The Spectator's moment (2020): Kader Attou
2020 - Director : Plasson, Fabien
Choreographer(s) : Attou, Kader (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la danse de Lyon
The Spectator's moment (2020): Kader Attou
2020 - Director : Plasson, Fabien
Choreographer(s) : Attou, Kader (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la danse de Lyon
The Spectator's Moment
The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Attou, Kader
Kader Attou is a dancer and choreographer from the company Accrorap. Athina, in 1994, marked the beginnings of the company set up with Mourad Merzouki, Eric Mezino and Chaouki Saïd, in Lyon. This show is a success that manages to transpose hip hop dance from the streets to the stage. Alone, he then created Prière pour un fou (1999) to renew the dialogue that the Algerian tragedy made improbable.
Douar (2004), conceived within the framework of the year of Algeria in France, questions the problems of the exile of young people from the districts of France and Algeria. Petites histoire.com (2008) recounts popular France based on burlesque sketches. In 2008, Kader Attou was appointed director of the National Choreographic Center of La Rochelle, thus becoming the first hip hop choreographer to head an institution. In 2018, he reunited with his early partner, Mourad Merzouki, with whom he created Danser Casa for the Montpellier Danse Festival. In 2019, he resumed a version for the street of The Roots with the dancers of the N.I.D. Epsedanse by Anne-Marie Porras for the Montpellier Dance Festival. Since 2022, he has settled in the Friche la Belle de Mai in Marseille.
Source: Montpellier danse
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
CCN de La Rochelle
Mille Plateaux has been home to artist and choreographer Olivia Grandville's project since January 2022. Mille Plateaux aims to be a space for creation, experimentation and artistic innovation; it wishes to reflect the vitality and diversity of the contemporary scene, and to be a home for choreographic cultures in the broadest sense. The National Choreographic Centres are major players in the vitality and structuring of choreographic creation in France and constitute one of the labels of the French Ministry of Culture.
Compagnie Accrorap
In 1989 at Saint-Priest, Kader Attou, Eric Mezino, Chaouki Saïd, Mourad Merzouki and Lionel Frédoc created the company Accrorap.
From the collective of artists at the beginning, to the emergence of unique choreographic works, Accrorap is characterized by its profound openness: openness to the world through journeys conceived as instants of sharing, openness to other artistic forms, to other trends.
Kader Attou has enriched and fine-tuned his dance through the alchemy of hip hop, circus arts, contemporary dance and visual arts. From the local to the international scene, his works have travelled round the world.
Among others: Prière pour un fou (1999), Anokha (2000), Pourquoi pas (2002), Douar (2004), Les corps étrangers (2006), Petites histoires.com (2008), Trio (?) (2010), Symfonia Piésni Załosnych (2010), The Roots (2013) Un break à Mozart (2014), OPUS 14 (2014) and Un break à Mozart 1.1 (2016).
Since 1989, the dance of the company Accrorap and of Kader Attou is generous and strives to break-down barriers and cross frontiers.
The work of Accrorap is the tale of an international collective adventure, where the concept of encounters is at the centre of the company’s approach and where journeys enrich reflection.
Source : Accrorap
More information : http://www.ccnlarochelle.com/
Roots of Diversity in Contemporary Dance
(LA)HORDE: RESIST TOGETHER
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
LATITUDES CONTEMPORAINES
40 years of dance and music
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
James Carlès
les ballets C de la B and the aesthetic of reality
When reality breaks in
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dance in Quebec: Collectivities in motion
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Maison de la danse
Dance and music
The relationship between music and choreographic works varies throught dance history.
Why do I dance ?
Käfig, portrait of a company
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.