Skip to main content
Back to search
  • Add to playlist

L'Effraction du silence

CNDC - Angers 1995 - Director : Picq, Charles

Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

L'Effraction du silence

CNDC - Angers 1995 - Director : Picq, Charles

Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)

Present in collection(s): CNDC - Angers

Video producer : CNDC Angers

en fr

L'Effraction du silence

Bouvier, Joëlle

In 1980 Joëlle Bouvier created the company L'Esquisse with Régis Obadia. Together, they have produced 15 choreographic works performed around the world and co-produced 4 short films, recipients of awards in numerous festivals and produced several videos, including "Casser la Voix", by Patrick Bruel. She was co-director at the CCN in Le Havre from 1986 to 1992, and at the CNDC in Angers from 1993 to 2003.
 

2004, she created the Cie Joëlle Bouvier and set up a creative workshop at the Scène Nationale des Gémeaux, in Sceaux, from 2004 to 2008.  
 

2015 she returned to ballet at the Grand Théâtre in Geneva for the creation of Tristan & Isolde - Salue Pour Moi Le Monde, with the music of Richard Wagner.
At the same time as she was actively creating, Joëlle Bouvier was invited to produce events, such as a display activity at the Printemps department store in Paris in March 2002, and June 2007. In August, 2006, she performed for the launch of a new Chinese cosmetic product at the Palais des Congrès in Paris, then in China. Since 2012, she has worked with Maison Hermès on a show about shoes, presented in Hermès subsidiaries around the world.

Obadia, Régis

Régis Obadia was born in 1958 in Oran, Algeria. He studied dance from 1976 to 1979 at the Institut des Arts et du Mouvement, run by Françoise et Dominique Dupuy, and was initiated into theatre by Jacques Lecoq. In 1980 he formed the l'Esquisse company with Joëlle Bouvier. Their earliest pieces thrust the pair into the national and international limelight.
Directors of the Centre National de la Danse Contemporaine, Le Havre from 1986 to 1992, they were appointed artistic directors of the CNDC, Angers in 1993, renamed CNDC l'Esquisse, which they directed until 2003.    
Since 1998, Régis Obadia has pursued a solo creative career.    
An important figure in modern dance since the early 1980s, Régis Obadia has marked the memories of those who have seen him with the feverish sensuality and powerful gestures of his pieces. With the founding of his own company in 2003, he asserted his distinctive style and his open-mindedness by working just as happily in the field of theatre as that of pure dance. His regular collaborations with Russia, in partnership with Lisa Wiergasova, have won him prestigious prizes, including a Golden Mask in 2004 for his choreography of “The Rite of Spring”, and a Seagull in 2004 for his direction of “The Idiot” at the Moscow  
Chaika Festival. After “The Rite of Spring” to Stravinsky's music, he composed “Réversibilité” (2005), inspired by Baudelaire's “Les Fleurs du Mal” and “Trois” (2006), set to Schubert's “Death and the Maiden”, performed at the Théâtre Sylvia Montfort, Paris. During this time he also produced the Dominique Mercy documentary “Danse Pina Bausch” (2003), in homage to the iconic German choreographer.    

Source : the company Régis Obadia's website

More information

regisobadia.com

 

Picq, Charles

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.


His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).


Source: Maison de la Danse de Lyon

L'Effraction du silence

Choreography : Joëlle Bouvier, Régis Obadia

Choreography assistance : Yann De Graval

Interpretation : Joëlle Bouvier Alexandre Castres Cyrill Davy Barbara Falco Bénita Kuni Régis Obadia Rafaël Pardillo Ibanez Anja Röttgerkamp Ina Wichterich

Stage direction : Denis Curty Mohamadi

Set design : Eva Dario

Original music : Patrick Roudier

Lights : Rémi Nicolas, Étienne Milin

Costumes : Marie-Cécile Winling

Other collaborations : Christophe Béraud (régie générale)

Production / Coproduction of the choreographic work : Co-production Centre national de danse contemporaine - Angers, Théâtre de la ville de Paris, Bunkamura (Tokyo), Les Gémeaux/Scène nationale - Sceaux, Théâtre de Saint-Quentin-en-Yvelines, Festival International de Cannes // Avec le soutien de Göteborg Dance et Theatre Festival (Suisse) // Avec la participation de France Culture

Our videos suggestions
03:38

Yvette Chauviré

Fokine, Michel (France)

  • Add to playlist
01:46

Grand Finale

Shechter, Hofesh (United Kingdom)

  • Add to playlist
01:16

The art of Ohad Naharin

Naharin, Ohad (Israel)

  • Add to playlist
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
02:58

Another look at memory

Lebrun, Thomas (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
02:55

Céu Cinzento

Oliveira, Clébio (France)

  • Add to playlist
02:34

Pixel

Merzouki, Mourad (France)

  • Add to playlist
03:12

Têtes d'Affiche

Tchouda, Bouba Landrille (France)

  • Add to playlist
02:58

Un casse-noisette

Tchouda, Bouba Landrille (France)

  • Add to playlist
03:00

Era Povera

Apergi, Patricia (Greece)

  • Add to playlist
08:02

I think

  • Add to playlist
14:53

Counterpoint

  • Add to playlist
04:04

Cabaret Heels

  • Add to playlist
09:18

Accumulation

  • Add to playlist
06:08

Kwa Zulu Natal

  • Add to playlist
57:18

Cribles

Huynh, Emmanuelle (France)

  • Add to playlist
46:49

Cribles/live

Huynh, Emmanuelle (France)

  • Add to playlist
53:09

Augures

Huynh, Emmanuelle (France)

  • Add to playlist
08:32

Signs and forms Perpetual Motion

  • Add to playlist
Our themas suggestions

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

(LA)HORDE: RESIST TOGETHER

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

Vlovajobpru company

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times


Parcours

fr/en/

Amala Dianor: dance to let people see

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/

James Carlès

Exposition virtuelle

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Butoh

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Parcours

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

fr/en/

Dance in Quebec: Collectivities in motion

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Parcours

fr/en/

Dance in Quebec: Untamed Bodies

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

Parcours

fr/en/

The Dance Biennial Défilé

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more