Indeed, in 2008, on Nawal Ait Benalla-Lagraa's initiative, Abou Lagraa left to Algeria to try to find his roots, his past. As evidence the 2 artists decided to work on it, to commit themselves by creating "The French-Algerian Mediterranean Cultural Bridge" there.

Meeting the dancers of the Contemporary Ballet of Algiers, getting involved in working with them (the outcome being the creation of Nya in 2010 then Universe Africa – tribute to Nina Simone in 2012) rediscovering the daily life in a country where so much remains to be done, all this could not leave Abou Lagraa untouched. He is indeed so similar and yet so different. 

El Djoudour is the third creation with the Algerian dancers.

For this show, Abou Lagraa drew his inspiration from his Algerian roots. As a western dancer and choreographer, French, North African, he would like to focus this creation on his own perception of the body in Muslim culture (and not of the Muslim faith), a body marked by modesty and respect of privacy. 

Strongly marked by frustration with separation between men and women, Abou Lagraa shows in El Djoudour a range of relations between the two sexes, far from the usual clichés.

The show opens on an empty space, a public square (" El Fada " in Arabic) structured by metal racks that define the space of men and women. Lagraa shows the tensions from the frustration of not being able to share the same space, to touch each other. The bodies confront themselves, are free, the lines move, sensuality is revealed.

To guide his creative process, Abou Lagraa refers to two basic elements of oriental culture: water (instrument of purification and source of life) and earth (the one from which we come from, which feeds our roots). The dancers are as protected by land and water, wrapped in a symbolic garment that allows finally them to touch each other, preserving their modesty and their freedom.

This body language honours the original features of generosity, sharing and brotherhood of the oriental culture.

The dance in El Djoudour reveals the ambivalence between feminity and masculinity, it’s a dance of body states, a total commitment. 

The composer Olivier Innocenti's subtle music supports this idea of “no man’s land”. Algerian singer Houria Aïchi honors and refers to the sacred past. Contemporary music mixed sacred songs provides the link between narrative and abstraction, the organic and the spiritual, the past and the present. These collaborators joined Abou Lagraa’s never-ending quest which is as spiritual as it is artistic. He’s looking for poetry of human relationships.

El Djoudour comes from the choreographer’s roots, his personal history and his vision of Muslim culture while operating a syncretism with other horizons represented by fourteen dancers with different stories and personal experiences, from multiple ethnics origins (Algerians, Indians, French, Cameroon, Sweden, Comoros). This diversity of body proposes a new interpretation of the body in the oriental culture. 

El Djoudour is like a mirror in which we can look at ourselves to see and love others.

Source : Abou Lagraa

En savoir plus : www.aboulagraa.fr

Abou Lagraa began dancing in Annonay, before entering the Conservatoire National Supérieur de Musique et de Danse de Lyon. He began his career as a dancer-performer at the S.O.A.P. Dance Theater Frankfurt, working with Rui Horta, before becoming his assistant at the Gulbenkian Ballet in Lisbon.

In 1997, he founded the Compagnie La Baraka, with whom he was successively associate artist at Bonlieu, Scène Nationale d'Annecy (2004-2008) then at Les Gémeaux, Scène Nationale de Sceaux (2009-2013) and finally at the Maison de la Danse in Lyon (2015). The company's reputation quickly spread beyond France's borders, and it began touring all over Europe, as well as the United States, Algeria, Tunisia, Russia and Asia...

In 2010, with Nawal Aït Benalla, he created the first Ballet Contemporain d'Alger with ‘Nya’, a piece whose success led to several national and international tours. This return to his roots inspired his 2013 creation ‘El Djoudour’ (The Roots), the fruit of a fruitful partnership between his own French company and the Ballet Contemporain d'Alger. This creation opened the ‘Marseille-Provence 2013, European Capital of Culture’ event.

In February 2018, La Baraka moved to La Chapelle Sainte-Marie in Annonay. Abou Lagraa and Nawal Aït Benalla decided to co-direct La Baraka and La Chapelle together. This desacralised setting, a jewel of Baroque art, has been transformed into a choreographic studio and houses the company's administrative offices. La Chapelle became a creative residency for French and international dance companies. Like a small ‘Villa Medici’ for dance in the Ardèche.

Source : Cie La Baraka

More information : https://www.compagnielabaraka.com/

After studies of mathematics preparatory class and medecine studies, Luc Riolon begins to make films within the framework of his Faculty of Medicine, then met the famous choreographers of the 80s (Maguy Marin, Mark Tompkins, Josef Nadj, Daniel Larrieu Daniel, Odile Duboc, Josette Baiz, Angelin Prljocaj, etc.) with whom he shoots numerous films (re-creation for the camera, the illegal securements). In the 80s with the American choreographer Mark Tompkins he introduces the video on the stage, broadcasting live on big screens the images which he shoots with his camera by being on the stage with the dancers, mixing live images and pre-recorded images. With Daniel Larrieu he participates in the creation of the famous show WATERPROOF, the contemporary choreography which takes place in a swimming pool, by filming live) the dancers dancing in the water and mixing the live images with pre-recorded underwater images. This choreography has been shown in many countries (USA, Canada, Spain, England…)
Then he collaborates during 10 years with the famous french TV producer Eve Ruggieri for her programs" Musics in the heart ". He shoots with her of numerous documentaries about classical music, opera singers and dance. From 1999 he directs documentaries of scientific popularization, by following researchers attached to the resolution of a particular ecologic enigma. These two artistic and scientific domains which can seem separated are nevertheless, for Luc Riolon, connected by the same approach : the deep desire to understand the world, by the art or by the scientific research, and to restore it to the largest number. Among his recent scientific documentaries, we can quote for example " The Enigma of the Black Caiman ", Living and dying in the swamp " or " The Nile delta: The end of the miracle ". “Chernobyl, a natural history ? “ These documentaries of scientific popularization recently have been awarded in international festivals.

Source: Vimeo