Mirage
Choreographer(s) : Kunes, Vaclav (Czech Republic)
Present in collection(s): Fondation BNP Paribas
Mirage
Choreographer(s) : Kunes, Vaclav (Czech Republic)
Present in collection(s): Fondation BNP Paribas
Mirage
What's behind all the humor we love to experience from the position of a spectator? What's behind all the elegance and lightness of dancers that we so often admire? And how about stand-up comedians? Are they all really so funny and happy? And dancers, what happens with their energy when the spotlight switches off? A rollercoaster ride. Euphoria giving in to fear and trembling knees... And still, we can't help wanting it over and over.
Recently, Václav Kuneš has been enchanted by the genre of stand-up comedy. He has spent hours and hours watching the masters of the genre, among them Jimmy Fallon, Dave Chappelle, Omid Djalili, Mitch Fatel or the Hollywood actor Robin Williams. It is on the ground plan of stand-up comedy that he now builds his new piece, one to oscillate between humour and poignant questions that go underneath the skin of those who stand on stage and try to make the audience laugh. Is performance on stage more a form of psychotherapy or rather copy-pasting our own ideas again and again and betraying our emotions?
We are not only misleading ourselves but we are also trying hard to deceive people around us. One of the frequent aspects of stand-up comedy is the use of the performer's own 'tragic stories' and mishaps wrapped in and spiced-up with (often black) humour. The audience can usually identify with individual stories and therefore they can laugh at them at the very moment. In many ways, in everyday life, we use the same tools to get by, to be able to laugh about ourselves, about our own mistakes to simply reconfirm to ourselves that we ARE living. And it is very inspiring at certain moments. This effort to camouflage things generates adrenalin one can become addicted to. How far are we willing to go to satisfy the need for this adrenalin? Where are the limits for us to purposely 'create' these mistakes and mishaps only to validate our living? And why do we even do that?
Music for the piece is composed by Owen Belton, a Canadian composer and a holder of the prestigious Dora Mavor Award, known to the Czech public for his collaboration with Crystal Pite, a renowned Canadian choreographer. Pite was introduced to the Czech audience by the intermediary of 420PEOPLE who invited her to perform at the New Stage of the National Theatre within the TANEC PRAHA festival in 2011. Costumes are be designed by a young Prague-based fashion designer tandem Anna Tušková and Radka Sirková who create under the label CHATTY. Among other things, the young designers have received the Designblok Award in 2011.
Kunes, Vaclav
choreographer, dancer, artistic director of 420PEOPLE Dance company
In 1993 he graduated from the Dance conservatory in Prague, Czech Republic.
For 11 years, he was a member of the Nederlands Dans Theater where he worked with Jiří Kylián, Ohad Naharin, William Forsythe, Paul Lightfoot, Mats Ek, Nacho Duato, Johan Inger, Andre Gingras or Hans van Manen to name a few. In 2004 he became a freelance artist, danced many years with Saburo Teshigawara and for one of his works, Scream and Whispers he was nominated for Dancer of the Year 2005 award in Cannes. He was guesting at various gala events with Roberto Bolle, Sylvie Guillem and others.
He worked as an assistant to J. Kylián with many companies around the world.
As a choreographer he worked for theatres in France, Holland, Denmark, Sweden, Germany, USA, Czech Republic and Japan.
In 2015 he was invited to perform in the creation of Solaris by Saburo Teshigawara, contemporary opera produced by Théâtre des Champs Elysées in Paris.
Since 2007 he is the artistic director at 420PEOPLE, group he co-founded with Nataša Novotná. Artistic mission was always focused on creativity and collaborations.
420PEOPLE invited many choreographers and dancers from around the world: Crystal Pite, Ohad Naharin, Saburo Teshigawara, Jiří Kylián, Talia Paz, Michael Schumacher, Jo Strömgren, Ann Van der Broek. In 2017 they collaborated with Sidi Larbi Cherkaoui and his Eastman group on a new work called Nomad.
