The ballet Cinderella, by Sergei Prokofiev, was written as a commissioned work for the famous ballet company of the Kirov Theatre in what is now St Petersburg. Its premiere, however, actually took place in Moscow's Bolshoi Theatre on 21 November 1945. The work achieved international status with Frederick Ashton's version, which appeared under the English title of Cinderella in 1948. The accompanying recording of Sergei Prokofiev's ballet Cinderella is taken from a performance by the Opéra National de Lyon in 1989, choreographed by Maguy Marin. Set and costumes are by Montserrat Casanova, lighting design by John Spradbery, and the musical directorship of the Opéra National taken up by Yakov Kreisberg. Studio production of the Lyon Opera House recording was by Måns Reuterswärd.

Source : Arthaus musik

Maguy Marin was born in Toulouse in 1951 and studied dance at the conservatory there before joining the Strasbourg Ballet. In 1970 she was accepted at Maurice Béjart’s school Mudra, where she stayed three years before becoming a soloist (for four seasons) with the Ballet of the 20th Century, under the direction of Maurice Béjart. A turning point would come at the end of this period seeing her shed all her previously held conceptions “allowing a multitude of creative choices, liberty and also constraints to emerge. Nothing was ever the same”. She also began questioning the body types idealized within the dance world, a subject that would become central in her work. “With Maurice Béjart the body was magnified. Youth, virtuosity, everything sparkled. And I had a problem with that. I asked myself what happened to all those other bodies, the ones that were infirm, misshapen or uncoordinated, but who managed to keep standing nonetheless.” 

Between 1980 and 1997 Maguy Marin was based at the Maison des arts in Créteil, with her company becoming an official Choreographic Centre in 1985. 

From 1998 until 2011 she directed the National Choreographic Centre in Rillieux-la-Pape. After which time the company once again became independent, setting up in Toulouse in order to continue their creative research. In 2015 the company moved again, this time to Sainte Foy-lès-Lyon, where they set up in an old carpentry factory. Their tenure there would allow them to continue to open up the immaterial space of that which is shared, something that obstinately seeks to make itself manifest while encouraging the unfolding of a new ambitious project: RAMDAM, AN ART CENTRE. It is a place of horizontal sharing, dedicated to hosting artists and audience members alike. It is also a place intent on facilitating an on-going exchange and continuous circulation between those conducting research, amateurs, students, spectators and volunteers; as well as creating bridges between different artistic practices, laboratories, places for public relations, education and reflection. 

- 1978: Grand Prix du Concours chorégraphique international de Bagnolet - 2003: Grand Prix de la danse du Syndicat de la critique for
Les applaudissements ne se mangent pas
- 2003: American Dance Festival Award 

- 2006: Special jury prize Syndicat de la critique for Umwelt
- 2008: Bessie Award for Umwelt presented at the Joyce Theater
- 2008: Grand Prix de la danse du Syndicat de la critique for Turba
- 2011: Prix Danza & Danza for “Best Contemporary Dance Piece » for Salves - 2016: Golden Lion, Venice Biennale 

More information : compagnie-maguy-marin.fr

Måns Ulrik Göstason Reuterswärd, né le 6 avril 1932 à Stockholm, est un producteur suédois de cinéma et de télévision. Il est le fils de l'architecte du jardin Gösta Reuterswärd et, depuis 1984, il épouse la productrice de films Katinka Faragó.

Source : Wikipédia