Lobo
2012 - Director : Carlès, James
Choreographer(s) : Mathéa, Vendetta (France)
Present in collection(s): Maison de la danse , Compagnie James Carlès Danse & Co - Œuvres majeures du patrimoine chorégraphique ( Danses noires, danses modernes, danses contemporaines, danses urbaines, etc...)
Video producer : Mathéa, Vendetta
Lobo
2012 - Director : Carlès, James
Choreographer(s) : Mathéa, Vendetta (France)
Present in collection(s): Maison de la danse , Compagnie James Carlès Danse & Co - Œuvres majeures du patrimoine chorégraphique ( Danses noires, danses modernes, danses contemporaines, danses urbaines, etc...)
Video producer : Mathéa, Vendetta
Lobo
Lobo symbolize the wolf. He is emblematic movement for the fight of the civic rights. The wolf, majestic animal. He has a great interior force and a cat-like beauty.
It wise and is equipped with a deep instinct of survival. But Lobo is removed with his natural habitat to be introduced into an environment which is completely foreign for him. To survive this new environment, it must adapt, change, give up its being, its language, its habits,…
It gives up its identity and for as much, it inspires the fear and the rejection. Without its identity, he suffers until losing the respect of itself of it. Its life is hard. It must fight. It must reach the stages to find its niche or quite simply to die out.
Reflection of their existence.
CREDITS
Choreography Mathéa Vendetta - 7mn – Solo
Creation American Dance Festival – Walter Nicks Dance Company
Music: The Wolf That Lives in Lindsey, Joni Mitchell (1979)
Mathéa, Vendetta
Dancer, choreographer, pedagogue and plastician, Mathea Vendetta are formed by large internal caliper gauges and their technique (Graham, Silt, Dunham,…). Installed in New York, she turns within large companies and with Walter Nicks starting from 1971. Mathea vendetta interprets its own parts in solo by 1979 and during several seasons. It is in France, in 1983, in the middle of the contemporary movement, which it creates Cie Vendetta Mathea. Among multiple experiments, Mathea Vendetta carries out during three years of 1993 to 1995, with the participation of about fifty dancers, singers, musicians, plastics technicians of all edges, research on the topic “Modernity gestural and musical Tradition” leading to the creation of three parts.
After thirty years of career and thousands of representations throughout the world, Mathea Vendetta dances “Women” in New York in 2004, part which appears as one of the great dates of the modern dance in the Encarta encyclopaedia. She is today the author of about fifty parts.
Its last creation is “Man | Animal” presented in its integral version in January 2010 in Paris. Since 1992, Mathea Vendetta directs Manufacture in Aurillac, old derelict land of 1.300m2 built in 1898, become training centre, of creation, production and diffusion completely dedicated to the dance, the movement and the image.
Carlès, James
Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.
Lobo
Choreography : Vendetta Mathéa
Additionnal music : The Wolf That Lives in Lindsey, Joni Mitchell (1979)
Other collaborations : Création American Dance Festival - Walter Nicks Dance Company
DANCE AND DIGITAL ARTS
K. Danse's artistic partners
Dyptik Company
Roots of Diversity in Contemporary Dance
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
LATITUDES CONTEMPORAINES
40 years of dance and music
Indian dances
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Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
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Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
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Here is a sample of extracts illustrating burlesque figures in Performances.
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On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
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Presentation of how choreographers are revisiting Folklore in contemporary creations.
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Maison de la danse
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Discovery of improvisation’s specificities in dance.