I new then
2013 - Director : Plasson, Fabien
Choreographer(s) : Inger, Johan (Sweden)
Present in collection(s): Maison de la danse , Saisons 2010 > 2019
Video producer : Nederlands Dans Theater 2;Maison de la Danse
Integral video available at Maison de la danse de Lyon
I new then
2013 - Director : Plasson, Fabien
Choreographer(s) : Inger, Johan (Sweden)
Present in collection(s): Maison de la danse , Saisons 2010 > 2019
Video producer : Nederlands Dans Theater 2;Maison de la Danse
Integral video available at Maison de la danse de Lyon
I new then
A piece set to the nostalgic music of Van Morrisons album Astral Weeks. A look back on a time that was both pure and simple but with the distinct challenges of becoming an adult. “This dive into the past had to be done with honesty, therefor resulting in trying to leave behind unnecessary gestures, movements and structures. We tried to be honest and pure, like we were every time meeting the choreographic material for the first time. I wanted it to lead to freshness, clarity and colour. I will never, never grow so old again.
Source : Van Morrisson
Inger, Johan
Johan Inger made his breakthrough as a choreographer in 1995 after a very successful dancing career at the Nederlands Dans Theater (NDT). Inger’s choreographies have won numerous prestigious awards. Between 2003 and 2008 he was the artistic director of the Cullberg Ballet, and between 2009 and 2015 he held the position as Associate Choreographer with NDT.
The Swede Johan Inger (Stockholm, 1967) had his dance training at the Royal Swedish Ballet School and at the National Ballet School in Canada. From 1985 to 1990 he danced with the Royal Swedish Ballet in Stockholm, the last year performing as a soloist. Fascinated by the works of Kylián, Inger was convinced that the next step in his dance career should take him to Nederlands Dans Theater. In 1990 the hour had come. He joined Nederlands Dans Theater I and was a high-profile dancer in this company until 2002.
When Inger tried his hand at Nederlands Dans Theater’s annual Choreography Workshops (now Switch), Jiří Kylián noticed his talent for choreography. After four workshop pieces Inger was asked in 1995 to make his first choreography for Nederlands Dans Theater II. The resulting « Mellantid » marked his official debut as a choreographer. It was part of the Holland Dance Festival and was immediately a resounding success. It brought him the Philip Morris Finest Selection Award 1996 in the Contemporary Dance category. In 2001 Mellantid was nominated for the Laurence Olivier Award in the Best New Dance Production category.
Since his debut, Inger has made various works for Nederlands Dans Theater. For his ballets « Dream Play » and « Walking Mad » he received the Lucas Hoving Production Award in October 2001. « Walking Mad » as it was later performed by Cullberg Ballet was awarded the Danza & Danza’s Award 2005. Inger himself was nominated by the VSCD Dance Panel for the Golden Theatre Dance Prize 2000 and received the Merit Award 2002 of Stichting Dansersfonds ’79.
Inger left Nederlands Dans Theater for the artistic leadership of Cullberg Ballet in 2003. Over the next comming five years he made various choreographies for this company. In 2013 Inger received the prestigious Carina Ari medal in Stockholm for his worldwide promotion of Swedish art and dance.
Source: Johan Inger 's website
More information :
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
I new then
Choreography : Johan Inger
Interpretation : NDT2
Stage direction : Urtzi Aranburu
Additionnal music : Van Morrison : Madame George, The way Young lovers do, I'll be your lover too, Sweet things, Crazy love
Lights : Tom Visser
Costumes : Bregje Van Balen
Settings : Johan Inger
Production / Coproduction of the choreographic work : Nederlands Dans Theater
Production / Coproduction of the video work : Maison de la Danse de Lyon
(LA)HORDE: RESIST TOGETHER
40 years of dance and music
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
When reality breaks in
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
A Numeridanse Story
A Rite of Passage
Käfig, portrait of a company
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.
Arts of motion
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
The national choreographic centres
Ballet pushed to the edge
Ballet’s evolution from its romantic form until néo-classicism.