Années 80 : Partout, toutes les danses pour tous les corps
2012 - Directors : Charrier, Julie - Plasson, Fabien
Present in collection(s): Numeridanse
Video producer : Maison de la Danse
Années 80 : Partout, toutes les danses pour tous les corps
2012 - Directors : Charrier, Julie - Plasson, Fabien
Present in collection(s): Numeridanse
Video producer : Maison de la Danse
Années 80 : Partout, toutes les danses pour tous les corps
Interview with Anne Décoret-Ahiha, dance anthropologist who tells us about the arrival of contemporary dance in France in the 1980s.
Décoret-Ahiha, Anne
ANNE DECORET-AHIHA
Anne Décoret-Ahiha is a dance anthropologist and holds a PhD from Paris 8 University.
As a lecturer, trainer and consultant, she develops proposals that focus on dance as a pedagogical resource and creates participative processes that concentrate on corporality. She runs the “Echauffements du spectateur” (Spectator warm-up sessions) at the Maison de la Danse.
Selective bibliography
- Les Danses exotiques en France : 1880 – 1940, Editions du Centre National de la Danse, 2004)
Grand prix de la critique 2004/2005 Palmarès danse, Outstanding Publication 2006 Award, décerné par The Congress on Research in Dance, New York.
- "Appréhender l'oeuvre chorégraphique autrement : les "Echauffements du spectateur" ", in Denis Cerclet & Michel Kneubühler (dir), Ré-inventer la politique culturelle ? Genouilleux, Editions La Passe du vent, 2012, pp. 325-335.
- "Danses du monde", livret du DVD Kit Chorale 21, outil pédagogique et artistique pour comprendre le développement durable, Tin-Tal production, 2008.
- « Le Tour du monde en 80 danses », livret du DVD réalisé par la Maison de la danse (Charles Picq) en partenariat avec le Centre régional de Documentation Pédagogique (CRDP), 2007
- « L'Exotique, l'ethnique et l'authentique : regards et discours sur les danses d'ailleurs », in Civilisations, vol. III, n° 1-2, Bruxelles : Université Libre de Belgique, 2006, p. 149-168.
More information
Updating : January 2013
Charrier, Julie
She dances almost every day from 4 to 20 years old, then discovers at the CNDC (Centre National de Danse Contemporaine) that movement can take place other than by dancing. She then followed a master's degree in cinema, particularly motivated by video dances. It is moving towards the production of documentary films and recordings of live shows mainly oriented towards contemporary dance for many production companies. As advisor, then columnist and director, she participated in the birth and development of Numeridanse. She coordinates for the ACCN and the Ministry of Culture, delegation to dance, the digitization of French choreographic heritage and created the site 30ansdanse.fr. She is in charge of the artistic direction and production of the "Histoires d’espaces" virtual reality collection for the Aix and Avignon Festivals, as well as the production of some of the episodes. She produces and co-directs with Yvan Schreck, Nous, la danse, a 52-minute documentary, which follows CNDC students for a year. She develops and produces in situ projects where performance poetizes everyday life, awakens creativity, highlights neighborhoods, architectures and reveals the movements of all.
Source: 24 images production
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Années 80 : Partout, toutes les danses pour tous les corps
Artistic direction / Conception : Julie Charrier, Fabien Plasson
Production / Coproduction of the video work : Numeridanse
Roots of Diversity in Contemporary Dance
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
A Numeridanse Story
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Why do I dance ?
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Bagouet Collection
The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time
While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.