Que reste-t-il de nos amours ?
2005 - Director : Picq, Charles
Choreographer(s) : Bugdahn, Michael Namura, Denise (Brazil)
Present in collection(s): Maison de la danse , Saisons 2000 > 2009
Video producer : Maison de la Danse de Lyon
Integral video available at Maison de la danse de Lyon
Que reste-t-il de nos amours ?
2005 - Director : Picq, Charles
Choreographer(s) : Bugdahn, Michael Namura, Denise (Brazil)
Present in collection(s): Maison de la danse , Saisons 2000 > 2009
Video producer : Maison de la Danse de Lyon
Integral video available at Maison de la danse de Lyon
Que reste-t-il de nos amours ?
First the imagination, the dream, then the joy, the approach, the first physical contact, ecstasy, obsession, expectation, the first inevitable disappointments, then ... "Love is like life, it is born, it grows, and finally it dies". Or not, who knows?
One stage, they are concrete characters, with all their sensuality, people who have a body AND a soul, sometimes moods too, which can give birth to conflicts in which we recognize ourselves! Love, in this show, is declined from sighs to embraces, from kisses to evasions.
Source: Program of the Maison de la Danse de Lyon 2004-05
Bugdahn, Michael
Namura, Denise
Picq, Charles
Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.
His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
- He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
- He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
- He started «présentations de saisons» in pictures.
- He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.
- He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.
His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.
He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).
Source: Maison de la Danse de Lyon
Compagnie à fleur de peau
Brazilian dancer Denise Namura and German Michael Bugdahn founded their company in Paris, in 1988. They created around thirty shows for À fleur de peau, and other companies such as the National Ballet of the City of São Paulo, Cia Cisne Negro, Cia De Danças de Diadema, Cia. Portuguesa by Bailado Contemporâneo and the Bernballett.
The company has participated in many renowned international events (Biennale de la Danse de Lyon, Holland Dance Festival in The Hague, Rio Panorama, etc.) and has toured its shows in around fifteen countries.
The company has collaborated with Cie Maguy Marin / CCN Rillieux-la-Pape, the National Ballet of the City of São Paulo, Cie Cisne Negro, the Maison de la Danse in Lyon and has received support from the BNP Foundation. Paribas, ADAMI, ONDA and the Center National de la Danse.
Source: Compagnie à fleur de peau
Que reste-t-il de nos amours ?
Artistic direction / Conception : Denise Namura, Michael Bugdahn
Choreography : Denise Namura, Michael Bugdahn
Interpretation : Ana Mariolani, Danila Massara, Denise Namura, Schéhérazade Odin, Michele Pereira, Sylvain Espagnol, Jean-Damien Fleury, Maxim Kopitskoou Michael Bugdahn, Rainer Sievert, Alex Sander Dos Santos
Set design : Denise Namura, Michael Bugdahn, Thierry Meule, Balé da Cidade de SãoPaulo
Text : Michael Bugdahn
Additionnal music : Carlos Allue, Gilles Apap, Richie Beirach, Manoel Coello Bellido, Wolfgang von Henko, Joe Jackson, John Lurie, Wim Mertens, Denez Prigent, Charles Trénet, Yann Tiersen, Les yeux noirs
Lights : Michael Bugdahn
Costumes : Jean-Jacques Delmotte
Production / Coproduction of the choreographic work : Maison de la Danse de Lyon, Compagnie À Fleur de Peau
Production / Coproduction of the video work : Maison de la Danse de Lyon - Charles Picq, 2005
Duration : 75'
DANCE AND DIGITAL ARTS
Yield Variations on dissuasive urban furniture
Roots of Diversity in Contemporary Dance
(LA)HORDE: RESIST TOGETHER
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
LATITUDES CONTEMPORAINES
40 years of dance and music
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
James Carlès
les ballets C de la B and the aesthetic of reality
When reality breaks in
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Butoh
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
States of the body
Explanation of the term « State of the body » when it’s about dance.
Dance in Quebec: Collectivities in motion
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.