Les entretiens de la danse : Jean-Paul Montanari
1994 - Director : Urréa, Valérie
Present in collection(s): Centre national de la danse , Compagnie Mathilde Monnier - Association MM
Video producer : Centre chorégraphique national de Montpellier Languedoc-Roussillon
Integral video available at CND de Pantin
Les entretiens de la danse : Jean-Paul Montanari
1994 - Director : Urréa, Valérie
Present in collection(s): Centre national de la danse , Compagnie Mathilde Monnier - Association MM
Video producer : Centre chorégraphique national de Montpellier Languedoc-Roussillon
Integral video available at CND de Pantin
Entretiens de la danse : Jean-Paul Montanari (Les)
Urréa, Valérie
Back in 1987, after having completed her studies at the Ecole nationale supérieure Louis-Lumière, Valérie Urréa began asserting her passion for visual and performing arts. Documentaries, live recordings, fictions, from 'Bruit Blanc' to 'L’Homme qui Danse', all of Valerie Urréa’s films, which are principally coproduced by ARTE, explore highly-sensitive themes such as autism, masculinity and issues concerning race, through artistic visions. Her multiple award-winning films are regularly presented in international festivals. She was guest-artist twice for the Commission Image Mouvement de la Délégation des Arts Plastiques (Image/Movement Commission of the French Visual Arts Delegation). At the same time, she was a teacher for several years at the École Supérieure des Arts Visuels (ESAV - Higher Institute for Visual Arts) in Marrakech, specializing in the relationships between images and performing arts.
Source : Valérie Urréa
Montanari, Jean-Paul
Roots of Diversity in Contemporary Dance
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
A Numeridanse Story
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Why do I dance ?
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Bagouet Collection
The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time
While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.