORDE. 

The creation and  dissemination of shows by the Ballet and guest artists are at the heart  of what it does. Very much rooted in our time, curious about and open to  the world, the BNM is also a prestigious part of Marseille’s cultural  heritage, close to Parc Borély.

Source: BNM

En savoir plus: www.ballet-de-marseille.com/en