Skip to main content
Back to search
  • Add to playlist

Swan Lake

Numeridanse 1995

Choreographer(s) : Bourne, Matthew (United Kingdom)

Present in collection(s): Numeridanse

Video producer : New adventures

en fr

Swan Lake

Numeridanse 1995

Choreographer(s) : Bourne, Matthew (United Kingdom)

Present in collection(s): Numeridanse

Video producer : New adventures

en fr

Swan Lake

Thrilling, audacious and totally original, Matthew Bourne's legendary production transforms one of ballet's best -loved stories into a stylish, witty, poignant, contemporary tale with extravagant, award-winning designs by Lez Brotherston.

Perhaps best-known for replacing the traditional female corps de ballet with a menacing male ensemble, Matthew Bourne blends dance, style, humour, spectacle, character comedy and mime to create a provocative and powerful Swan Lake for our times.

Collecting over thirty international theatre awards including three Tonys, Swan Lake has been acclaimed as a landmark achievement on the international stage.

Since its 9th November 1995 world premiere at Sadler's Wells, Matthew Bourne's breathtaking and sexy version of Swan Lake has become the longest running ballet in the London's West End and on Broadway. It has enjoyed four successful tours in the UK and has continued to thrill audiences throughout the world.


Source : www.new-adventures.net


More information : 

www.new-adventures.net

www.swanlaketour.com

Bourne, Matthew

Matthew started his dance training at the comparatively late age of 22. He studied Dance Theatre and Choreography at The Laban Centre (now Trinity Laban) graduating in 1985 and spending a further year with the college’s performance company Transitions. Matthew danced professionally for 14 years creating many roles in his own work. 

As Artistic Director of his first company, Adventures in Motion Pictures from 1987 until 2002 Matthew created many award-winning works for the Company including "Spitfire" (1988), "The Infernal Galop" (1989), "Town and Country" (1991), "Deadly Serious" (1992), "Nutcracker!" (1992), "Highland Fling" (1994), "Swan Lake" (1995), "Cinderella" (1997) and "The Car Man" (2000). The most iconic productions have been revived for New Adventures, which was launched by Matthew and his Co-Director Robert Noble in 2002. Ground-breaking new productions were added to the repertoire including "Play Without Words" (2002 – a co-production with the National Theatre), "Edward Scissorhands" (2005), "Dorian Gray" (2008), "Lord Of The Flies" (2011 – Director Only), "Early Adventures" (2012 – a compilation of his early work) and "Sleeping Beauty" (2012). New Adventures is now the most successful and busiest dance company in the UK and a major exporter of British dance across the world.

In 2016, New Adventures presented the World Premiere of Matthew Bourne’s latest work, "The Red Shoes", based on the classic Powell & Pressburger film with music by Bernard Herrmann.


Source : The company New Adventure 's website


More information : new-adventures.net

Swan Lake

Choreography : Matthew Bourne

Interpretation : Richard Winsor (le Cygne/l'étranger), Dominic North (le Prince), New adventures company

Original music : Pyotr Ilyich Tachaikovsky (interprétation : The New London Orchestra direction David lloyd Jones)

Lights : Rick Fisher

Costumes : Lez Brotherston

Settings : Lez Brotherston

Production / Coproduction of the video work : RéalisationTV Ross Macgibbon, Producteurs exécutifs Fiona Morris et Todd Austin, Production Leopard films courtesy of Sky

Our videos suggestions
02:55

Relâche

  • Add to playlist
03:04

Lobby

Zebiri, Moncef (France)

  • Add to playlist
03:42

Seeds (retour à la terre)

Carlson, Carolyn (France)

  • Add to playlist
15:34

Cinderella

Malandain, Thierry (France)

  • Add to playlist
03:58

Impair - focus

Brabant, Jérôme (Reunion)

  • Add to playlist
14:31

DéBaTailles [transmission 2015]

Plassard, Denis (France)

  • Add to playlist
40:40

Meublé sommairement [by the CNDC's students] 2/2

Bagouet, Dominique (France)

  • Add to playlist
21:54

Meublé sommairement [by the CNDC's students] 1/2

Bagouet, Dominique (France)

  • Add to playlist
24:23

Triton (audiodescription)

  • Add to playlist
04:00

Tschägg

Eidenbenz, Lucie (France)

  • Add to playlist
11:41

Blue Lady Duo Carlson-Saarinen

Carlson, Carolyn (France)

  • Add to playlist
04:52

Commedia

Carlson, Carolyn (France)

  • Add to playlist
10:54

Carolyn Carlson et Michel Portal

Carlson, Carolyn (France)

  • Add to playlist
02:41

Tiger in the tea house

Carlson, Carolyn (France)

  • Add to playlist
03:18

Under my skin

Tompkins, Mark (France)

  • Add to playlist
03:00

Malher's Third Symphony

Neumeier, John (France)

  • Add to playlist
04:56

Altered Natives' Say Yes to Another Excess - TWERK

Bengolea, Cecilia (France)

  • Add to playlist
04:26

Думи мої - Dumy Moyi

Chaignaud, François (France)

  • Add to playlist
43:25

Jours étranges, reprise 2016

Bagouet, Dominique (France)

  • Add to playlist
03:10

Et mon coeur a vu à foison

Richard, Alban (France)

  • Add to playlist
Our themas suggestions

Vlovajobpru company

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

James Carlès

Exposition virtuelle

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

Pantomimes

Presentation of Pantomimes in the different types of dance.

Parcours

fr/en/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/

A Numeridanse Story

Exposition virtuelle

fr/en/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/

A Rite of Passage

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.

Webdoc

fr/en/

Write the movement

A myriad of methods have been invented for analysing dance and putting it into perspective and for accompanying the ‘tool’ that is essential to its memory, the dancer’s body. This webdoc presents the challenges of movement notation.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Käfig, portrait of a company

Webdoc

fr/en/

Artistic Collaborations

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Parcours

fr/en/

Hip hop / Influences

This Course introduce to what seems to be Hip Hop’s roots.

Parcours

fr/en/

The contemporary Belgian dance

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Parcours

fr/en/

Scenic space

A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.

Parcours

fr/en/

Bagouet Collection

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more