Skip to main content
Back to search
  • Add to playlist

Queen Blood

CCN de Rennes et de Bretagne 2019 - Director : Ocke Studio

Choreographer(s) : Sy, Ousmane (France)

Present in collection(s): CCN de Rennes et de Bretagne

en fr

Queen Blood

CCN de Rennes et de Bretagne 2019 - Director : Ocke Studio

Choreographer(s) : Sy, Ousmane (France)

Present in collection(s): CCN de Rennes et de Bretagne

en fr

Queen Blood

 After Fighting Spirit, Ousmane Sy pursues on his exploration  work about energies and feminine gestures. Paradox-Sal dancers roll out  their technical virtuosity and uniqueness so as to reveal or interrogate  what could be womanhood, assumed or suffered, through dance and  movement. Set up from each one’s personal experience, Queen Blood proposes an intimate and vibrating performance. 

Sy, Ousmane

Since his first footwork nearly thirty years ago,  Ousmane Sy has worked to translate his fascination with the  orchestrated movement of a soccer team into dance. His artistic world,  occupying various fields, is made up of step-overs, lunges between the  dance floor and the stage, and the irrepressible desire to overcome  oneself through the group.

One foot in the club, the other in battle: Ousmane Sy, nicknamed  “Babson,” stakes his belonging to house dance between these two spaces  of expression, becoming one of its major proponents in France. With the  “Battle of the Year,” won in 2001 with his crew the “Wanted Posse,” he  brought the “French touch” to the forefront of the international scene  by transposing androgynous gestures inspired by New York nightclubs into  the heart of the contest. Extending far beyond the boundaries of the  Marshall Plan, his dance practice has gradually turned to the hybrid  histories and African lineages of house rhythms. The result was “Afro  House Spirit,” a contemporary dance style marked by the heritage of  traditional African and Caribbean dances.

The driving force behind All 4 House, Ousmane Sy endeavors to  harmonize, through the mise-en-scène of a multi-act performance, the  individual pathways of the female dancers from the group Paradox-Sal,  whom he has trained in house dance for years. Queen Blood (2019) and One Shot  (2021) were born from this approach: two “corps de ballets” alternating  between group choreographies and expressive solos for an encounter of  styles in the joyful spirit of confrontation. Ousmane Sy’s aesthetic  exploration is influenced as much by the mass as by the freestyle spirit  of hip hop. He strongly believes that identity must serve entity.

Source: CCN de Rennes et de Bretagne

Ocke Studio

Based in Montpellier and Paris, Ocke Studio has developed expertise in capturing events, shows and hip hop battles. 

More information: www.ockestudio.com

CCN de Rennes et de Bretagne

With a background in hiphop and all its influences, we represent a  new generation of choreographers. Our driving force—dance, as well as  art brut—draws on self-taught skills and takes on a universal dimension  that informs our values. It is dance that allows us to forge a  cross-disciplinary dialog with other aesthetics and to be in touch with  reality. We affirm the use of making (faire) as a way of  relating to the world, as well as a method of appropriating, through  action and reaction, our immediate environment and of infusing it,  whenever possible, with desire, poetry, justice, imagination, joy,  sharing, and community…

Gathered together, enriched by our differences and by our individual  artistic approaches, we have been able to sweep aside the residual  modalities of writing specific to our respective fields of aesthetics.  We thus invite you to discover our worlds and partake in the auteur  dance that fits perfectly within the panorama of contemporary dance.


Source: CCN de Rennes et de Bretagne 

Queen Blood

Choreography : Ousmane Sy

Choreography assistance : Odile Lacides

Interpretation : 7 interprètes parmi : Allauné Blegbo, Megan Deprez, Valentina Dragotta, Dominique Elenga, Nadia Gabrieli Kalati, Linda Hayford, Nadiah Idris, Odile Lacides, Cynthia Lacordelle, Mwendwa Marchand, Anaïs Mpanda, Audrey Minko, Stéphanie Paruta

Lights : Xavier Lescat

Sound : Adrien Kanter

Production / Coproduction of the choreographic work : Une création All 4 House Production : Garde Robe Production déléguée : Collectif FAIR-E / CCN de Rennes et de Bretagne Coproductions : Initiatives d’Artistes en Danses Urbaines I Fondation de France - La Villette 2018, La Villette 2019, Centre de la danse P. Doussaint GPS&O, Centre chorégraphique national de La Rochelle I Compagnie Accrorap - Kader Attou et Centre chorégraphique national de Créteil et du Val-de-Marne I Compagnie Kafig direction Mourad Merzouki dans le cadre de l’accueil studio. Avec le soutien de la DRAC Île de-France au titre de l’aide au projet 2017, l’ADAMI, Arcadi Île-de-France, la Ville de Paris au titre de l’aide à la résidence 2018, Initiatives d’Artistes en Danses Urbaines - Fondation de France - La Villette 2017, 2018 et 2019, la Maison Daniel Féry - maison de la musique de Nanterre, la Ville de Lille - Maisons Folie – FLOW et la Spedidam. Cette œuvre a reçu le 3è prix et le prix de la technique du concours Danse Élargie 2018 organisé par le Théâtre de la Ville – Paris et le Musée de la danse – Rennes, en partenariat avec la Fondation d’entreprise Hermès. Queen Blood a été créé le 28 mars 2019 à La Villette, Paris

Duration : 1 heure

Our videos suggestions
01:46

Grand Finale

Shechter, Hofesh (United Kingdom)

  • Add to playlist
01:16

The art of Ohad Naharin

Naharin, Ohad (Israel)

  • Add to playlist
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
02:58

Another look at memory

Lebrun, Thomas (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
57:18

Cribles

Huynh, Emmanuelle (France)

  • Add to playlist
46:49

Cribles/live

Huynh, Emmanuelle (France)

  • Add to playlist
30:33

Leïla "the night"

Lagraa, Abou (France)

  • Add to playlist
03:37

Couleurs de femmes

Chane, Yun (Reunion)

  • Add to playlist
03:58

Kafrine - focus

Bulin, Nadjani (Reunion)

  • Add to playlist
14:18

Sehnsucht [transmission 2015]

Waehner, Karin (France)

  • Add to playlist
11:26

Passages

  • Add to playlist
11:59

Feathers of La Fronde

Barua, Natalia (United Kingdom)

  • Add to playlist
11:58

Carte blanche of Talia de Vries (2010)

  • Add to playlist
07:20

Amelia

Lock, Édouard (Canada)

  • Add to playlist
03:32

BGirls

  • Add to playlist
03:04

BGirls

  • Add to playlist
07:37

La la la Human Sex (duo n°1)

Lock, Édouard (Canada)

  • Add to playlist
01:30:03

Fragments

Bouvier, Joëlle (France)

  • Add to playlist
01:02:20

Furies

Bouvier, Joëlle (France)

  • Add to playlist
Our themas suggestions

Yield Variations on dissuasive urban furniture

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

(LA)HORDE: RESIST TOGETHER

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times


Parcours

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Butoh

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

Dance in Quebec: Collectivities in motion

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Parcours

fr/en/

Dance in Quebec: Untamed Bodies

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Parcours

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

Dance and music

The relationship between music and choreographic works varies throught dance history.

Parcours

fr/en/

The American origins of modern dance: [1930-1950] from the expressive to the abstract

Parcours

fr/en/

La part des femmes, une traversée numérique

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more