Skip to main content
Back to search

Mouvements #06

To mark the 30th annual Eurockéennes Festival in Belfort, VIADANSE – Centre chorégraphique national de Bourgogne Franche-Comté à Belfort (National Choreographic Centre of Burgundy and Franche-Comté in Belfort – CCN Belfort) invited 18 choreographers, representing the wide diversity in the field of choreography. The film director Nicolas Habas followed them on the natural site of Malsaucy, from the beginning of the preparations for the festival, and throughout it to the end. The choreographers took part in all that happened, everywhere it happened (stages, technical storage management areas, traffic routes, crowds of audiences, backstage…) resulting in danced portrayals that documented in a recreational manner the impressive machinery needed to bring about the event.


Clip #06 – shot in the heart of the Malsaucy natural site, on the area intended for spectators of the Eurockéennes main stage, with dancers from the Ballet de Lorraine – National Choreographic Centre in Nancy

Jacobsson, Petter

Born in Stockholm, Petter Jacobsson started his studies in dance at  the age of three and was further educated at the Royal Swedish Ballet  School, he later graduated from the Vaganova Academy in St.Petersburg in  1982.

As a principal dancer with the Sadler’s Wells Royal Ballet in London  between 1984 to 1993, he toured the globe dancing all of the renowned  classical roles as well as appearing as guest artist with numerous  international companies. In 1993, he moved to New York to begin a  freelance career, studying with Merce Cunningham and working with Twyla  Tharp Dance Company, Irene Hultman Dance and later Deborah Hay.

Petter and Thomas Caley started working as a creative team in the mid  nineties, choreographing works for Martha@Mother, the Joyce Soho in New  York and the choreography for the opera Staden at the Royal Opera in  Stockholm, a commission for the 1998 Cultural capital of Europe.

In 1999, when Petter was appointed the artistic directorship of the  Royal Swedish Ballet in Stockholm, they made the move to Europe to  continue their artistic collaboration. An exceptional embodiment of  their work for the RSB was the creating of two immense happenings,In nooks and crannies 2000 and 2001.  The project included the Royal Ballet, Opera and Orchestra, as well as  independent artists who took-over non-traditional, yet possible,  performance spaces occupying the entire Royal Opera House of  Stockholm. Petter received "Choreographer of the year 2002” from the Society of Swedish Choreographers in recognition of the modernisation of the Royal Swedish Ballet. 

After years of collaboration, Petter and Thomas established an independent dance company in 2005 - works include Nightlife, Unknown partner, Flux, No mans land- no lands  man,The nearest nearness – in 2002 they won a “Goldmask” for best choreography for the musical Chess with Björn Ulveus and Benny Andersson (ABBA).

As of 2011, Petter is leading and choreographing together with Thomas  Caley for the CCN Ballet de Lorraine in Nancy. Their curating for the  CCN invites as well a wide variety of artistic talent from around the  world. Each invited creator joins in the active questioning of a  specific theme. La saison de La 12/13, Tête à tête à têtes 13/14, Live 14/15, Folk + Danse = (R)évolution 15/16 and Des plaisirs inconnus 16/17.  To insure a lively and non fixed use of the art form they continue  their searching through installations for the Musée d’Art Moderne in  Paris and Musée Pompidou Metz and an original initiative LAB-BLA-BAL, where a series of open house art experiments, workshops, and discussions are given at our choreographic center.

Source : Ballet de Lorraine

More information: http://ballet-de-lorraine.eu/en/

Caley, Thomas

The choreographer and dancer Thomas Caley was born in the United States. In 1992 he earned a BFA from Purchase College in upstate New York. After a year of performing in a multitude of independent projects in New York City he joined the Merce Cunningham Company.
From 1994 to 2000, he worked as a principal dancer with the company, touring throughout the world and participating in the creation of 12 new works by Cunningham. In 2000 he moved to Stockholm to continue his collaboration with Petter Jacobsson and to continue working as a freelance dancer in Europe, in France Thomas has worked with Boris Charmatz on the 50 ans de danse & flip book projects. As of 2011, Thomas Caley is the coordinator of research for the CCN - Ballet de Lorraine.


