Skip to main content
Back to search
  • Add to playlist

Mille et une danses orientales (with french subtitles)

Mille et une danses orientales (with french subtitles)

Mille et une danses orientales

I’m not sure we should be delighted with the Western world’s current infatuation for oriental dance, considers Moktar Ladjimi, the director of this film. While this dance (whose golden age, particularly in Egypt, is a thing of the past) is now only really performed in shows of naked bodies intended for the international clientele of luxury hotels, its origin dates back to time immemorial. 

Surrounded by scholars, critics and creative and lucid dancers (Leïla Haddad, Fifi Abdou, Nagwa Foved), Moktar Ladjimi traces this history and illustrates it with many film extracts. Sacred in ancient Egypt, this dance, of which Salome is the key figure, was a powerful source of inspiration for Hollywood in the 1920s and 1930s: from Ruth Saint-Denis, Marlene Dietrich, and Rita Hayworth, to Loïe Fuller, whose intensive use of veils would become the Hollywood hallmark of oriental dance. In the 1950s, we return to Egypt with the success of musicals and the magnificent art of Samia Gamal with her interminable arms. Half a century later, it would seem that the future of oriental dance requires a return to its roots.


Source : Fabienne Arvers

Ladjimi, Mokhtar

Diplômé de l'Institut des hautes études cinématographiques, il commence sa carrière en tant que membre à la Fédération tunisienne des cinéaste amateurs et réalise, en 1975 à l'âge de seize ans, son premier court métrage, La voyante, en 16 mm. 

Entre les années 1980 et 1990, il réalise des courts et des moyens métrages en 16 et 35 mm, dont notamment Balle de sang, Satellite 7 et La Sentinelle et le chasseur. 

Il réalise également une série de documentaires parmi lesquels La Nuit du henné, L'Orient des cafés, Mille et une danses orientales et Le Cinéma colonial. Il réalise les longs métrages Noce d'été en 2004 et Dicta Shot en 2015. 

Mille et une danses orientales

Artistic direction / Conception : Moktar Ladjimi

Production / Coproduction of the video work : Lark productions, La Sept-Arte

Our videos suggestions
03:38

Yvette Chauviré

Fokine, Michel (France)

  • Add to playlist
31:26

Montpellier, le saut de l'ange

Bagouet, Dominique (France)

  • Add to playlist
04:00

The birth of "coupé décalé"

Carlès, James (France)

  • Add to playlist
03:31

Dis moi pourquoi tu danses

  • Add to playlist
02:41

Dis moi pourquoi tu danses

  • Add to playlist
04:28

20 Minutes for the 20th Century, but Asian

Lin
, River (France)

  • Add to playlist
02:55

Relâche

Börlin, Jean (France)

  • Add to playlist
47:41

The heart of the sand

Acogny, Germaine (Senegal)

  • Add to playlist
04:54

Mudanzas

  • Add to playlist
04:27

Samia forever

  • Add to playlist
38:20

The dancer/camera pas de deux

  • Add to playlist
28:47

Close-ups and movement continuity in dances for the camera

  • Add to playlist
34:23

Screendance and spectrality

  • Add to playlist
21:19

An architectural promenade through the camera

  • Add to playlist
21:37

Improvised choreography in cine-trance

  • Add to playlist
02:43

The spectator's moment (2018): Alvin Ailey

Ailey, Alvin (France)

  • Add to playlist
04:06

Collector [teaser]

Kelemenis, Michel (France)

  • Add to playlist
02:36

The Art of Urban Dance

Robitzky, Niels "Storm" (Germany)

  • Add to playlist
02:15

Les enfants du paradis

  • Add to playlist
25:57

BIOPICS

Winkler, Christoph (Germany)

  • Add to playlist
Our themas suggestions

Yield Variations on dissuasive urban furniture

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/

James Carlès

Exposition virtuelle

fr/en/

Pantomimes

Presentation of Pantomimes in the different types of dance.

Parcours

fr/en/

A Numeridanse Story

Exposition virtuelle

fr/en/

The American origins of modern dance: [1930-1950] from the expressive to the abstract

Parcours

fr/en/

Charles Picq, dance director

Exposition virtuelle

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Hand dances

This parcours presents different video extracts in which hands are the center of the mouvement.

Parcours

fr/en/

Mexican Video Dance

Exposition virtuelle

fr/en/

Outdoor dances

Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.

Parcours

fr/en/

The contemporary Belgian dance

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Parcours

fr/en/

Bagouet Collection

Exposition virtuelle

fr/en/

The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time

While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America. 

Parcours

fr/en/

Hip-hop: a grassroots movement

Parcours

fr/en/

Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance

At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!  

Parcours

fr/en/

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more