Quatre ciels
2012 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Lebrun, Thomas (France)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Quatre ciels
2012 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Lebrun, Thomas (France)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Quatre ciels
“The departure point of this creation is six choreographic phrases, four musical movements and, of course, its fourteen performers. The musical choices, string quartets from Debussy and Mellits, and a piece for orchestra by Reich, cross different periods of time, from the last century to the current day, a myriad of colours, rhythms, stories and landscapes to be crossed. I wanted to emphasize the composition of the movement, its repetition, its abstraction, its transformation, the development of a single vocabulary, a process that is found in repetitive music. At the same time, my desire to lead these young dancers towards a certain lyricism and the perspective that it requires to journey towards what would appear – a poetic space – was just as present. Four musical movements like four November skies, where the blue fades to grey, where the light modulates its beat... Where the same colours, just like bodies, keep coming back, but mix together, fade away, stand out, free themselves and take up their positions”.
Thomas Lebrun
Updating: June 2012
Lebrun, Thomas
Thomas Lebrun has danced for Bernard Glandier, Daniel Larrieu, Christine Bastin, Christine Jouve and Pascal Montrouge, and founded the Illico company in 1998, after composing the solo “Cache Ta Joie!“. Based in the Nord-Pas-de-Calais region of France, he was first of all an associated artist at Vivat, Armentières (2003-2005) before taking on a similar role in 2006 at Danse à Lille CDC (Centre for Choreographic Development). “On prendra bien le temps d'y être”, “(La) Trêves” “Les Soirées What You Want?”, “Switch”, “Itinéraire d'un danseur grassouillet” and now “La Constellation Consternée” are all works that are also aesthetic worlds which are explored, allying demanding and precise dance with an assertive theatricality.
Thomas Lebrun has also composed a number of pieces in collaboration, notably with the Swiss choreographer Foofwa d'Imobilité (“Le Show” / “Un Twomen Show”) and the French choreographer Cécile Loyer (Que tál!), and makes training and teaching a priority. She teaches at the CND (National Dance Centre) in Pantin and Lyon, Ménagerie de Verre, La Rochelle Conservatoire, Balletéatro de Porto, etc.
He has also choreographed for foreign companies, such as the Liaonning National Ballet in China, Grupo Tapias in Brazil (a solo and, in 2009, a quintet for the Year of France in Brazil) and for Loreta Juodkaité, the Lithuanian dancer
in the 2009 edition of the New Baltic Dance Festival in Vilnius et for FranceDanse Vilnius managed by CulturesFrance (Vilnius, European cultural capital 2009).
In 2012, Thomas Lebrun becomes the new artistic director for the Centre chorégraphique national de Tours.
Further information
Last update : May 2011
Centre national de la danse, Réalisation
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Quatre ciels
Choreography : Thomas Lebrun
Choreography assistance : Maître de ballet Silvia Bidegain
Interpretation : Eva Assayas, Guillaume Busillet, Ariane Derain, Jim Couturier, Cindy Émélie, Louise Hakim, Yoann Hourcade, Morgane Michel, Joachim Maudet, Marion Parrinello, Matthieu PatarozziI, Noëllie Poulain, Arthur Perole, Léa Scher
Additionnal music : Claude Debussy, Quatuor à cordes en sol mineur, op. 10, II et III ; Steve Reich, Different trains III ; Marc Mellits, quatuor à cordes n° 2, III - December 2009
Lights : Emmanuelle Stauble
Costumes : Catherine Garnier
Duration : 28 minutes
Roots of Diversity in Contemporary Dance
(LA)HORDE: RESIST TOGETHER
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
Amala Dianor: dance to let people see
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Maison de la danse
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Why do I dance ?
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
The contemporary Belgian dance
This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.
Bagouet Collection
Arts of motion
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
The national choreographic centres
The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time
While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America.