Songook Yaakaar
2010
Choreographer(s) : Acogny, Germaine (Senegal)
Present in collection(s): Maison de la danse , 24images - Scènes d'écran , Saisons 2010 > 2019
Video producer : 24 Images, les films du présent
Songook Yaakaar
2010
Choreographer(s) : Acogny, Germaine (Senegal)
Present in collection(s): Maison de la danse , 24images - Scènes d'écran , Saisons 2010 > 2019
Video producer : 24 Images, les films du présent
Songook yaakar [Affronter l'espoir]
Artistic direction and dance performance Germaine Acogny
Songook Yaakaar (Facing Up to Hope) a solo piece with and by Germaine Acogny in collaboration with her “artistic family” Pierre Doussaint, Fabrice Bouillon, Bernard Mounier and Fred Koenig.
After a long career as dancer, choreographer and teacher, worldwilde recognized for her work, her outstanding personality, her charism, her power and elegance at the same time, Germaine Acogny likes to speak again with her body, her gestures, her dance - but not only.
Germaine Acogny also talks and she knows talking as well, and laughing and shouting and whispering. She makes you meet her Africa, its leaders, its people, the today’s life. And shows that there is hope inspite of disasters and ignorance.
Credits
Direction artistique Germaine Acogny Chorégraphie Germaine Acogny et Pierre Doussaint Interprète Germaine Acogny
Musique bande sonore composée par Fabrice Bouillon - LaForest - Création vidéo Fred Koenig - Texte Bernard Mounier - Création costumes Angélique Dielhou - Création lumières Horst Mühlberger
Réalisation vidéo Denis Caïozzi - Production 24 images - Collection Scènes d'écran
Udpating: May 2014
Acogny, Germaine
Germaine Acogny is one of the best known personalities of the African contemporary dance scene, including the field of teaching and development of contemporary dance in Africa.
Senegalese and French, she participated from 1962 till 1965 at the formation at Simon Siegel’s school (the director was Ms Marguerite Lamotte) in Paris and received a diploma in physical education and harmonious gymnastics. Then, she founded her first dance studio in Dakar, 1968. Thanks to the influence of the dances she had inherited from her grandmother, a Yoruba priest, and to her studies of traditional African dances and Occidental dances (classic, modern) in Paris and New York, Germaine Acogny created her own technique of Modern African Dance and is considered to be the “mother of Contemporary African dance”.
Between 1977 and 1982 she was the artistic director of MUDRA AFRIQUE (Dakar), created by Maurice Béjart and the Senegalese president and poet Leopold Sedar Senghor. In 1980, she wrote her first book entitled “African Dance”, edited in three languages. Once Mudra Afrique had closed, she moved to Brussels to work with Maurice Béjart’s company, where she organised international African dance workshops, which showed great success among the European students. This same experience was repeated in Africa, in Fanghoumé, a small village in Casamance, in the south of Senegal. People from Europe and all over the world travelled to this place.
Together with her husband, Helmut Vogt, she set up in 1985, in Toulouse, France, the “Studio-Ecole-Ballet-Théâtre du 3è Monde”.
After having been away from the stage for several years, Germaine Acogny made her come back as a dancer and choreographer in 1987. She worked with Peter Gabriel for a video clip and created her solo “Sahel”. Other choreographies follow. Her solo “YE’OU”, created in 1988, tours on all continents and wins the “London Contemporary Dance and Performance Award” in 1991.
In 1995, she decides to go back to Senegal, with the aim of creating an International Centre for Traditional and Contemporary African Dances: a meeting point for dancers coming from Africa and from all over the world and, a place of professional education for dancers from the whole of Africa with the aim to guide them towards a Contemporary African Dance. The construction of the Centre -also called “L’Ecole des Sables”- was achieved in June 2004. Although, since 1998, three-month professional workshops for African dancers and choreographers were organised every year. About 40 dancers from all over Africa met, exchanged and worked together each time.
In 1997, Germaine Acogny became Artistic Director of the “Dance section of Afrique en Creations” in Paris, a position she held until September 2000. During this time, she was responsible for the Contemporary African Dance Competition, an important platform for young African choreographers.
In 2005, she was invited as regent at UCLA (University of Los Angeles).
Her solo “Tchouraï”, created in 2001, choreographed by Sophiatou Kossoko was successfully touring until 2008. She has presented it in France (Theatre de la Ville, Paris), Germany, Belgium, Holland, Denmark, Italy, the US (New York, Chicago) Brazil and in China (first Contemporary Dance Festival in Shanghai).
In 2003/2004, she created the piece “Fagaala”, for her company JANT-BI, based on the genocide in Rwanda. It was co-choreographed with Kota Yamazaki/Japan for 7 African dancers, a fusion between Butoh and traditional and contemporary African Dances. It had already three very successful tours in the US, and was performed in Europe, Australia (Melbourne Festival, Sydney Opera House) and in Japan.
In 2007, she and Kota Yamazaki received a BESSIE Award (New York Dance and Performance Award) for “Fagaala”.
Later that year, the great challenge was the choreographic part of the OPERA du SAHEL, an important African creation, initiated and produced by the Prince Claus Fund in Holland. It premiered in Bamako in February 2007, followed by performances in Amsterdam and Paris and a first African Tour in 2009.
In 2008, another choreographic work was organised as a collaboration between Jant-Bi company (7 male dancers) and Urban Bush Women company (7 Afro-American female dancers) from New York. This new creation “Les écailles de la mémoire – Scales of memory” was created by her and Jawole Zollar, the artistic director of Urban Bush Women and had great success during several touring in the USA and in Europe. Her creation, the solo “Songook Yaakaar” had its Premiere at the Biennale de la danse in Lyon in September 2010.
In 2014 the French choreographer Olivier Dubois created a solo piece for Germaine Acogny “Mon élue noire – Sacre no.2” based on the original music of “Le Sacre du printemps.” In 2015 her new solo creation “Somewhere at the beginning”, came out in collaboration with theatre director Mikael Serre, a creation that combined dance, theater and video. The premier took place at the Grand Theatre de la Ville du Luxembourg in June 2015. She continues to collaborate with international schools and Dance Centers and regularly teaches master classes. From January 2015 she submitted the Artistic Direction of the Ecole des Sables to her son Patrick Acogny.
In 2020, Germaine Acogny and Helmut Vogt made the decision to hand over the role of Artistic Direction and custodian of the Ecole des Sables to two of its trusted Alumni that are also holders of the Acogny Technique Diploma: Alesandra Seutin and Wesley Ruzibiza, to work alongside Paul Sagne, who has been working and evolving within Ecole des Sables for the last 15 years and who has now been appointed Administrative Director.
In February 2021, Germaine Acogny was Awarded with “The Golden Lion for Lifetime achievement” in dance by the La Biennale di Venezia.
Source : Ecole des sables 's website
More information : ecoledessables.org
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