Le Cantique des cantiques
2018 - Director : Plasson, Fabien
Choreographer(s) : Lagraa, Abou (France)
Present in collection(s): Cie La Baraka / La Chapelle - Abou Lagraa & Nawal Aït Benalla
Le Cantique des cantiques
2018 - Director : Plasson, Fabien
Choreographer(s) : Lagraa, Abou (France)
Present in collection(s): Cie La Baraka / La Chapelle - Abou Lagraa & Nawal Aït Benalla
Le Cantique des cantiques
Creation for 6 dancers and 2 actresses.
"For the first time, I'm working on my choreography with a pre-existing poetic narrative. We have sought with Mikaël Serre what love means today, we have broadened the questions by confronting the text with our current problems, with intolerances, contradictions, with all the forms of hypocrisy of our societies when it's about love.
Source : Abou Lagraa
Lagraa, Abou
Abou Lagraa began dancing in Annonay, before entering the Conservatoire National Supérieur de Musique et de Danse de Lyon. He began his career as a dancer-performer at the S.O.A.P. Dance Theater Frankfurt, working with Rui Horta, before becoming his assistant at the Gulbenkian Ballet in Lisbon.
In 1997, he founded the Compagnie La Baraka, with whom he was successively associate artist at Bonlieu, Scène Nationale d'Annecy (2004-2008) then at Les Gémeaux, Scène Nationale de Sceaux (2009-2013) and finally at the Maison de la Danse in Lyon (2015). The company's reputation quickly spread beyond France's borders, and it began touring all over Europe, as well as the United States, Algeria, Tunisia, Russia and Asia...
In 2010, with Nawal Aït Benalla, he created the first Ballet Contemporain d'Alger with ‘Nya’, a piece whose success led to several national and international tours. This return to his roots inspired his 2013 creation ‘El Djoudour’ (The Roots), the fruit of a fruitful partnership between his own French company and the Ballet Contemporain d'Alger. This creation opened the ‘Marseille-Provence 2013, European Capital of Culture’ event.
In February 2018, La Baraka moved to La Chapelle Sainte-Marie in Annonay. Abou Lagraa and Nawal Aït Benalla decided to co-direct La Baraka and La Chapelle together. This desacralised setting, a jewel of Baroque art, has been transformed into a choreographic studio and houses the company's administrative offices. La Chapelle became a creative residency for French and international dance companies. Like a small ‘Villa Medici’ for dance in the Ardèche.
Source : Cie La Baraka
More information : https://www.compagnielabaraka.com/
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Le Cantique des cantiques
Choreography : Abou Lagraa
Interpretation : Danseurs : Pascal Beugré-Tellier, Ludovic Collura, Saül Dovin, Diane Fardoun, Charlotte Siepiora, Antonia Vitti // Comédiennes : Maya Vignando et Gaïa Saitta
Stage direction : Mikaël Serre
Set design : LFA – Looking for architecture
Text : Olivier Cadiot et Michel Berder – Edition Bayard (traduction)
Original music : Olivier Innocenti
Video conception : Giuseppe Greco
Lights : Fabiana Piccioli
Costumes : Carole Boissonet
Technical direction : Antoine de Gantho
Production / Coproduction of the choreographic work : Production Cie La Baraka // Coproduction La Maison de la Danse de Lyon, Les Gémeaux/Sceaux/scène nationale, Théâtre National de Chaillot, Grand Théâtre de Provence d’Aix-en-Provence, Bonlieu Scène Nationale Annecy, Movimentos Festwochen der Autostadt in Wolfsburg 2016 - Allemagne, Centre Chorégraphique National de Créteil et du Val-de-Marne, Compagnie Käfig – direction Mourad Merzouki dans le cadre de l’accueil studio // Partenaires : La compagnie a reçu l’aide à la production de la SPEDIDAM.
Production / Coproduction of the video work : Maison de la Danse, Lyon
Animal Kingdom, participant's words
Yield Variations on dissuasive urban furniture
Roots of Diversity in Contemporary Dance
Noé Soulier Rethinking our movements
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Vlovajobpru company
40 years of dance and music
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
les ballets C de la B and the aesthetic of reality
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Butoh
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Improvisation
Discovery of improvisation’s specificities in dance.
Pantomimes
Presentation of Pantomimes in the different types of dance.