Zero Degrees
2006 - Director : Picq, Charles
Choreographer(s) : Khan, Akram (United Kingdom) Cherkaoui, Sidi Larbi (Belgium)
Present in collection(s): Maison de la danse , Saisons 2000 > 2009
Integral video available at Maison de la danse de Lyon
Zero Degrees
2006 - Director : Picq, Charles
Choreographer(s) : Khan, Akram (United Kingdom) Cherkaoui, Sidi Larbi (Belgium)
Present in collection(s): Maison de la danse , Saisons 2000 > 2009
Integral video available at Maison de la danse de Lyon
Zero Degrees
Zero degrees started as a desire of Sidi Larbi Cherkaoui to dance a duet with British-Bengali choreographer and dancer Akram Khan. Both are sons of Islamic families brought up in Europe, and both draw upon this meeting of cultures, combining complex Indian kathak dance with the speed and precision of contemporary movements.
Inviting Antony Gormley for the scenography and Nitin Sawhney for the live performed music; zero degrees became a place of transformation. Inspired by the place where one thing morphs into another, the grey zone between one thing and the next, the degrees where water becomes ice, the line where life becomes death. Zero degrees follows Cherkaoui and Khan on a journey to seek the reference point, the source, the '0' at life's core. Inspired by their own dual identities, the two search for this middle point through polar opposites; becoming/death, light/dark, chaos/order. Zero degrees talks about borders and how blurry they actually are.
With only two lifelike dummies, copies of Cherkaoui and Khan, the emptiness on stage permits the audience to see many symbols of division and unity within the choreography. The dummies are like alter egos, sometimes they are oppressors, sometimes guards or dead bodies.
Zero degrees is a performance about the fragility of a human life, about yin and yang. The piece has won a Helpmann Award in Australia and was nominated for a Laurence Olivier Award in the U.K.
Source: Eastman
En savoir plus: www.east-man.be/en
Khan, Akram
Akram Khan is one of the most celebrated and respected dance artists of today. In just over 19 years he has created a body of work that has contributed significantly to the arts in the UK and abroad. His reputation has been built on the success of imaginative, highly accessible and relevant productions such as XENOS, Until the Lions, Kaash, iTMOi (in the mind of igor), DESH, Vertical Road, Gnosis and zero degrees.
As an instinctive and natural collaborator, Khan has been a magnet to world-class artists from other cultures and disciplines. His previous collaborators include the National Ballet of China, actress Juliette Binoche, ballerina Sylvie Guillem, choreographers/dancers Sidi Larbi Cherkaoui and Israel Galván, singer Kylie Minogue, indie rock band Florence and the Machine, visual artists Anish Kapoor, Antony Gormley and Tim Yip, writer Hanif Kureishi and composers Steve Reich, Nitin Sawhney, Jocelyn Pook and Ben Frost.
Khan’s work is recognised as being profoundly moving, in which his intelligently crafted storytelling is effortlessly intimate and epic. Described by the Financial Times as an artist “who speaks tremendously of tremendous things”, a highlight of his career was the creation of a section of the London 2012 Olympic Games Opening Ceremony that was received with unanimous acclaim.
As a choreographer, Khan has developed a close collaboration with English National Ballet and its Artistic Director Tamara Rojo. He created the short piece Dust, part of the Lest We Forget programme, which led to an invitation to create his own critically acclaimed version of the iconic romantic ballet Giselle.
Khan has been the recipient of numerous awards throughout his career including the Laurence Olivier Award, the Bessie Award (New York Dance and Performance Award), the prestigious ISPA (International Society for the Performing Arts) Distinguished Artist Award, the Fred and Adele Astaire Award, the Herald Archangel Award at the Edinburgh International Festival, the South Bank Sky Arts Award and eight Critics’ Circle National Dance Awards. Khan was awarded an MBE for services to dance in 2005. He is also an Honorary Graduate of University of London as well as Roehampton and De Montfort Universities, and an Honorary Fellow of Trinity Laban.
Khan is an Associate Artist of Sadler’s Wells and Mountview Academy of Theatre Arts, London and Curve, Leicester.
