The Spectator's moment (2021): São Paulo Dance Company
2021 - Director : Plasson, Fabien
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The Spectator's moment (2021): São Paulo Dance Company
2021 - Director : Plasson, Fabien
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The Spectator's Moment
The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
São Paulo Dance Company
Artistic direction: Inês Bogéa
Creation: 2008
Created in January 2008 by the Government of the State of Sao Paulo, The São Paulo Dance Company (SPDC) is directed by Inês Bogéa, doctor of arts, ballet-dancer, documentary maker and writer.
Throughout this period, the Company has been seen by an audience of more than 1.000,000 people in different countries (Argentina, Austria, Belgium, Canada, Chile, Colombia, France, Germany, Holland, Israel, Italy, Luxembourg, Paraguay, Switzerland, the United States of America, Uruguay, Mexico, the United Arab Emirates), experiencing approximately 150 cities, totaling more than 1,100 performances. The Company has a varied repertoire, ranging from classical to contemporary. Recognized by specialized critics as one of the main dance companies of Latin America, since its creation, the Company has produced more than 80 choreographies, including commissioned new works of important names of international dance like Edouard Lock, Richard Siegal and Marco Goecke, and Brazilian choreographers, as Rodrigo Pederneiras, Henrique Rodovalho e Jomar Mesquita; and restages of works from Jirí Kylián, William Forsythe, George Balanchine, Nijinska, Nacho Duato among others.
SPDC searches for a connection with the audience by curiosity and perception of the dance world in motion. The programs show the variety of the repertoire of SPDC and the dynamics of Brazilian dancers. The dancers are versatile and able to move from classical to contemporary dance with a particular accent. The Company is a meeting place of distinct artists – such as choreographers, light designers, photographers, guest lecturers, restagers, writers, artists, cartoonists, musicians, costume designers and others.
The Educational and Audience Awareness Programs, another strand of action of SPDC, are divided into: Lecture For Educators, in which we have the opportunity to dialogue about the backstage of this art; Dance Workshops, a meeting to experience the daily life of the dancers; Open Performances for Students and Senior Citizens, in which the proposal is to see, hear and perceive the dance world; Programs focus on social institutions and organizations aimed to take the dance culture to different audiences and spaces; Dança em Rede (Dance Network), an online dance encyclopedia on the Company’s website and a series of 39 documentaries about the History of Dance in Brazil.
Source: The São Paulo Dance Company 's website
More information : spcd.com.br
Roots of Diversity in Contemporary Dance
(LA)HORDE: RESIST TOGETHER
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
LATITUDES CONTEMPORAINES
40 years of dance and music
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
les ballets C de la B and the aesthetic of reality
When reality breaks in
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dance in Quebec: Collectivities in motion
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Maison de la danse
Pantomimes
Presentation of Pantomimes in the different types of dance.
Dance and music
The relationship between music and choreographic works varies throught dance history.
Why do I dance ?
Käfig, portrait of a company
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Night ballet
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.