José Montalvo a gardé une grande part d’enfance. Et comme tous les  enfants, il adore les contes. Et comme il est chorégraphe, il s’invente  un terrain de jeu sur mesure. « Asa Nisi Masa », formule magique  empruntée à la petite fille du film de Federico Fellini, Huit et demi,  sert de fil conducteur à ce recueil de vingt contes chorégraphiques  miniatures.

Asa Nisi Masa, c’est la version moderne du bon vieux Il  était une fois… Il était une fois des humains et des animaux, il était  une fois le mystère, la cruauté, le merveilleux, le burlesque…

Tout peut arriver dans cet imaginaire où la réalité dialogue avec  l’illusion, où les personnages en chair et en os dansent avec des  créatures virtuelles, échappées d’un bestiaire que le démiurge et son  amie la vidéo écrivent depuis trente ans. C’est une pièce pour toutes  les parts d’enfance, qui se rit et se danse sur tous les tons et dans  tous les styles, un délire impressionniste dont il faut attendre le  point final pour mesurer le véritable dessein. Et, soudain, la joyeuse  féérie prend un autre sens.

Source : Théâtre-contemporain.net

At the end of his teenage years, José Montalvo began studying history of art and plastic arts. He was fascinated by the Dada period and its countless inventions. Whilst continuing his university studies, he took dance classes with Jerome Andrews and Françoise and Dominique Dupuy – and joined their company, the Ballets Modernes de Paris – and continued his dance training with Carolyn Carlson, Lucinda Childs, Alwin Nikolais and Merce Cunningham.

José Montalvo's first creations were short fun-filled pieces, types of choreographic aphorisms, mini danced novels filled with emotions, for which he was honoured with a variety of international awards. One of his performers was called Dominique Hervieu: it was the beginning of an artistic adventure and profound complicity that would result in the creation of the compagnie Montalvo-Hervieu in 1988. In 1989, José Montalvo moved on to an innovational path with the creation of “in situ” events: Dances to see and to dance. In July 1993, invited to the Paris Quartier d'été Festival, he was one of the first choreographers to be associated with the Bal Moderne which was created at the Théâtre National de Chaillot at this time.

Another decisive moment the same year: “Double Trouble”, created with the complicity of the video artist Michel Coste, inaugurated a cycle of works where technological images and the physical presence of dancers were confronted with each other. This period led to the creation of a series of works that intertwine with each other and that, whilst being self-sufficient, could, one day, be applied together, like a great baroque-style fresco. This led to great success. In 1998, José Montalvo and Dominique Hervieu were appointed as directors of the Centre chorégraphique national (National Choreographic Centre) in Creteil, Val de Marne. In 2000, José Montalvo was also appointed as dance director of the Théâtre National de Chaillot which was then directed by Ariel Goldenberg.

In 2001, “Le Jardin io io ito ito” was awarded the Laurence Olivier Prize. In 2004, the choreography and the production of Jean-Philippe Rameau's opera “Les Paladins” won unanimous critical acclaim. The performance was nominated for the Laurence Olivier Prize and obtained the prize for the best live recording of an opera for the film produced by François Roussillon. It was also shown in Shanghai, Athens, Paris and Tokyo. Next followed “On danse”(2005) and a diptych devoted to George Gershwin in 2008, with a production of “Porgy and Bess”for the Opéra de Lyon and, echoing this, a luminous choreographic work created for the Biennale de la danse in Lyon: “Good Morning, Mr. Gershwin”.

In 2006, he was awarded the SACD Prize for all of his works. In June 2008, José Montalvo and Dominique Hervieu accepted the proposal to direct the Théâtre National de Chaillot. “Orphée” and “Lalala Gershwin” were created in 2010 and sealed their last joint creations before Dominique Hervieu left to become director of the Maison de la Danse and the Biennale de la danse in Lyon. José Montalvo continues his missions at the Théâtre National de Chaillot alongside Didier Deschamps, around his own creations and privileges events that contribute to renewing the relationship of the theatre with the public. In June 2013, he will be, in particular, the creator and coordinator of an event focusing on amateur activities.

Sources:  Théâtre National de Chaillot ; Maison de la Danse show program

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source: Maison de la Danse de Lyon