Source: Akram Khan Company
More information: akramkhancompany.net
Cherkaoui, Sidi Larbi
Sidi Larbi Cherkaoui’s debut as a choreographer was in 1999 with Andrew Wale’s contemporary musical Anonymous Society. Since then, he has made more than 20 fully-fledged choreographic pieces and picked up a slew of prestigious awards.
In 2008, Sadler’s Wells named him as an Associate Artist, and since 2010 he has been artistic director of the Festival Equilibrio in Rome. He also has been appointed as the new artistic director of the Royal Ballet Flanders and will take up the post on 1 September 2015.
While Cherkaoui’s initial pieces ("Rien de Rien", "Foi", "Tempus Fugit") were made as a core member of the Belgian collective les ballets C de la B, he also made work that both expanded and consolidated his artist vision: "Ook" (2000) with Nienke Reehorst and the mentally disabled actors of Theater Stap, "D’avant" (2002) with Damien Jalet and dancer-singers of the Sasha Waltz & Guests company and zero degrees (2005) with Akram Khan. Between 2006-2009, during his stint as associate artist at Het Toneelhuis in Antwerp, he extended his exploration of the equations between self and otherness through "Sutra" (2008), his dialogue with the warrior monks of the Shaolin Temple and "Dunas" (2009) alongside flamenco bailaora, Maria Pagés, and "Play" (2010) with kutchipudi danseuse Shantala Shivalingappa.
In 2010, with the founding of his company Eastman (in residence at deSingel International Artcampus) in Antwerp, Cherkaoui began a new phase in his trajectory, marked by the multiple-award-winning Babel, co-choreographed with Damien Jalet and designed by Antony Gormley. "TeZukA" (2011) – his homage to Osamu Tezuka, the founding father of modern manga – and "Puz/zle" (2012) followed. 2013 saw the premiere of 4D and "生长genesis" (Eastman), "Boléro" (co-created with Damien Jalet and Marina Abramovic, for the Ballet of the Opera of Paris) and "M¡longa" (for Sadler’s Wells).
He continues to work with a variety of theatres, opera houses and ballet companies from the world (Dutch National Ballet, Paris Opera Ballet, GöteborgsOperan Danskompani, Bunkamura Theatre Cocoon in Tokyo, Stuttgart Ballet. Los Angeles Dance Company). Cherkaoui also received much international acclaim for his choreography in Joe Wright’s feature film Anna Karenina (2012). Cherkaoui directed and choreographed Shell Shock (2014), an opera for La Monnaie (Brussels) with music by Nicholas Lens and text by Nick Cave.
In 2015, Cherkaoui directed his first full-length theatre production Pluto based on the award-winning manga series by Naoki Urasawa and Takashi Nagasaki at Bunkamura in Tokyo, bringing
the beloved manga character Astro Boy to life on stage, and was movement director for Lyndsey Turner's Hamlet starring Benedict Cumberbatch at the Barbican Centre in London. He also made a trio Harbor Me, and choreographed a new Firebird for Stuttgart Ballet. In the same year, Cherkaoui created a new production Fractus V for his company Eastman, in which he also performs, and made his first work for the Royal Ballet of Flanders Fall.
Cherkaoui assumed the role of artistic director at the Royal Ballet of Flanders in 2015. He is also associate artist at Sadler’s Wells, London, guest artistic director of the National Youth Dance Company, as well as dance director of Festival Equilibrio in Rome.
Source: Eastman⎜Sidi Larbi Cherkaoui
More information : east-man.be
Picq, Charles
Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.
His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
- He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
- He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
- He started «présentations de saisons» in pictures.
- He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.
- He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.
His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.
He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).
Source: Maison de la Danse de Lyon
Zero Degrees
Artistic direction / Conception : Sidi Larbi Cherkaoui, Akram Khan
Choreography : Sidi Larbi Cherkaoui, Akram Khan
Interpretation : Sidi Larbi Cherkaoui, Akram Khan
Artistic consultancy / Dramaturgy : Guy Cools
Set design : Antony Gormley
Original music : Nitin Sawhney
Live music : Tim Blake, Faheem Mazhar, Alies Sluiter, Joby Burgess, Coordt Linke
Lights : Mikki Kunttu
Costumes : Kei Ito
Production / Coproduction of the choreographic work : Akram Khan Company, Les Ballets C. de la B.
Production / Coproduction of the video work : Maison de la Danse de Lyon - Charles Picq, 2006
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