Skip to main content
Back to search
  • Add to playlist

Le son d'Elsa

Le son d'Elsa

Le son d'Elsa

In Paris where she settled at the end of the 1960s, the American choreographer Elsa Wolliaston, the pioneer of African dance in Europe, teaches her art. Immersion into her studio One Step, where, seated opposite some thirty dancers, she is assisted by the percussionist Jean-Yves Colson. In the course of the exchanges and improvisations, the elements emerge that are vital for the letting go that the practice of her art requires.

“Take your time/Give way/Force nothing/Energy is at your disposal/Your body will speak”. Retranscribed on the screen towards the end of the film, the recommendations given by Elsa Wolliaston throughout her classes reveal a pedagogy anchored in the listening to the body and the release of its energy. Patient and softly spoken, her expressive face lit up by a huge smile, she works with dancers on a one-to-one basis or in groups, leading them to consider their body as an instrument: “The body is an orchestra: it contains all the instruments!” Behind the closed doors of the studio, which we will only leave on the occasion of a few images from archives inserted into the film, Elsa’s invitations to relax and let go, in silence, will soon give way to music and rhythms. Inspired by her teaching, the entire group will be swept up into an explosive hunting dance where Yves Coméliau’s camera is at the heart of the trance.


Source : Damien Truchot

Wolliaston, Elsa

Elsa Wolliaston moved to Paris in 1969 and worked with Jerome Andrews and Lilian Arlen. She continued her training during a stay in Africa, and researched ancestral rites. From 1970 onwards, she performed in various African countries and Niger in particular, where she danced “La Fleuve” in 1974. In Paris in 1975, she founded the company Ma Danse Rituel Théâtre with Yano Hideyuki. They choreographed and performed numerous pieces together. She has also composed music and dance duets with the saxophonist Steve Lacy. She choreographs regularly for the theatre and opera, trains actors in movement at the Theaterhaus Interkurst and Theatertreffin in Berlin, and teaches African-inspired contemporary dance throughout the world.

Further information

Digital resource - Médiathèque du Centre national de la danse
http://mediatheque.cnd.fr/spip.php?page=mediatheque-numerique-ressource&id=PHO00003898

Updating: November 2010

Le son d'Elsa

Choreography : Elsa Wolliaston

Production / Coproduction of the video work : Yves Coméliau réalisation, Les Films de Belacqua production

Duration : 70'

Filmer le son

Our videos suggestions
02:56

Ligne de crête

Marin, Maguy (France)

  • Add to playlist
08:02

I think

  • Add to playlist
14:53

Counterpoint

  • Add to playlist
04:04

Cabaret Heels

  • Add to playlist
09:18

Accumulation

  • Add to playlist
06:08

Kwa Zulu Natal

  • Add to playlist
02:57

The seasons

Lock, Édouard (France)

  • Add to playlist
08:32

Signs and forms Perpetual Motion

  • Add to playlist
15:26

Look at me again!

  • Add to playlist
16:10

Boléro

  • Add to playlist
05:32

Sing Sing

Carlès, James (France)

  • Add to playlist
09:01

Canon 1

  • Add to playlist
06:25

Body Without A Brain

Rianto (Indonesia)

  • Add to playlist
07:20

Amelia

Lock, Édouard (Canada)

  • Add to playlist
06:39

Dans les plis du paysage : Création à la Maison

  • Add to playlist
16:18

Wunsch

Biondi, José (France)

  • Add to playlist
02:45

Suits for two pianos

Scholz, Uwe (France)

  • Add to playlist
01:19:53

Undici Onde

Carlson, Carolyn (Italy)

  • Add to playlist
02:57

BROTHER

Da Silva Ferreira, Marco (France)

  • Add to playlist
03:00

Drumming / Fragment #3

De Keersmaeker, Anne Teresa (France)

  • Add to playlist
Our themas suggestions

Dance out loud

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

Amala Dianor: dance to let people see

Exposition virtuelle

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Do you mean Folklores?

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Parcours

fr/en/

Maison de la danse

Exposition virtuelle

fr/en/

EIVV 2022 Dancing with the editing

Exposition virtuelle

fr/en/

A Rite of Passage

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.

Webdoc

fr/en/

Write the movement

A myriad of methods have been invented for analysing dance and putting it into perspective and for accompanying the ‘tool’ that is essential to its memory, the dancer’s body. This webdoc presents the challenges of movement notation.

Webdoc

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Genesis of work

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Parcours

fr/en/

Hand dances

This parcours presents different video extracts in which hands are the center of the mouvement.

Parcours

fr/en/

Contemporary Italian Dance : the 2000s

Panorama of contemporary dance practices in Italy during the 2000s.

Parcours

fr/en/

Mexican Video Dance

Exposition virtuelle

fr/en/

The contemporary Belgian dance

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Parcours

fr/en/

Scenic space

A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more