“The Fox and the Crow” is the only fable which I can still remember after thirty years and recite from memory: ‘What a handsome and good-looking bird you are!'…
I would like to pay homage to the recollection, nestled in the heart of my childhood memory, of this fictional society peopled by humans, animals and plants that live, talk to and devour each other in La Fontaine's world.
I love this art of storytelling where the brilliance and elegance of the language, its lightness, is telling us about cruelty, vanity, the savagery of the world.”
Dominique Hervieu
“‘The Fox and the Crow” falls within the project devised by Annie Sellem (La Petite Fabrique). The rule of the game: the ‘Fables à La Fontaine' repertoire is made up of short pieces suitable for a family audience, in many styles, ranging from hip-hop to hip-swaying classical. Each piece, lasting fifteen to twenty minutes, can be performed alone or with two or three others: outdoors, in a park bandstand, under the awning of a ‘lavoir' (village wash house), in the covered yard of a school…”
La Petite Fabrique

Born in 1962 in Coutances (Normandy, France), Dominique Hervieu has had a voracious appetite for every form of movement since she was six years old. After her first love, gymnastics, she elected dance as the new object of her passion : classical dance, at first, which she practised for a dozen years, mainly with Michèle Latini; and then contemporary dance, with Peter Goss, Alwin Nicolais and Hervé Diasnas.

In 1981, she met José Montalvo and with him developed an original gestural language – fluid, rapid and precise – that would impart a singular style to their works. In 1988, their close artistic bond yielded Compagnie Montalvo-Hervieu, which performs at the leading venues in France and beyond. Ten years and five new pieces later, the duo were appointed to head the Centre Chorégraphique National de Créteil et du Val-de- Marne. Since 2000, Dominique Hervieu has co- devised all the pieces by Compagnie Montalvo- Hervieu, which ranks among the most popular and recognised contemporary-dance companies in France and abroad.

In 2000, they specially created Variation au Paradis for the opening ceremony of the Cannes International Film Festival. That year, Dominique Hervieu became artistic adviser to the Théâtre National de Chaillot and was appointed director of the venue’s youth programme. She conducted original arts-education actions, drawing on connections between dance works and artistic practices on the one hand, and on those between the arts on the other hand, in partnership with the Musée du Louvre and several other Paris institutions. She notably conceived a choreographic trail at the Louvre in 2004, attracting 5,000 spectators.

In 2001 she created "Mosaïque... Danse(s) d’une ville", a piece for 180 amateur dancers aged 15 to 85: a multicultural portrait in dance of the town of Créteil, which involved residents in the creative process. In 2002 and 2003 she devised two pieces on her own: "Intervallo Brio" at the Mettre en scène festival, a work for two virtuoso dancers, a grandfather and two little girls; and "Le Corbeau et le renard", a dance version of La Fontaine’s fable.

In 2006 she created "La Bossa Fataka" de Rameau with José Montalvo. With Montalvo she also choreographed and directed two operas : "Les Paladins", under the musical direction of William Christie of Les Arts Florissants, at the Théâtre du Châtelet in Paris (2004); and George Gershwin’s "Porgy and Bess" at the Opéra National de Lyon (2008).
Also in 2006, Dominique Hervieu created L’artde la rencontre - Cartes postales chorégraphiques for " Les Francophonies ! " festival, in conjunction with four choreographers from the Francophone world. These collaborations gave rise to 12 filmed duos and provided the material for a documentary for Arte. In June 2008, Hervieu was appointed director of the Théâtre National de Chaillot. The duo’s most recent work, "Orphée", was staged in 2010. In July that year she initiated Imaginez Maintenant, a national event to promote young artists, in conjunction with France’s High Commissioner for Youth and its Council for Artistic Creation.  

In March 2010, she was appointed by the city of Lyon and the Urban Community of Lyon, artistic director of the Biennale de la danse and the Maison de la danse de Lyon, positions she will take up on July 1, 2011.

Since 2011, Dominique Hervieu has worked for the development and influence of dance in Lyon and beyond its borders. Its programming, both cutting-edge and popular, avoids any form of aesthetic exclusion and brings together an increasingly numerous and curious audience. She leads local and international development, civic and social actions, the educational and digital component of the Maison de la Danse and the Dance Biennale, and the development of the production of national and international choreographic works.

