Les métiers de Chaillot - Menuisier / Menuisière • Serrurier / Serrurière
2021 - Director : Rollo, Thomas
Present in collection(s): Chaillot-Théâtre National de la Danse , Les métiers de Chaillot
Les métiers de Chaillot - Menuisier / Menuisière • Serrurier / Serrurière
2021 - Director : Rollo, Thomas
Present in collection(s): Chaillot-Théâtre National de la Danse , Les métiers de Chaillot
Les métiers de Chaillot
The webserie wich talk about the works behind the scene
Source: Chaillot - Théâtre national de la Danse
More information: theatre-chaillot.fr/fr/metiers-chaillot
Rollo, Thomas
Audiovisual manager responsible for audiovisual productions at Chaillot - National Theater of Dance.
Chaillot-Théâtre national de la Danse
The Théâtre National de Chaillot is one of the five French national theatres (public institutions whose missions are defined by the State) and the only one to have a project built around and based on dance. Under the double supervision of the Ministry of Culture and Communication and the Ministry of Budget, it has been directed since 2011 by the choreographer and dancer Didier Deschamps.
The legend of Chaillot
Installed at the heart of the Palais de Chaillot, the Théâtre National de Chaillot, that became in 2016 Chaillot – National Theatre of Dance, is one of the most prestigious cultural institutions of Paris, not only for the unique place it has in the history of performing arts – namely with the great adventure of the National Popular Theatre founded by Firmin Gémier, then carried and developed by the mythical personality of Jean Vilar – but also in that of France and the world as it is in the big theatre room that the Universal Declaration of Human Rights was signed on the 10th of December 1948. An exceptional venue in the capital, the theatre can welcome each night more than 1 600 spectators, in its three rooms (Salle Jean Vilar of 1 200 seats, Salle Firmin Gémier of 390 seats, Studio Maurice Béjart of 100 seats). Its Grand Foyer facing the Trocadéro Fountain, the Eiffel Tower and the Champ-de-Mars, permanently offers one of the most famous views in the world. The public spaces of the theatre are also host to an important collection of sculptures, paintings, frescoes and pastels signed by the greatest artists of their time: Paul Belmondo, Louis Billotey, Pierre Bonnard, Maurice Brianchon, Roger Chapelain-Midy, Maurice Denis, Othon Friesz, Henri Laurens, Aristide Maillol as well as Édouard Vuillard.
Source: Chaillot-Théâtre National de la Danse
En savoir plus: www.theatre-chaillot.fr/en
Les métiers de Chaillot - Menuisier / Menuisière • Serrurier / Serrurière
Interpretation : Thibaud Garand, Gilles Sautrec
Production / Coproduction of the video work : Chaillot - Théâtre national de la Danse, 2021
Animal Kingdom, participant's words
Yield Variations on dissuasive urban furniture
Roots of Diversity in Contemporary Dance
Noé Soulier Rethinking our movements
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Vlovajobpru company
40 years of dance and music
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
les ballets C de la B and the aesthetic of reality
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
States of the body
Explanation of the term « State of the body » when it’s about dance.
The BNP Paribas Foundation
Improvisation
Discovery of improvisation’s specificities in dance.
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.