La Danse hip-hop, une technique maîtrisée
2000
Present in collection(s): Ministère de la Culture , CNC - Images de la culture
Video producer : Videotel international, Hypnose
La Danse hip-hop, une technique maîtrisée
2000
Present in collection(s): Ministère de la Culture , CNC - Images de la culture
Video producer : Videotel international, Hypnose
La danse hip-hop, une technique maîtrisée
As an introduction, a conversation in a café to situate the first experiences. Everything then takes place in the Ménagerie de Verre in Paris where Junior Almeïda, Gabin Nuissier and other members of Aktuel Force and the Boogies Lockers show, in a few chapters, the development and maturity of a dance style that has both made its mark and evolved. A meticulous definition of a gestural language, with its codes, vocabulary and musical influences. Mohamed Athamna and his accomplices, assisted by Bernard Kech, a movement analysis instructor, set out on a journey with a didactic purpose, which is both an initiation and a search. In slow motion style, this film takes the form of demonstrations that focus on the detail and quality of movement, while also describing its origins. Top-rock, hop-rock and its 3-step or 6-step pass-pass, top-dance and its tetris, smurf, locking, all forms that digested the dances of the 1970s such as the jerk, the funky chicken or the bus stop, break dance and its animal figures such as the scorpion, the spider, the caterpillar or the lame duck and which originated in the martial arts... All these terms referring to dance styles or special figures have, as their performance watch words, speed and precision, preceded by a long warm-up. Designed by the association Hypnose for the transmission of hip hop, this film shows all the richness and diversity of this dance form.
Source : Irène Filiberti
La danse hip-hop, une technique maîtrisée
Artistic direction / Conception : Mohamed Athamna
Interpretation : Gabin Nuissier, Junior Almeïda
Production / Coproduction of the video work : Videotel international, Hypnose Participation : CNC, ministère de la Culture et de la Communication (DMDTS, DDAT), ministère de la Jeunesse et des Sports, Fas
Duration : 88'
Roots of Diversity in Contemporary Dance
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
States of the body
Explanation of the term « State of the body » when it’s about dance.
A Numeridanse Story
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Why do I dance ?
Käfig, portrait of a company
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Bagouet Collection
The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time
While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America.
Dance at the crossroad of the arts
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.