Source : programme CCN - Ballet de Lorraine 2012 - 2013

Habas, Nicolas

Nicolas Habas comes from cinema first, as a screenwriter and director of several short fiction films including Le mal de Claire, broadcast on French TV and documentaries (La parole en chantier, triptych on a popular neighborhood in urban renewal). He is very interested in the tensions between reality and the imaginary, society and intimacy, geography and territories. With a self-taught apprenticeship that led him to a deep understanding of the codes of the film industry, he decided to find «his» cinema and returned with Le Corps de la Ville, the web series anchored in dance, to his first loves, since he made his first dance video in 1998. Shot during the 30° Eurockéennes de Belfort Festival and Broadcast on Arte Concert, Mouvements is its second web series.

Filmography :


2024 Le corps de la ville en Guadeloupe -  Documentaire 52 ‘(support : HD, © JPL Productions/ WIPS Productions/ Canal +) - en cours de post production - 

2023 L'envol - Court métrage documentaire d'après Ruptures de Bouziane Bouteldja (support : 4k, durée 28' © Cie Dans6T/Cie CinéDanse). Best Cinematography Award, 2024 Breaking Walls Dance Film Festival, Le Caire, Égypte.

2022 Le corps de la ville en Guyane - pilote du documentaire 52’ (support : HD, durée : 5’, © JPL Productions/ WIPS Productions). Sélection officielle : Festival Cinédanse Quebec, Danca Em Foco à Rio de Janeiro, Wyoming Dance Film Festival à Cheyenne, USA.

2022 Danse ton île - Documentaire 52’ (support : HD, © JPL Productions/ AV Com Productions/ France Télévision).

2021 Le corps de la ville en Martinique - Documentaire 52 ‘ et web série (support : HD, durée : 10 x 5’, © JPL Productions/ WIPS Productions/ France Télévision).

2020 Pères en prison - Court métrage documentaire (support HD, durée 5’ © Festival La Rochelle Cinéma/ studio Un Poil Court)

2019 Le corps de la ville à Nouméa - Documentaire 52 ‘ et web série (support : HD, durée : 10 x 5’, © JPL Productions/ AV Com Productions/ France Télévision).

2018 Mouvements - Documentaire 26’ et web série (support : HD, durée : 18 x 3’, © Séquence SDP/ Eurockéennes de Belfort/ Viadanse/ Ccn de Belfort/ Arte Concert).

2014/2019 Le corps de la ville - web série (support : HD, durée : 36 x 4’, © studio Un Poil Court en partenariat avec le Festival La Rochelle Cinéma, Studio Chérie (Berlin), le Périscope (Lyon), Le Festival Nocte Graus (Espagne), le Festival DAN.CIN.FEST, Le CCN de La Rochelle, la Cie En Knap (Slovénie), la Cie Hors Série, la Cie Propos, la Cie Jean Claude Gallotta et le CNSMD de Lyon).

2011 Mauvaise graine - Court métrage de fiction (support : 35 mm, durée : 21’, © CLC Productions/ Lyon TV).

2006/2012 La parole en chantier - Triptyque documentaire (support : HDV, durée : 3x40’, © Petits bolides films/ Espace Louis Aragon).

2004 Le mal de Claire - Court métrage de fiction (support : Super 16 mm, durée 14’, © Lumina Films/France Télévision).

2000 En attendant septembre - Court métrage de fiction (support : DV, durée : 30’, © Petits Bolides films/ Carré Image). 

1998 Marie au parc - Vidéo danse (support : S-VHS, durée 7’, auto production).

CCN - Ballet de Lorraine

Since acquiring the CCN title in 1999, the Centre Chorégraphique National - Ballet de Lorraine has dedicated itself to supporting contemporary choreographic creation. As of July 2011 the organization is under the general and artistic direction of Petter Jacobsson.
The CCN – Ballet de Lorraine and its company of 26 dancers is one of the most important companies working in Europe, performing contemporary creations while retaining and programming a rich and extensive repertory, spanning our modern history, made up of works by some of our generations most highly regarded choreographers.
The CCN functions as an art center and venue for multiple possibilities in the fields of research, experimentation and artistic creation. It is a platform open to many different disciplines, a space where the many visions of dance of today may meet. 

