Changes (by the students)
1987 - Director : Rezkallah, Farid
Choreographer(s) : Cunningham, Merce (United States) Burns, Louise (United States)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
Changes (by the students)
1987 - Director : Rezkallah, Farid
Choreographer(s) : Cunningham, Merce (United States) Burns, Louise (United States)
Present in collection(s): CNDC - Angers
Video producer : CNDC Angers
Changes
Cunningham, Merce
Born in Centralia, Washington on April 16, 1919, Cunningham began his career as a modern dancer at the age of 20, dancing for six years with the Martha Graham Dance Company. He presented his first recital in 1944, and formed the Merce Cunningham Dance Company in 1953. The company was a living canvas for his experimentation and the creation of his unusual pieces.
Over his long career he choregraphed more than 150 pieces and more than 800 Events. Many dancers studied and worked with Cunningham before founding their own companies, among them Paul Taylor, Trisha Brown, Lucinda Childs and Karole Armitage ... He collaborated with many artists; his collaboration with John Cage had the most influence on his practice.
Together Cunningham and Cage proposed a series of radical innovations in dance. The most famous and controversial of these dealt with the relationship between dance and music, able to co-exist in the same space and time but needing to be conceived independently of each other.
Cunningham continued to experiment and innovate throughout his life, and he was one of the first to use new technologies in his own art form. He choreographed and taught almost until the day he died, July 26, 2009, and received many awards and accolades. Cunningham’s life and work have inspired the publication of four books and three important exhibitions; several of his pieces have been presented by other prestigious companies such as American Ballet Theatre, the Ballet de Lorraine, the New York City Ballet, the Paris Opera Ballet, the Rambert Dance Company in London and the White Oak Dance Project.
Source: CCN-Ballet de Lorraine
More information: www.mercecunningham.org
Burns, Louise
Rezkallah, Farid
Changes
Choreography : Louise Burns
Interpretation : (étudiants du CNDC, promotion 1986-1987) Eva Katarina Bader, Olivier Bodin, Dominique Bousquet, Alain Chastenet, Teresa Cunha, Anne Holzer, Anne-Karine Lescop, Fabrice Ramalingom
Live music : Valérie Castan (flûte)
Additionnal music : Alain Chastenet
Lights : Colman Rupp
Costumes : Sylvie Gabin
Production / Coproduction of the choreographic work : CNDC Angers
Roots of Diversity in Contemporary Dance
(LA)HORDE: RESIST TOGETHER
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
LATITUDES CONTEMPORAINES
40 years of dance and music
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
James Carlès
les ballets C de la B and the aesthetic of reality
When reality breaks in
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dance in Quebec: Collectivities in motion
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Maison de la danse
Dance and music
The relationship between music and choreographic works varies throught dance history.
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Why do I dance ?
Käfig, portrait of a company
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.