Master Cypher
2019
Choreographer(s) : Sy, Ousmane (France)
Present in collection(s): CCN de Rennes et de Bretagne
Master Cypher
2019
Choreographer(s) : Sy, Ousmane (France)
Present in collection(s): CCN de Rennes et de Bretagne
Master Cypher
Master Cypher brings together exceptional dancers for one evening around one and the same music: house music. In the circle, to the rhythm of the energy of today's dances, all universes and all styles come together for a moment of celebration and exchange.
ALL 4 HOUSE
« One music for every dance. One house for every culture. »
Source: CCNRB
More information: ccnrb.org
Sy, Ousmane
Since his first footwork nearly thirty years ago, Ousmane Sy has worked to translate his fascination with the orchestrated movement of a soccer team into dance. His artistic world, occupying various fields, is made up of step-overs, lunges between the dance floor and the stage, and the irrepressible desire to overcome oneself through the group.
One foot in the club, the other in battle: Ousmane Sy, nicknamed “Babson,” stakes his belonging to house dance between these two spaces of expression, becoming one of its major proponents in France. With the “Battle of the Year,” won in 2001 with his crew the “Wanted Posse,” he brought the “French touch” to the forefront of the international scene by transposing androgynous gestures inspired by New York nightclubs into the heart of the contest. Extending far beyond the boundaries of the Marshall Plan, his dance practice has gradually turned to the hybrid histories and African lineages of house rhythms. The result was “Afro House Spirit,” a contemporary dance style marked by the heritage of traditional African and Caribbean dances.
The driving force behind All 4 House, Ousmane Sy endeavors to harmonize, through the mise-en-scène of a multi-act performance, the individual pathways of the female dancers from the group Paradox-Sal, whom he has trained in house dance for years. Queen Blood (2019) and One Shot (2021) were born from this approach: two “corps de ballets” alternating between group choreographies and expressive solos for an encounter of styles in the joyful spirit of confrontation. Ousmane Sy’s aesthetic exploration is influenced as much by the mass as by the freestyle spirit of hip hop. He strongly believes that identity must serve entity.
Source: CCN de Rennes et de Bretagne
CCN de Rennes et de Bretagne
With a background in hiphop and all its influences, we represent a new generation of choreographers. Our driving force—dance, as well as art brut—draws on self-taught skills and takes on a universal dimension that informs our values. It is dance that allows us to forge a cross-disciplinary dialog with other aesthetics and to be in touch with reality. We affirm the use of making (faire) as a way of relating to the world, as well as a method of appropriating, through action and reaction, our immediate environment and of infusing it, whenever possible, with desire, poetry, justice, imagination, joy, sharing, and community…
Gathered together, enriched by our differences and by our individual artistic approaches, we have been able to sweep aside the residual modalities of writing specific to our respective fields of aesthetics. We thus invite you to discover our worlds and partake in the auteur dance that fits perfectly within the panorama of contemporary dance.
Source: CCN de Rennes et de Bretagne
Master Cypher
Roots of Diversity in Contemporary Dance
(LA)HORDE: RESIST TOGETHER
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Vlovajobpru company
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Amala Dianor: dance to let people see
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Maison de la danse
Improvisation
Discovery of improvisation’s specificities in dance.
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
A Numeridanse Story
Why do I dance ?
Contemporary Italian Dance : the 2000s
Panorama of contemporary dance practices in Italy during the 2000s.
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
The national choreographic centres
The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time
While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America.