The spectator's moment (2019): The Nutcracker
2019 - Director : Plasson, Fabien
Choreographer(s) : Petipa, Marius (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The spectator's moment (2019): The Nutcracker
2019 - Director : Plasson, Fabien
Choreographer(s) : Petipa, Marius (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The Spectator's Moment
The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Petipa, Marius
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Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Yacobson Ballet
Artistic direction: Andrian Fadeev
Creation: 1969
Yacobson Ballet was founded in 1969 by Ballet Master and famous choreographer Leonid Yacobson. It was the first Russian independent company - not associated with an Opera - it quickly created a buzz within the Russian ballet landscape and received the title of "Miniature Company", referring to the short lengths of the pieces created by its founder. During seven years as a director, Leonid Yacobson worked on the development of dance in Russia and collaborated with renowned dancers such as Natalia Makarova, Alla Osipenko, Maya Plisetskaya and Mikhail Baryshniko.
After Yacobson's death in 1976, his closest collaborator took the direction of the company and opened the repertoire to Russian and foreign choreographers, developing a repertoire of creations based on the founding technique of ballet. The company also began to export its excellent reputation outside of Russia.
Since 2011, the Yacobson Ballet has been directed by Andrian Fadeev, ex principal dancer of the Mariinsky Ballet. With his strength of conviction,
Fadeev wanted to bring the company - composed of 75 dancers with astonishing technique and soloists with strong personalities - to an international level. He rejuvenated ballets from the classical repertoire. And following tradition, he is commissioning and updating new stage productions and costume designs. Cutting the lengthy parts in order to keep what is essential; he gives spirit and rhythm to those historical pieces and modernizes them. The company is a beautiful way to rediscover traditional ballet repertoire, performed elegantly and with brio by excellent dancers.
Source:Trait d'union
More information : yacobsonballet.ru/en
Dance out loud
Roots of Diversity in Contemporary Dance
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
Pantomimes
Presentation of Pantomimes in the different types of dance.
A Numeridanse Story
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Why do I dance ?
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Night ballet
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Scenic space
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Bagouet Collection
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
The national choreographic centres
The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time
While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
Ballet pushed to the edge
Ballet’s evolution from its romantic form until néo-classicism.