Barbakan
2008 - Director : Gaál, Mariann
Present in collection(s): Maison de la danse , Saisons 2000 > 2009
Video producer : Mariann Gaál
Integral video available at Maison de la danse de Lyon
Barbakan
2008 - Director : Gaál, Mariann
Present in collection(s): Maison de la danse , Saisons 2000 > 2009
Video producer : Mariann Gaál
Integral video available at Maison de la danse de Lyon
Barbakan
BARBAKAN
The Barbakan is a contemporary musical dance film made up of four movements.
The piece describes the relationship of two contrastring characters, they loneliness, similarities and differences. The original musical idea of the piece by András Párniczky was developed into a two-part rhythmic composition by Samu Gryllus. What constitute the very essence of this polyrhythmic composition is the dancers'moves and the sound effects thus evoked.
Source : Mariann Gaál
Credits
Inward dancer Anna Réti Outward dancer Flóra Domokos
Director, choreographer Mariann Gaál Composer Samu gryllus
Cinematographer Dániel reich Editor Gábor Kertai
Music supervisor András Párniczky Production manager Péter Fülöp
Sound engineer Zoltán Karaszek, György Lőrincz Sound editor Kiss Atilla
Playback technician Géza Takács Gaffer László Blahó
Camera assistant Gábor Kertai Dolly grip Itván Reiter
Make-up Dóra Horváthné Kertai
Assistant Péter Ákos Gyurika, Dániel Reiter transporter : Csaba B. Kiss
Producers Balázs Lóth, Mariann Gaál
More information
Updating : September 2013
Gaál, Mariann
POSITIONS
2002
Teacher of Hungarian Dance Academy, (Budapest, Hungary) Modern Dance
Teacher department Subjects theory and practice: Improvisation, European Modern Technique, Creative Children dance method
2009-2010
Teacher at the hungarian University of Theater Film and Television
2008
Accauntable of the dance department of Performershouse, Silkeborg, Denmark
2006-2007
Accauntable of Modern dance teacher department, Budapest at the Hungarian Dance Academy
2005-2006
Teacher of the Budapest Dance School
2005-2007
Curator of the National Cultural found –Dance College
2004-2007
Teacher of the Apacai Csere Janos Univerity Gyor, subject: movement analysis, creative children dance
2002-2005
Theacher of the Art of Movement studio, subject: improvisation
2002-2004
Teacher and program manager of the Secondary School of Arts, Dancing
Department, (Pecs, Hungary) Subjects: Graham technique, European modern technique, contact dance and improvisation, pilates technique
EDUCATION
2008- DLA Studies at the University of Theater Film and Television, theme: Dance Films
2006-2008 -MA
Semmelweis University Faculty of Physical Education and Sport Sciences, Health studies
2005-2007
Yoga instructor, International Wellness Institute, Padma joga studio, Budapest, Hungary
1998-2002 - BA
Rotterdamse Dansacademie (Rotterdam, Holland) graduated in 2002, Study: Teachers' Department, Specialisations: Modern Dance - Improvisation-Composition
1997-1998
Dance Therapy Education under the leadership of Wilfriedf Gurntler (CITA-Munich, Germany)
Continuing my studies at the university in Hungary, Working as a dance chritic for art magazines in Hungary (Balkon, Ellenfeny, Jump)
1996-1997
Beers Dance Academy (Wienna, Austria), T-junction (Wienna, Austria)
1995-1998
Pazmany Peter Catholic University, Faculty of Arts)Piliscsaba, Hungary, Study: art philosophy, literature, art-therapy
1991-1995
Secondary School of Arts, Dancing Department, (Pecs, Hungary)
PRODUCTIONS
Abroad
Own Choreograpies
1999. Name it (Rotterdamse Dansacademie)
2001. Mozart: Zauberflote (Rotterdamse Conservatorium)
2002. Classic duett (Rotterdamse Conservatorium)
2002. Brecht: Dreigroschen Oper - Muziektheater Hollandse Diep Production (Rotterdamse Schouburg, etc.).
2008. Behind Seven- Performershouse, Silkeborg Denmark
Own dancefilms
2012 INSIDE, coproduction with Mu Terminal
2010 Remembering, best dance movie, best camera man on Vestdecourt, Spain, and on screen in many European Festivals
2008 Barbakan,(brodcastied on Duna Television, and in 27 countries world wide
2002. Door Quatrologie, premier: 2001, Rotterdamse Dansacademie;
In Hungary
Own choreograpies
2011. Danse Macabre, for the Balett of Pecs, National Dance Theater
2010. OTT- MU terminal, Mu Theater, Budapest
2008. Chance operation, for the Balett of Pecs, 2.nd International Dance Festival, Pecs
2007. Papir-ollo-… Hungarian Institution, Berlin
2006. Ko- Papir-…, Mu Theater, Autumn Festival Budapest
2003. Harmas Fuggelek Mu Theatre, Budapest, House of Arts, Pecs
2004. Triplex Millenaris Theatre, Budapest
2012. React -Space installation together with Budapest University of Technology and Economics
2013. Időprés- Photo exhibition with David Kecskeméti
Children plays
2003. Keszekusza -choreographer at the Third Theater, Pecs
2004. Meseeurópa- choreographer at the Third Theater, Pecs
2012. Gepetto babuja-choreographer at the Ciroka Puppet Theater, Kecskemet
2013. Okos lány- choreographer at the Vojtina Puppet Theater, Debrecen
2013. Kis Mukk- choreographer at the Budapest Puppet Theater, Budapest
DANCE AND DIGITAL ARTS
K. Danse's artistic partners
Dyptik Company
Animal Kingdom, participant's words
Roots of Diversity in Contemporary Dance
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
LATITUDES CONTEMPORAINES
40 years of dance and music
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
James Carlès
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Butoh
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.