Sacre #2 [transmission 2020]
2020 - Directors : Chaumeille, Ivan - Gubitsch, Rafaël
Choreographer(s) : Brun, Dominique (France)
Present in collection(s): Danse en amateur et répertoire
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Sacre #2 [transmission 2020]
2020 - Directors : Chaumeille, Ivan - Gubitsch, Rafaël
Choreographer(s) : Brun, Dominique (France)
Present in collection(s): Danse en amateur et répertoire
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Sacre #2 [transmission 2020]
An extract remodelled by the group Format, coordination by Sophie Gérard, as part of the “Danse en amateur et repertoire” programme (2019/2020) (a programme created to assist and promote amateur dancing).
Transmission by Roméo Agid and Clarisse Chanel, performers when it was created, Sophie Jacotot, assistant of the choreographer
Presented on 24 October 2020, Chaillot - Théâtre national de la Danse (Paris).
The piece when it was created
Sacre #2, after Le Sacre du printemps (The rite of spring) by Vaslav Nijinski (1913)
Firstly produced 13 March 2014 at the Manège – Scène nationale in Reims
Choreography : Dominique Brun
Piece for thirty-seven performers: Julie Salgues (the chosen one) and Caroline Baudouin, Marine Beelen, Anne Bogard, Garance Bréhaudat, Lou Cantor, Clarisse Chanel, Sophie Gérard, Anne Laurent, Anne Lenglet, Marie Mangin, Maud Marquet, Emma Noël, Marie Orts, Laurie Peschier-Pimont, Coline Periano, Maelys Perlot, Maud Pizon, Mathilde Rance, Margot Robinet, Enora Rivière, Marcela Santander-Corvalan, Lina Schlageter (the women) and Roméo Agid, Matthieu Bajolet, Fernando Cabral, Loïc Faquet, Miguel Garcia Llorens, Maxime Guillon-Roi-Sans-Sac, Corentin Le Flohic, Johann Nöhles, Édouard Pelleray, Sylvain Prunenec, Jonathan Schatz, Pierre Tedeschi, Vincent Weber, Alexis Zelis (the men)
Music extracts from the Sacre du printemps by Igor Stravinsky
Original duration: 30 minutes
The group
Format (Ucel, Auvergne-Rhône-Alpes)
The group of amateur dancers of the Format programme was created in 2011, and today consists of around twenty people. Each year, the group enters into a creative approach for several months, based on times of transmission and discovery of choreographic culture. In 2016, the group staged the piece ”We can be heroes” by Groupenfonction; since then, an amateur creation supervised by professional artists has been launched each year. In 2019, the group participated in the creation of ”Waving”, a choral dance for 60 participants.
The project
A key work of the modern choreographic world, ”The rite of spring” by Vaslav Nijinski has been reinterpreted countless times in the course of the 20th century. To the rugged arrangements of Stravinsky’s composition, Nijinski has choreographed a group ritual with heady rhythms. Based on the records saved – photographs, sketches, Labanotations – Dominique Brun has conducted research work into the gesture and the creative context of the piece, striving to restore the collective dimension and the pioneering aspect of the 1913 choreography.
Brun, Dominique
Dancer and choreographer, Dominique Brun has also been a dance examiner since 1995. She is the co-founder of the La Salamandre dance company and the Quatuor Albrecht Knust. She has worked with the latter on the re-creation of dances from the historical repertoire based on scores created using the Laban system. In 2003, she continued this work with the Ligne de Sorcière association. She is the author of the DVD “Le Faune – un film ou la fabrique de l'archive” (2007). In 2008, she recreated “L'Après-midi d'un faune” (The Afternoon of a faun) for Olivier Dubois's show “Faune(s)”.
Updated: May 2013
Chaumeille, Ivan
Film director, Ivan Chaumeille, has worked with choreographer Dominique Brun a long time, most notably in the production of + One (2014), a creative documentary scheduled as part of the festival “Vidéodanse”, in the editing of which Rafaël Gubitsch participated; he filmed and edited two versions of Afternoon of a faun, choreographed by Vaslav Nijinski for the film Le Faune -un film ou la fabrique de l’archive. He also carried out interviews, and devised and formulated the ROM and video dimensions of the DVD (2007). He shot video sequences for the show Medea-Stimmen by Virginie Mirbeau, created at Festival Les Météores CNN du Havre (2008). With a background in philosophy, he produced a creative documentary entitled Avec François Châtelet, un voyage différentiel (2010) for the collection “À Contre-temps” in co-production with Groupe Galactica, Mosaïque films and Canal 15.
Gubitsch, Rafaël
Rafaël Gubitsch, who is a camera operator, film editor and photographer, produces documentaries and videos around plastic art, music and dance.
He recorded videos by the artist Elliott Causse “Fluctuations” in the context of his numerous installations and monumental frescoes. The film Propagations (2015) portrays the opening of the exhibition, which has the same name as his creation.
He made several documentary videos for Trio Talweg including the EPK of their album Trios avec piano (2018), the recording of which is shown at the Arsenal of Metz.
He has been assistant film editor with Ivan Chaumeille several times, including for + One (2014), a creative documentary scheduled as part of the festival “Vidéodanse”.
As a photographer, he planned the exhibition Urbanicités (2016) with Corentin Hervouët at the 39/93 in Romainville, which focuses on daily life and the city, the multitude of loneliness.
Rafaël has been the audiovisual operator of the exhibition hall of the Philharmonie de Paris since 2016.
Sacre #2 [transmission 2020]
Choreography : Dominique Brun
Interpretation : Amar Bounachada, Corinne Bourgeois, Agnès Chambon, Cédric Guénard, Stéphane Julien, David Kressmann, Éric Nimegeers, Gaëlle Pinard, Camille Rouzé, Marie-France Thouvenin
Additionnal music : Extrait du Sacre du printemps d’Igor Stravinsky, second tableau, « Le Sacrifice »
Video conception : Ivan Chaumeille et Rafaël Gubitsch
Duration : 15 minutes
Danse en amateur et répertoire
Amateur Dance and Repertory is a companion program to amateur practice beyond the dance class and the technical learning phase. Intended for groups of amateur dancers, it opens a space of sharing for those who wish to deepen a practice and a knowledge of the dance in relation to its history.
Laurent Barré
Head of Research and Choreographic Directories
Anne-Christine Waibel
Research Assistant and Choreographic Directories
+33 (0)1 41 83 43 96
danse-amateur-repertoire@cnd.fr
Source: CN D
More information: https://www.cnd.fr/en/page/323-danse-en-amateur-et-repertoire-grant-programme
Roots of Diversity in Contemporary Dance
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
The Dance Biennial Défilé
Dance and music
The relationship between music and choreographic works varies throught dance history.
The American origins of modern dance: [1930-1950] from the expressive to the abstract
How to become a dance spectactor ?
Black Dance
Why do I dance ?
Käfig, portrait of a company
Scenic space
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Rituals
Discover how the notion of ritual makes sense in various dances through these extracts.
Reinterpreting works: Swan Lake, Giselle
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.