More information : http://ballet-de-lorraine.eu 

Le festival des Eurockéennes de Belfort

 True to its spirit of eternal youth, the festival has not aged at the dawn of its fourth decade and once again stands out as the mirror of its time, retaining its place among the great historic European musical gatherings … Since 1989, there have already been 1,777 concerts with claimed eclecticism, having pleased almost 2,813,000 festival-goers, of all ages, all backgrounds and all nationalities! This social mix and diversity of abundant styles, gathered in the hollow of a green cocoon, a little parenthesis out of time, are each year synonymous with shared emotions and beautiful encounters. A festive communion with respect for nature, faithful to the solidarity commitments of a 100% associative festival and all of its partners, communities and local associations. 

VIADANSE - Direction Fattoumi-Lamoureux - CCN de Bourgogne Franche-Comté à Belfort

The Centre Chorégraphique National de Franche-Comté in Belfort (CCNFCB) is a space dedicated to contemporary creation. The French CCN label (National Choreographic Center) was established in 1984.

Currently there are 19 of these National Choreographic Centers in France.

Since March 2015, the Centre chorégraphique national de Franche-Comté in Belfort has been directed by Héla Fattoumi and Éric Lamoureux, for which they created the project VIADANSE. 

Their project VIADANSE is laid in the prospect of a 3rd generation choregraphic center, revolving around a dynamic concept highlighting the circulation of projects and the building of networks, from Franche-Comté to Burgundy ; from the Grand Est to Switzerland and Europe.

Mouvements #06

Artistic direction / Conception : Nicolas Habas

Interpretation : CCN - Ballet de Lorraine

Sound : Valentin Scion

Other collaborations : Léna Pradelle (montage)

Production / Coproduction of the video work : Cette web-série est produite par VIADANSE, Les Eurockéennes et Séquence, en partenariat avec Arte Concert et avec le soutien du Ministère de la Culture, Direction générale de la création artistique.

Our videos suggestions
16:13

Festival Montpellier Danse 2016

  • Add to playlist
20:08

Workshop 2016

  • Add to playlist
03:14

Question de danse 2016

  • Add to playlist
01:31

CIe Pedro Pauwels - DCN 2013

Pauwels, Pedro (France)

  • Add to playlist
43:30

Analysis of ground types in Screendance

  • Add to playlist
18:40

Workshop 2017 - Students' Studies

  • Add to playlist
05:40

Workshop 2017

  • Add to playlist
04:42

Save the date(s) 2017/18

  • Add to playlist
01:50

+DE DANSE à MARSEILLE, des gestes et des sons

  • Add to playlist
02:52

Question de danse 2015

  • Add to playlist
01:51

Waterdrops

Arques, Juanjo (Netherlands)

  • Add to playlist
01:45

Dance with me Jazz in Marciac

Carlès, James (France)

  • Add to playlist
01:13:31

Suresnes cités danse

  • Add to playlist
07:26

Trisolistice

Omerzo, Irma (Croatia)

  • Add to playlist
15:51

Dans notre ville

Omerzo, Irma (Croatia)

  • Add to playlist
01:11

Carnets d'un rêveur

Gallotta, Jean-Claude (France)

  • Add to playlist
03:36

Mammame à l'Est

Gallotta, Jean-Claude (Hungary)

  • Add to playlist
01:05:00

Mammame

Gallotta, Jean-Claude (France)

  • Add to playlist
01:13:40

Montalvo et l'enfant

Gallotta, Jean-Claude (France)

  • Add to playlist
18:32

Carnets d'un rêveur

Gallotta, Jean-Claude (France)

  • Add to playlist
Our themas suggestions
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more