In 2012, at the Biennale de la Danse, she initiated a policy of programming in public spaces by offering free shows for all audiences. (Recital for 40 by Mourad Merzouki (2012) and Swan Lake (2014) by Dada Masilo were presented in front of 16,000 people gathered at Place Bellecour). At the Maison de la Danse, she sets up “Nomad Houses” to get closer to different audiences and take dance “where it does not go” and throughout the territory, in remand centers , hospitals, libraries, shopping centers, museums…

In 2013, the Maison de la Danse became the supporting structure of the Resource Center for artistic and cultural education, dance and movement arts in the Rhône-Alpes region with the support of the Rectorate of the Academy of Lyon and the Ministry of Culture and Communication. Dominique Hervieu chooses artists “associated” with the Maison de la Danse who guarantee a strong artistic presence in the region. It also puts in place innovative and accessible mediation tools to raise ever wider awareness of dance, such as The Spectator's Minute, a one-minute video which presents its work and its author to the public. Under the leadership of Dominique Hervieu, Numeridanse continues its development with a 320% increase in views on its site in 3 years.

Since 2014, Dominique Hervieu has been developing the international aspect of the Dance Biennale Parade by inviting groups from major European cities (Turin and Barcelona). With the Lyon team, she exports the Lyon Biennale Parade to Turin as part of the Torino Danza festival.

In 2015, in order to share with the inhabitants of Lyon the challenges of choreographic creation, she created the Babel 8.3 project, a participatory show which brings together on stage 300 amateurs aged 4 to 95 from the 8th and 3rd arrondissements of Lyon. The show is accompanied live by musicians from the Orchester national de Lyon to scores by Mozart.

In January 2016, she obtained the “European Production Center” label for the Maison de la Danse from the Ministry of Culture and Communication to support European creation. In July 2016, Dominique Hervieu curated a day of dance in public spaces as part of San Sebastian European Capital of Culture. The same year, just after the Nice attack, she succeeded, with all the artistic and technical teams and the 5,000 participants, in maintaining the Dance Biennale Parade by transferring and readapting it, in three weeks , inside the Gerland stadium in Lyon.

En 2018, elle est la directrice artistique de la Triennale de  Yokohama Dance, Dance, Dance. Depuis 2022, elle est également directrice  de la culture au sein de l'organisme animant les jeux olympiques Paris 2024, chargé d'un programme d'animation culturelle, en parallèle de ces jeux, touchant 750 villes de France.  

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source: Maison de la Danse de Lyon

Artistic Direction: José Montalvo, Dominique Hervieu

Creation: 1988

In 1981, José Montalvo – choreographer – met Dominique Hervieu – dancer – and began to choreograph short playful pieces, kinds of choreographic aphorisms, of which she is the principal performer. They devised a characteristic form of movement together, built of fluidity, rapidity and precision, which was to lend a distinctive style to their productions. 1986-1988: José Montalvo's choreographies won several international awards, all performed by Dominique Hervieu. This was the beginning of an artistic adventure and a deep understanding, which led to the founding of the Compagnie Montalvo-Hervieu in 1988. In 1993, they created “Double Trouble”, an inaugural piece, in which the technological image and the physical presence of the dancers' bodies are set against each other. So it was that the two partners embarked upon the production of a set of works that, while autonomous, might one day be understood as a whole, like some huge baroque fresco. With “Paradis” (1997) and “Le jardin io io ito ito” (1999), the originality of their approach was praised and rewarded the world over. José Montalvo and Dominque Hervieu have also choreographed for the étoiles of the Paris Opéra and the opening of the 53rd Cannes International Film Festival.  Alongside their choreographic work on new pieces, in 1989 they began devising in-situ community events. In June 1998, they were appointed directors of the Centre Chorégraphique National de Créteil et du Val-de-Marne. In June 2000, José Montalvo and Dominique Hervieu were nominated respectively Dance Director and Director of Young Audience Mission and Outreach Projects at the Théâtre National, Chaillot. They have also been awarded the distinction of Chevalier des Arts et des Lettres. Since 2002 Dominique Hervieu has co-written the company's shows with José Montalvo. In May 2004, they choreographed and directed Jean-Philippe Rameau's opera “Les Paladins”, under the musical direction of William Christie. In November 2004 they devised a choreographic trail at the Louvre museum. In January 2005 they composed “On Danƒe”, and adapted this for young audiences under the title “La Bossa Fataka De Rameau”. In 2006 Dominique Hervieu produced a set of interactive teaching DVDs dealing with cultural diversity. In 2008, they created « Porgy and Bess » at the Opera de Lyon and « Good Morning, Mr. Gershwin ». The same year, the French Ministry of Culture appointed them directors of the Théâtre National, Chaillot, which became a venue exclusively dedicated to choreographic art.

Sources: Maison de la danse show program ; "Panorama de la danse" (Rosita Boisseau); Théâtre National de Chaillot 's website