Le Cantique des cantiques
2018 - Director : Plasson, Fabien
Choreographer(s) : Lagraa, Abou (France)
Present in collection(s): Cie La Baraka / La Chapelle - Abou Lagraa & Nawal Aït Benalla
Le Cantique des cantiques
2018 - Director : Plasson, Fabien
Choreographer(s) : Lagraa, Abou (France)
Present in collection(s): Cie La Baraka / La Chapelle - Abou Lagraa & Nawal Aït Benalla
Le Cantique des cantiques
Creation for 6 dancers and 2 actresses.
"For the first time, I'm working on my choreography with a pre-existing poetic narrative. We have sought with Mikaël Serre what love means today, we have broadened the questions by confronting the text with our current problems, with intolerances, contradictions, with all the forms of hypocrisy of our societies when it's about love.
Source : Abou Lagraa
Lagraa, Abou
Born in Annonay, Abou Lagraa began dancing at the age of 16 before entering the Conservatoire National Supérieur de Musique et de Danse, Lyon. He began his career as a dancer at the S.O.A.P. Dance Theatre, Frankfurt with Rui Horta and became his assistant on a project at the Calouste Gulbenkian Centre, Lisbon. He was soon noticed and went on to work with Robert Poole, Denis Plassard and Lionel Hoche. His qualities as a performer have been rewarded twice: in 1998 by the 2nd Prize for performance at the Paris International Dance Competition, then in 2009 by the prize for Best Male Dancer, awarded by the International Movimentos Dance Prize. In 1997 he founded his own company, La Baraka.
Once again, recognition came quickly; numerous French venues programmed the young choreographer and he received proposals for collaboration. As a result, after 4 years as an associated artist at Bonlieu Scène Nationale in Annecy, since 2009 Abou Lagraa and his company have been hosted in production residency at Gémeaux Scène Nationale, Sceaux. The fame of the company spread rapidly beyond France's borders and tours followed one after the other, throughout Europe and also in the United States, Algeria, Tunisia and Indonesia… Alongside his work with the company, Abou Lagraa is regularly in demand by large organisations.
In 2001 he devised Fly, Fly for the CCN Ballet de Lorraine. This piece later was subsequently added to the repertoire of the ABC Dance Company of St Pölten in Austria.
In 2003 he devised a work for the second-year students of the Centre National de Danse Contemporaine, Angers, then in 2007 for the pupils of the Frankfurt Hochschule and the pupils of the Centre Méditerranéen de Danse Contemporaine, Tunis.
In 2006 his work entered the repertoire of the Paris Opéra Ballet with Le Souffle du Temps, a piece for 21 dancers, including 3 étoiles (Marie-Agnès Gillot, Manuel Legris, Wilfried Romoli). Then, in 2008, he composed Everyone's One at the invitation of Ballet Memphis (USA).
Since 2009, in association with the Algerian Ministry of Culture and th Algerian Agency for the Cultural Brilliance, he works, with Nawal Aït Benalla-Lagraa, in the elaboration of a “Mediterranean Cultural Bridge", the project of French-Algerian cooperation for the development of the dance and the artistic exchanges which will contain a program of Training and creation. In this frame, he sees confiding for July, 2009, the choreography of Closing ceremony of the 2nd Pan-African Festival of Algiers. In 2010, he creates the Ballet Contemporain d'Alger, under the Nawal Aït Benalla-Lagraa's educational responsibility, with a first piece NYA. The success of which ends in several national and international tours.
This piece was to be distinguished in 2011 when it was awarded the Grand Prix de la Critique as “Best Choreography of the Year”.
In 2016, he becomes the « Dream up » ambassador, an international arts-based education programme set up by the BNP Paribas foundation. This programme will help some 30,000 underprivileged or disabled children and teenagers to develop and find fulfilment by practising an artistic or creative activity.
In 2016, he becomes “Chevalier des arts et des lettres” nominated by the French ministry of culture.
Source : Cie La Baraka
More information : https://www.aboulagraa.fr/
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Le Cantique des cantiques
Choreography : Abou Lagraa
Interpretation : Danseurs : Pascal Beugré-Tellier, Ludovic Collura, Saül Dovin, Diane Fardoun, Charlotte Siepiora, Antonia Vitti // Comédiennes : Maya Vignando et Gaïa Saitta
Stage direction : Mikaël Serre
Set design : LFA – Looking for architecture
Text : Olivier Cadiot et Michel Berder – Edition Bayard (traduction)
Original music : Olivier Innocenti
Video conception : Giuseppe Greco
Lights : Fabiana Piccioli
Costumes : Carole Boissonet
Technical direction : Antoine de Gantho
Production / Coproduction of the choreographic work : Production Cie La Baraka // Coproduction La Maison de la Danse de Lyon, Les Gémeaux/Sceaux/scène nationale, Théâtre National de Chaillot, Grand Théâtre de Provence d’Aix-en-Provence, Bonlieu Scène Nationale Annecy, Movimentos Festwochen der Autostadt in Wolfsburg 2016 - Allemagne, Centre Chorégraphique National de Créteil et du Val-de-Marne, Compagnie Käfig – direction Mourad Merzouki dans le cadre de l’accueil studio // Partenaires : La compagnie a reçu l’aide à la production de la SPEDIDAM.
Production / Coproduction of the video work : Maison de la Danse, Lyon
Animal Kingdom, participant's words
Yield Variations on dissuasive urban furniture
Roots of Diversity in Contemporary Dance
Noé Soulier Rethinking our movements
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Vlovajobpru company
40 years of dance and music
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
les ballets C de la B and the aesthetic of reality
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Butoh
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Improvisation
Discovery of improvisation’s specificities in dance.
Pantomimes
Presentation of Pantomimes in the different types of dance.