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Le pré est vénéneux mais joli en automne

Maison de la danse 1980 - Director : Picq, Charles

Choreographer(s) : Zighera, Marie (France)

Present in collection(s): Maison de la danse , Saisons 1980 > 1989

Video producer : Maison de la Danse de Lyon

Integral video available at Maison de la danse de Lyon

en fr

Le pré est vénéneux mais joli en automne

Maison de la danse 1980 - Director : Picq, Charles

Choreographer(s) : Zighera, Marie (France)

Present in collection(s): Maison de la danse , Saisons 1980 > 1989

Video producer : Maison de la Danse de Lyon

Integral video available at Maison de la danse de Lyon

en fr

Le pré est vénéneux mais joli en automne

 A show by Marie Zighera filmed on the set of the Maison de la Danse de Lyon in Croix-Rousse in 1980.  

Zighera, Marie

Dancer-choreographer born in Paris, Marie Zighéra trained in contemporary dance with Laura Sheleen, dancer for Martha Graham. In 1970, at the request of the director Marcel Maréchal, she came to Lyon and arranged several ballets for the latter's staging at the Théâtre du 8ème. At the same time, she developed a school and created her company with Didier Deschamps in 1970. During this period, she worked on the different currents of contemporary dance with Caroline Carlson, Merce Cunningham and Robert Kovich. 


Founder of La Maison de la Danse de Lyon, she actively participates in the dissemination of her art and its openness to the greatest masters. In 1988, she organized in Lyon, the first "BIENNALE OFF" of dance for la Biennale de la danse. Along with her work as a choreographer, she trained in the practice of yoga. This contribution will be fundamental for the development of its research and its teaching. 


Source: Marie Zighéra's website

More information: www.mariezigheradanse.com

Picq, Charles

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.


His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).


Source: Maison de la Danse de Lyon

Le pré est vénéneux mais joli en automne

Choreography : Marie Zighera

Interpretation : Raphael Fernandez, Jean-Claude Zizin, Marie Zighera

Original music : Bernard Fort

Settings : Marc Van Appelghem

Production / Coproduction of the video work : Maison de la Danse de Lyon - Charles Picq, 1980

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