2012 - Director : Plasson, Fabien
Choreographer(s) : Carrasco, Rafaela (Spain)
Present in collection(s): Maison de la danse , Saisons 2010 > 2019
Integral video available at Maison de la danse de Lyon
2012 - Director : Plasson, Fabien
Choreographer(s) : Carrasco, Rafaela (Spain)
Present in collection(s): Maison de la danse , Saisons 2010 > 2019
Integral video available at Maison de la danse de Lyon
Vamos al tiroteo
The main idea was to put at stage a record that has inspired many great artists. The sounds of 1931 are vivified and arranged with musics, directing and choreographies that are very different than what used to be done at that time. Still, it keeps the same spirit and brings the public towards the peopleĀ“s songs and musics that tell the way of life of former generations that are still inside us.
Source : Arte y Movimiento
Carrasco, Rafaela
Student, flamenco dancer, repetiteur, soloist, choreographer and, today, artistic director of the Andalusian Flamenco Ballet, the former Andalusian Dance Company. Since 1994 Rafaela has been all of these: a dance activist who committed herself right from the start to this public project. Hailing from Sevilla, she began to study dance at the age of 8 with Matilde Coral. Aged 18, she joined Mario Mayaās company where she became principal dancer and repetiteur. Later, she formed part of the Andalusian Dance Company as a soloist and participated in the productions De lo flamenco and RĆ©quiem (1994) and Los Caminos de Lorca (2004).
She has performed in the Tablaos of Los Gallos in Sevilla, in the CafĆ© de Chinitas in Madrid, and in El Flamenco in Tokyo. In 1996, she left Sevilla for Madrid where she danced, choreographed, and began to develop a flourishing teaching business. She gives flamenco classes of all levels throughout the world. Since it was first set up, Rafaela Carrascoās company has created nine productions, including choreographies for the Spanish National Ballet, the Flamenco Festival and the Sevilla Flamenco Biennial where she was awarded major prizes. It is for this professional career and for her experience in consolidating her own company that Rafaela Carrasco was selected in September 2013 as choreographer for the Andalusian Flamenco Ballet.
Source: BALLET FLAMENCO de ANDALUCIA Imagenes press file (2015)
More information : rafaelacarrasco.com
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel BartolomƩo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Barās programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Vamos al tiroteo
Artistic direction / Conception : Rafaela Carrasco
Choreography : Rafaela Carrasco
Interpretation : Rafaela Carrasco, ricardo lĆ³pez, JosĆ© Maldonado, Pedro Cordoba, David Coria
Original music : JesĆŗs torres, Juan antonio suĆ”rez āCanitoā, Pablo suĆ”rez, JosĆ© luis lĆ³pez
Live music : piano Pablo Maldonado violoncelle JosĆ© luis lĆ³pez guitare JesĆŗs torres, Juan antonio suĆ”rez āCanitoā chant antonio Campos, gema Caballero
Lights : Gloria Montesinos (a.a.i)
Costumes : Elisa Sanz, Pepa Carrasco
Sound : Juan benavides
Production / Coproduction of the choreographic work : Production exĆ©cutive Alejandro Salade production INAEM, Ministerio de Cultura, Communidad de madrid, ConsejerĆa de Cultura distribution internationale Arte y Movimiento Producciones - Daniela Lazary
Production / Coproduction of the video work : Maison de la Danse, Rafaela Carrasco, rƩalisation Fabien Plasson, 2012
Duration : 80'
Roots of Diversity in Contemporary Dance
CHRISTIAN & FRANĆOIS BEN AĆM ā VITAL MOMENTUM
Vlovajobpru company
40 years of dance and music
Indian dances
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
The āNouvelle Danse FranƧaiseā of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
James CarlĆØs
les ballets C de la B and the aesthetic of reality
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
The BNP Paribas Foundation
Maison de la danse
Improvisation
Discovery of improvisationās specificities in dance.
Pantomimes
Presentation of Pantomimes in the different types of dance.
Dance and music
The relationship between music and choreographic works varies throught dance history.
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.