La Minute du spectateur (2022) : Sharon Eyal
2022 - Director : Plasson, Fabien
Choreographer(s) : Eyal, Sharon (Israel)
Present in collection(s): Maison de la danse , La minute du spectateur
La Minute du spectateur (2022) : Sharon Eyal
2022 - Director : Plasson, Fabien
Choreographer(s) : Eyal, Sharon (Israel)
Present in collection(s): Maison de la danse , La minute du spectateur
The Spectator's Moment
The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Eyal, Sharon
Sharon Eyal was born in Jerusalem. From 1990 to 2008 she danced with the Batsheva Dance Company and began to choreograph pieces for that company’s Dancers Create project. Eyal also served as the associate artistic director for Batsheva in 2003 and 2004, and then became the resident choreographer from 2005 to 2012, during which time she created 16 works. In 2005, Eyal began collaborating with Gai Behar. Since 2009, she has created over thirty pieces for international companies, including Bedroom Folk, salt Womb, Feelings and Sara (the Nederland Dance Theatre), Half-Life (Royal Swedish Ballet), Untitled Black and Autodance (GoteborgsOperans Danskompan), Killer Pig and Corps de Walk (Carte Blanche Dance of Norway), Too Beaucoup (Hubbard Street Dance, Chicago), Plafona (Tanzcompagnie Oldenburg), and Soul Chain (Staatstheater Mainz). In 2013, Eyal created her own company L-E-V. In 2018, she was awarded a Der Faust Prize in Germany.
Source: Opéra National de Paris
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Yield Variations on dissuasive urban furniture
Roots of Diversity in Contemporary Dance
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
40 years of dance and music
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
James Carlès
les ballets C de la B and the aesthetic of reality
When reality breaks in
Butoh
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
The American origins of modern dance: [1930-1950] from the expressive to the abstract
La part des femmes, une traversée numérique
Charles Picq, dance director
A Rite of Passage
Why do I dance ?
Hand dances
This parcours presents different video extracts in which hands are the center of the mouvement.