A Mary Wigman Dance Evening
2009 - Director : Rocks, Bussy
Choreographer(s) : Barba, Fabián (Ecuador) Wigman, Mary (Germany)
Present in collection(s): Centre national de la danse , Compagnie Mathilde Monnier - Association MM
Video producer : Caravan Production
A Mary Wigman Dance Evening
2009 - Director : Rocks, Bussy
Choreographer(s) : Barba, Fabián (Ecuador) Wigman, Mary (Germany)
Present in collection(s): Centre national de la danse , Compagnie Mathilde Monnier - Association MM
Video producer : Caravan Production
A Mary Wigman Dance Evening
Barba, Fabián
Fabián Barba was born in Quito in 1982. Since age 12 he started studying modern dance in La casa de la danza and later in the Frente de Danza Independiente as well as theater in the school of the theater group Malayerba. This education in his hometown allowed him to to work as a professional performer in that artistic milieu. Parallel to his artistic formation, Fabián followed for two years university studies in Communication and LIterature at the Pontificia Universidad Catolica del Ecuador.
In 2004 he went to Brussels to study at P.A.R.T.S. where he finished both the training and the research cycle with the graduation work keeping busy keeping still (2008), which he created conjointly with Tuur Marinus and Marisa Cabal. After leaving school he became a founding member of Busy Rocks, a collective based on artistic affinities that functions as an inspirational platform for a constant and durational work sharing. In the frame of Busy Rocks he has participated in the creation of Dominos and Butterflies (2009), A Mary Wigman Dance Evening (2009), Studium (2010) and A personal yet collective history (2011).
Besides the work with Busy Rocks Fabián participated as a dancer in the creation of You’ve changed by Zoo/Thomas Hauert and will join in the creation of Danza Permanente by choreographer DD Dorvillier.
Wigman, Mary
Danseuse et chorégraphe allemande (Hanovre 1886-Berlin 1973).
Formée par Rudolf von Laban, elle ne fut pourtant pas son disciple. Ses idées sur la danse libérée du support musical ont trouvé une large audience en Allemagne, en Suisse et aux États-Unis. L'une des premières, elle utilisa les instruments à percussion. On lui doit The Language of Dance (1966).
Rocks, Bussy
A Mary Wigman Dance Evening
Artistic direction / Conception : Fabian Barba
Choreography : Fabian Barba
Artistic consultancy / Dramaturgy : Katharine Sehnert, Irene Sieben, Susanne Linke Costumes Sarah-Christine Reuleke
Original music : Hanns Hasting (Composition musicale pour Anruf Pastorale, Seraphisches Lied, Sturmlied et Sommerlicher Tanz ) ; Sascha Demand (Composition musicale pour Raumgestalt, Zeremonielle Gestalt et Drehmonotonie)
Lights : Geni Diez
Production / Coproduction of the choreographic work : K3 - Zentrum für Choreographie, Tanzplan Hamburg (DE) Co-production : Fabrik Potsdam (DE) dans le cadre de Tanzplan Potsdam Artists-in-Residence, Kaaitheater (Brussel, BE), P.A.R.T.S. (Brussel, BE), wp Zimmer (Antwerpen, BE) Soutien : Mary Wigman Gesellschaft (Hamburg, Bremen, DE), PACT Zollverein Essen (DE)
Duration : 60'
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