"Meguri", as it’s said in the subtitles, refers to each of his seven paintings to the essentials for the man of nature and the inner search found. Ushio Amagatsu precise that "If nature is present, it means that it’s important in our everyday life. I use for my pieces its symbols : clay, water, wind and fire." If the titles of each painting evoke the presence of nature, the background of the scene reveals a stone decoration inspired by fossils in animal forms. The scene is covered with ocher-colored sand, while the water is represented by a blue stretch, and the fire by the warm colors of the lights. Ushio Amagatsu reveals his intention by explaining the meaning of "Meguri" : "The word meguri comes from meguru, and refers to a rotation, to a cycle like water for example and, beyond, to everything in a circular motion. Meguri therefore signifies by extension what circulates in a certain order ; for example, the passage of time, changes of season and the evolution of things".

Source : Parisart

Born in Yokosuka,Japan in 1949 and founded Butoh company Sankai Juku in 1975.
He created Amagatsu Sho (1977), Kinkan Shonen (1978), Sholiba (1979) before the first world tour in 1980. Since 1981, France and The Theatre de la Ville,Paris has become his places for creation and work and that year he created Bakki for Festival d'Avignon. The Theatre de la Ville, Paris he has created 14 productions since 1982.

Amagatsu also works independently outside Sankai Juku. In 1988 he created “Fushi” on the invitation ofJacob's Pillow Foundation, in the U.S., with music by Philip Glass. In 1989, he was appointed Artistic Director of the Spiral Hall in Tokyo where he directed “Apocalypse” (1989), and “Fifth-V” (1990).

In February 1997, he directed “Bluebeard's Castle” by Bartok conducted by Peter Eotvos at Tokyo International Forum. In March  1998, at Opera National de Lyon, France, he directed Peter EOTVOS's  opera “Three Sisters” (world premiere), which received  “Prix du Syndicat National de la Critique, France.”
“Three Sisters” has been seen in the 2001-2002 season at Theatre du Chatelet in Paris, at Theatre Royal de la Monnaie in Brussels at Opera National de Lyon, and at Wiener Festwochen 2002 in Austria. In March 2008, Amagatsu directed “Lady Sarashina,” Peter EOTVOS’s new opera at Opera National de Lyon (world premiere). “Lady Sarashina” again received “Prix du Syndicat National de la Critique, France” and it was seen in Opera Comique in February 2009 and in Teatr Wielki, Polish National Opera, in Warsaw in April 2013.
 

Amagatsu has also presided on the jury of International Choreographic Competition of National Academy of Dance, Italy (2011), and the Jury of the International Meeting of Dance of Bagnolet (1992). 

Awards and merits include the Purple-Ribbon Medal by the Japanese government (2011), Geijyutsu Sensho Prize (Art Encouragement Prize) by the Minister of Education, Culture, Sports, Science, and Technology (2004). 

Chevalier de l'ordre des Arts et des Letters by French Cultural Ministry (1992). 

Commandeur de l’ordre des Arts et des Lettres by French Cultural Ministry (2014).
Books include "Ushio Amagatsu, des rivages d'enfance au buto de Sankai  Juku" (Biography dictated by Kyoko Iwaki, Actes Sud, 2013, France).  "Dilogue avec la Gravite"(Actes Sud, 2000, France). 

More information : sankaijuku.com

Artistic Direction: Ushio Amagatsu

Creation: 1975

Sankai Juku was formed in 1975 by Ushio Amagatsu, who belongs to the second generation of butoh dancers, the style established by Hijikata and Kazuo Ohno. Butoh is a dance form that transcended the reactions of the “post-Hiroshima” generation in Japan and which set the foundations of a radical approach to Japanese contemporary dance from the end of the 1950s. The name literally means “Workshop of the mountain and the sea” referring to the two omnipresent elements of the Japanese landscape.
Sankai Juku is an autonomous company which began staging performances in Japan in hired venues. Sankai Juku's  first major production was “Kinkan Shonen” in 1978. This revealed Amagastsu's artistic direction, which gave butoh a clearer, more transparent and cosmogonical image. The force of each expression, each movement, each momentum, reaches back to the origins of the world to offer a passionate understanding of life and death. Sankai Juku was invited to Europe for the first time in 1980. From this first physical encounter with foreign cultures, Amagatsu developed his theory of a balance between “ethnic cultures” including his own Japanese, with a kind of search for universality. For Amagatsu, butoh is not simply a formal technique or a theoretical style, but one that aims to articulate body language to find, in the very depths of the being, a shared sense, a serene universality, even if it means resorting at times to cruelty or brutality.
As a result of his annual international tours over almost thirty years, but also through workshops and master-classes run by Sankai Juku in Paris, Japan and elsewhere, Sankai Juku's characteristic style and its highly-distinctive aesthetic are known today throughout the world. They are now influencing a growing number of artists in fields as diverse as contemporary dance, theatre, painting, fashion, photography…  Apart from his work with Sankai Juku, Ushio Amagatsu has composed two pieces for western dancers in the United States and Tokyo. He has also choreographed for the Indian dancer Shantala Shivalingappa. He has directed Béla Bartók's “Bluebeard's Castle” in Japan and the world premières of Peter Eötvös's operas “Three Sisters” and “Lady Shrashina” at the Lyon Opéra.

Source: Maison de la Danse show program

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