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The Spectator's moment (2022): Akram Khan

Maison de la danse 2022 - Director : Plasson, Fabien

Choreographer(s) : Khan, Akram (United Kingdom)

Present in collection(s): Maison de la danse , La minute du spectateur

Video producer : Maison de la Danse de Lyon

en fr

The Spectator's moment (2022): Akram Khan

Maison de la danse 2022 - Director : Plasson, Fabien

Choreographer(s) : Khan, Akram (United Kingdom)

Present in collection(s): Maison de la danse , La minute du spectateur

Video producer : Maison de la Danse de Lyon

en fr

The Spectator's Moment

The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
 



© Maison de la Danse de Lyon

Khan, Akram

Akram Khan is one of the most celebrated  and respected dance artists of today. In just over 19 years he has  created a body of work that has contributed significantly to the arts in  the UK and abroad. His reputation has been built on the success of  imaginative, highly accessible and relevant productions such as XENOS, Until the Lions, Kaash, iTMOi (in the mind of igor), DESH, Vertical Road, Gnosis and zero degrees.

As an instinctive and natural collaborator, Khan has been a magnet to  world-class artists from other cultures and disciplines. His previous  collaborators include the National Ballet of China, actress Juliette  Binoche, ballerina Sylvie Guillem, choreographers/dancers Sidi Larbi  Cherkaoui and Israel Galván, singer Kylie Minogue, indie rock band  Florence and the Machine, visual artists Anish Kapoor, Antony Gormley  and Tim Yip, writer Hanif Kureishi and composers Steve Reich, Nitin  Sawhney, Jocelyn Pook and Ben Frost.

Khan’s work is recognised as being profoundly moving, in which his  intelligently crafted storytelling is effortlessly intimate and epic.  Described by the Financial Times as an artist “who speaks tremendously  of tremendous things”, a highlight of his career was the creation of a  section of the London 2012 Olympic Games Opening Ceremony that was  received with unanimous acclaim.

As a choreographer, Khan has developed a close collaboration with  English National Ballet and its Artistic Director Tamara Rojo. He  created the short piece Dust, part of the Lest We Forget programme, which led to an invitation to create his own critically acclaimed version of the iconic romantic ballet Giselle.

Khan has been the recipient of numerous awards throughout his career  including the Laurence Olivier Award, the Bessie Award (New York Dance  and Performance Award), the prestigious ISPA (International Society for  the Performing Arts) Distinguished Artist Award, the Fred and Adele  Astaire Award, the Herald Archangel Award at the Edinburgh International  Festival, the South Bank Sky Arts Award and eight Critics’ Circle  National Dance Awards. Khan was awarded an MBE for services to dance in  2005. He is also an Honorary Graduate of University of London as well as  Roehampton and De Montfort Universities, and an Honorary Fellow of  Trinity Laban.

Khan is an Associate Artist of Sadler’s Wells and Mountview Academy of Theatre Arts, London and Curve, Leicester.

Source: Akram Khan Company

More information: akramkhancompany.net

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

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