Indaten
1997 - Director : Picq, Charles
Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)
Present in collection(s): Maison de la danse , Saisons 1990 > 1999
Video producer : Compagnie l'Esquisse
Integral video available at Maison de la danse de Lyon
Indaten
1997 - Director : Picq, Charles
Choreographer(s) : Bouvier, Joëlle (France) Obadia, Régis (France)
Present in collection(s): Maison de la danse , Saisons 1990 > 1999
Video producer : Compagnie l'Esquisse
Integral video available at Maison de la danse de Lyon
Indaten
For us, working as a duo is fundamental. It is the source of our history and each represents a particular event in the development of our research. These rare and privileged moments determine and enhance our work as a company.
These face-to-face are also types of challenges launched to us the performers and they are indispensable for acknowledging and rediscovering the other. Regard perdu (1980) was our first choreographic adventure, followed by Les noces d'argile (1981), and then Welcome to paradise (1989).
The inspiration for our two previous pieces, l'Irresponsabilité dApollon (April 96), les Chiens (October 96) came from the Oresteia.
With this duo, we are pursuing our foray into these imposing tragedies, because in the shadow of great myths we can talk about ourselves in a private manner. This time round, we are inspired by Oedipus, Jocasta and their incestuous love.
Source : Joëlle Bouvier & Régis Obadia
Bouvier, Joëlle
In 1980 Joëlle Bouvier created the company L'Esquisse with Régis Obadia. Together, they have produced 15 choreographic works performed around the world and co-produced 4 short films, recipients of awards in numerous festivals and produced several videos, including "Casser la Voix", by Patrick Bruel. She was co-director at the CCN in Le Havre from 1986 to 1992, and at the CNDC in Angers from 1993 to 2003.
2004, she created the Cie Joëlle Bouvier and set up a creative workshop at the Scène Nationale des Gémeaux, in Sceaux, from 2004 to 2008.
2015 she returned to ballet at the Grand Théâtre in Geneva for the creation of Tristan & Isolde - Salue Pour Moi Le Monde, with the music of Richard Wagner.
At the same time as she was actively creating, Joëlle Bouvier was invited to produce events, such as a display activity at the Printemps department store in Paris in March 2002, and June 2007. In August, 2006, she performed for the launch of a new Chinese cosmetic product at the Palais des Congrès in Paris, then in China. Since 2012, she has worked with Maison Hermès on a show about shoes, presented in Hermès subsidiaries around the world.
Obadia, Régis
Régis Obadia was born in 1958 in Oran, Algeria. He studied dance from 1976 to 1979 at the Institut des Arts et du Mouvement, run by Françoise et Dominique Dupuy, and was initiated into theatre by Jacques Lecoq. In 1980 he formed the l'Esquisse company with Joëlle Bouvier. Their earliest pieces thrust the pair into the national and international limelight.
Directors of the Centre National de la Danse Contemporaine, Le Havre from 1986 to 1992, they were appointed artistic directors of the CNDC, Angers in 1993, renamed CNDC l'Esquisse, which they directed until 2003.
Since 1998, Régis Obadia has pursued a solo creative career.
An important figure in modern dance since the early 1980s, Régis Obadia has marked the memories of those who have seen him with the feverish sensuality and powerful gestures of his pieces. With the founding of his own company in 2003, he asserted his distinctive style and his open-mindedness by working just as happily in the field of theatre as that of pure dance. His regular collaborations with Russia, in partnership with Lisa Wiergasova, have won him prestigious prizes, including a Golden Mask in 2004 for his choreography of “The Rite of Spring”, and a Seagull in 2004 for his direction of “The Idiot” at the Moscow
Chaika Festival. After “The Rite of Spring” to Stravinsky's music, he composed “Réversibilité” (2005), inspired by Baudelaire's “Les Fleurs du Mal” and “Trois” (2006), set to Schubert's “Death and the Maiden”, performed at the Théâtre Sylvia Montfort, Paris. During this time he also produced the Dominique Mercy documentary “Danse Pina Bausch” (2003), in homage to the iconic German choreographer.
Source : the company Régis Obadia's website
More information
Picq, Charles
Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.
His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
- He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
- He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
- He started «présentations de saisons» in pictures.
- He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.
- He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.
His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.
He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).
Source: Maison de la Danse de Lyon
Indaten
Choreography : Joëlle Bouvier et Régis Obadia
Interpretation : Joëlle Bouvier et Régis Obadia
Set design : Rémi Nicolas
Original music : Patrick Roudier
Lights : Rémi Nicolas
Costumes : Ghislaine Ducerf assistée de Patricia Faget
Production / Coproduction of the video work : Maison de la Danse
(LA)HORDE: RESIST TOGETHER
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
When reality breaks in
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Collectivities in motion
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
The American origins of modern dance: [1930-1950] from the expressive to the abstract
A Rite of Passage
Käfig, portrait of a company
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Scenic space
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Arts of motion
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
The national choreographic centres
Ballet pushed to the edge
Ballet’s evolution from its romantic form until néo-classicism.