Lyon, terre de danse
2016 - Director : Pecci, Jean-Louis
Choreographer(s) : Merzouki, Mourad (France)
Present in collection(s): Numeridanse ,
Lyon, terre de danse
2016 - Director : Pecci, Jean-Louis
Choreographer(s) : Merzouki, Mourad (France)
Present in collection(s): Numeridanse ,
Lyon, terre de danse
A melting pot of French contemporary dance, in an eclectic spirit, Lyon has seen the birth of an impressive number of choreographers and personalities who have contributed to its national development. Lyon also unites a unique ensemble of dance structures and events in France: La Maison de la Danse, the Lyon Opera Ballet, La Biennale de la danse and its parade, which brings together amateurs from all over the world. the Lyon agglomeration and professional choreographers.
Mourad Merzouki, from the suburbs of Lyon, has succeeded in transposing hip-hop from the street to the stage. This major choreographer has among others created in 1998 Recital, show flagship of the hip-hop scene.
Source: Corps rebelles
More information: http://corpsrebelles.museedesconfluences.fr/
Merzouki, Mourad
A major figure on the hip-hop scene since the early 1990s, Merzouki works at the crossroads of many different disciplines: he adds circus, martial arts, fine arts, video and live music to his exploration of hip-hop dance. Without losing sight of the roots of hip-hop movement – of its social and geographical origins – this multidisciplinary approach opens new horizons and reveals original outlooks. Since 1996, 30 creations have been performed in 700 cities and 65 countries, with more than 3,000 performances given for 1.7 million people. Since 2009, Merzouki is director of the Centre chorégraphique national de Créteil et du Val-de-Marne, where he created the festival Kalypso, a Parisian twin of his festival Karavel in the region of Lyon. In 2016, he is also appointed artistic director of Pôle en Scènes in Bron.
More information : http://ccncreteil.com/
Pecci, Jean-Louis
Jean-Louis Pecci is a canadian director.
Exposition Corps Rebelles
The exhibition Corps rebelles invited the public to discover contemporary dance. She presented the different approaches of the dancing body, illustrated by emblematic choreographies.
The question of interpretation was also at the heart of the exhibition with eight versions of The Rite of Spring created by eight great choreographers. The exhibition continued by treating notation as a tool for memorizing and transmitting a gesture.
Source: Corps rebelles
More information: http://corpsrebelles.museedesconfluences.fr/
Roots of Diversity in Contemporary Dance
Amala Dianor: dance to let people see
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
A Numeridanse Story
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Why do I dance ?
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Bagouet Collection
The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time
While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America.
Hip-hop: a grassroots movement
Strange works
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.