Soon
1993 - Director : Picq, Charles
Choreographer(s) : Jones, Bill T. (United States)
Present in collection(s): Maison de la danse , Saisons 1990 > 1999
Video producer : Maison de la Danse
Soon
1993 - Director : Picq, Charles
Choreographer(s) : Jones, Bill T. (United States)
Present in collection(s): Maison de la danse , Saisons 1990 > 1999
Video producer : Maison de la Danse
Soon
It premiered in 1988 on the occasion of the Celebrate Brooklyn Festival in Prospect Park (Brooklyn - New York).
Jones, Bill T.
Bill T. Jones is an American dancer and choreographer, who has no taboos whatsoever. This performer, whose scenic presence thrills the audience, expresses violence, gentleness and emotion. His status as a black, homosexual dancer has influenced the social theme of these works, just like modern dance and the importance of improvisation have influenced the creative approach.
Brought up in a very modest African-American family, he studied theatre and dance at the University of Binghamton. A turning point in his life occurred there when he met the performer Arnie Zane who would become his companion and main partner. Together they founded the American Dance Asylum in 1973, before going on to become the Bill T. Jones / Arnie Zane Dance Company in 1982. Arnie Zane died from AIDS in 1988, Bill T. Jones, who is HIV-positive has continued the company ever since.
Bill T. Jones has created works for A. Ailey, the Boston Ballet, the Berlin Opera Ballet and the Lyon Opera Ballet for which he has been honoured with numerous awards. He has also worked on opera and theatre productions. Interested by the diversity of morphologies, he has made this one of his specialities. Black, athletic, sensual and technically highly-skilled, Bill T. Jones played on the differences between himself and Zane, who was small, white and who invented funny gestures and spiced the virtuosity of their duos with a certain kind of nonsense. Bill T. Jones addresses controversial subjects in his choreographical work, such as the status of African-Americans and homosexuality, and he even goes so far as to take a stand on different social issues. His dance, which is already narrative and has broken away from minimalism, is as such militant.
Sources : Panorama de la danse contemporaine, Rosita Boisseau (Ed. Textuel, Paris, 2006) ; New-York Live Arts 's website
More information : newyorklivearts.org
Picq, Charles
Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.
His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
- He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
- He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
- He started «présentations de saisons» in pictures.
- He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.
- He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.
His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.
He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).
Source: Maison de la Danse de Lyon
Bill T. Jones / Arnie Zane Dance Company
Artistic Direction: Bill T. Jones
Creation: 1982
The Bill T. Jones/Arnie Zane Company was born in 1982 out of an 11-year collaboration between Bill T. Jones and Arnie Zane (1948–1988). During this time, they redefined the duet form and foreshadowed issues of identity, form and social commentary that would change the face of American dance. The Company has performed worldwide in over 200 cities in 40 countries on every major continent and is recognized as one of the most innovative and powerful forces in the dance-theater world.
The repertory of the Bill T. Jones/Arnie Zane Company is widely varied in its subject matter, visual imagery and stylistic approach to movement, voice and stagecraft and includes musically-driven works as well as works using a variety of texts. The Company has been acknowledged for its intensely collaborative method of creation that has included artists as diverse as Keith Haring, Cassandra Wilson, The Orion String Quartet etc.
Source: New-York Live Arts
More information : newyorklivearts.org
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Choreography : Bill T. Jones
Interpretation : Bill T. Jones / Arnie Zane Dance Company
Additionnal music : Kurt Weill, Bessie Smith
Production / Coproduction of the video work : Maison de la Danse - 1993
(LA)HORDE: RESIST TOGETHER
40 years of dance and music
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
When reality breaks in
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Pantomimes
Presentation of Pantomimes in the different types of dance.
The American origins of modern dance: [1930-1950] from the expressive to the abstract
A Rite of Passage
Käfig, portrait of a company
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Arts of motion
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
The national choreographic centres
Carolyn Carlson, a woman of many faces
Ballet pushed to the edge
Ballet’s evolution from its romantic form until néo-classicism.
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.