420PEOPLE also coproduced two dance films with Jo Strømgren Kompani: Closed which was premiered at the Berlinale Festival in 2017 and The Accident in 2021.
In recent years he has created several works in Japan in collaboration with Yamamoto Ballet Company and with OPTO File group of ex-dancers from Nederlands Dans Theater, currently based in Japan. In 2016 it was La Mantovana, then REEN was performed at the New National Theater in Tokyo. In 2017 he created a piece Echo with full orchestra playing Dvořák’s Symphony from The New World as an opening of a new theater in Ota. That same year he created work Recall which was then touring Japan in 2018.
In 2018, 420PEOPLE has moved into their new home-venue in Prague, the La Fabrika Theater. Vaclav’s first work there, The Watcher, with live music by award winning rock band Please the Trees, is still on the repertory there until today and it has been performed at the GONG hall during the Colours of Ostrava music festival for an audience of 1500 people. La Fabrika then coproduced a “pièce d’occasion”, dance cabaret evening also with live music, dancers, actors, singers and a puppet called One and Done.
In 2018 and 2021 Vaclav was a jury member of the Czech national TV series StarDance, one of the most watched TV programs in the country.
In March 2019 he created choreography for a new Czech musical ‘Mandrake flower’ and later that year he was the Associate choreographer to Cherkaoui on the creation of the opera Alceste at the Bayerische Staatsoper in München. In 2020 Vaclav created two dance films: ORĪGĪ (as a part of the EU project CLASH!) and The Flammable Machines - the Audition with renowned Czech film director Jaroslav Brabec.
Most current works are: stage play Beauty and the Beast (dir. Daniela Špinar) with the drama dept. of the National Theater in Prague with dancers and acrobats and two full evening dance works: EVOLUTION for Bühnen Halle Ballett and EVER with 420PEOPLE. All on display in the 2023-2024 season.
In 2022 Vaclav started new concept called 42+people focused on creating dance works for dancers above the age of 42 years. The first work, duet WHERE, created and performed together with Helena Arenbergerova was highly successful and earned them both the Thalia Award nominations for best performance, Helena then receiving it in 2023.
420PEOPLE performed in venues in France, Spain, Sweden, Poland, Germany, South Korea, Russia, Slovakia, Serbia, Cyprus, Mexico, Italy, Finland, Holland, Norway, Japan and U.K.
Source and more information: https://www.vaclavkunes.org/
Mirage
Artistic direction / Conception : Václav Kuneš
Choreography : Václav Kuneš & les danseurs
Interpretation : Zuzana Herényiová / Nikol Šneiderová (Prague Chamber Ballet), Nataša Novotná, Jussi Nousiainen, Ombline Noyer, Milan Odstrčil, Štěpán Pechar, Alexandr Volný
Artistic consultancy / Dramaturgy : Lukáš Jiřička
Set design : Václav Kuneš
Original music : Owen Belton
Lights : Jan Mlčoch
Costumes : studio CHATTY
Other collaborations : Soutenu par Fondation BNP Paribas, Le ministère de la Culture de la RT, La Cité de Prague, L'Ambassade des Pays-Bas a Prague, Ambassade du Canada, Le fond pour la Culture de la RT, Le La Brasserie municipale de Havlíčkův Brod Media partenaires de 420PEOPLE: Opera plus, Dance Zone, 2media
Production / Coproduction of the choreographic work : 420PEOPLE, coproduction The New Stage of the National Theatre, Four Days association
Duration : 70 minutes
DANCE AND DIGITAL ARTS
K. Danse's artistic partners
Dyptik Company
Roots of Diversity in Contemporary Dance
(LA)HORDE: RESIST TOGETHER
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
LATITUDES CONTEMPORAINES
40 years of dance and music
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Amala Dianor: dance to let people see
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
les ballets C de la B and the aesthetic of reality
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Butoh
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,