Infundibulum
2009
Choreographer(s) : Paccagnella, Mauro (Italy)
Present in collection(s): Fondation BNP Paribas
Video producer : Feria Musica
Infundibulum
2009
Choreographer(s) : Paccagnella, Mauro (Italy)
Present in collection(s): Fondation BNP Paribas
Video producer : Feria Musica
Infundibulum
And what if we were to bring together Marie, Birdy and Tati on stage?
Swallowed up by the “infundibulum”, a giant funnel with wooden slopes, the acrobats and musicians enter into the depths of a sartorial and sensual subconscious. It is as if a man had laid out his entire wardrobe, a wardrobe made up of souvenirs and haunted by a series of mysterious characters: ghosts or puppets, both loved and scorned. They bond, disappear, come together, posing for ephemeral pictures, joined in an undefined quest.
Their acrobatics serve a mad scientist’s creation, a stubborn and exhausting machinery. The music unfolds tirelessly, enveloping their leaps and suspensions within a single bubble. But their fall is inevitable, as if the circus apparatus - the pole, pulley and juggling balls - had been set out to trap these obstinate dreamers.
Any attempt to escape or break free is bound to fail - until the final leap.
Set in motion by Mauro Paccagnella, this raging yet tender ballet brings together 8 acrobats and 3 musicians against the background of a monumental stage design, a structure made of wood and metal suspended at the back of the stage. A unique acrobatic and choreographic language is outlined along its vertiginous slopes. A series of pictures unfolds, fragments of our collective memory and subjective subconscious, somewhere between the real and the imaginary, madness and fragility. Infundibulum is a surprisingly unsettling and moving show, which avoids the grandiose and focuses on the intimate. Losing the way would mean following its path.
Paccagnella, Mauro
Mauro Paccagnella (I/B) is an Italian dancer, actor and choreographer who has lived in Brussels for the past 20 years. He switches between choreography, staging and the act of performing. Working with many Belgian companies (Flamand, Ponties, Traoré, De Soto, and so on), and has danced in films by Thierry De Mey and Nicole Mossoux. Since 2002 he has performed with choreographer Caterina Sagna in Relazione Pubblica, Heil Tanz!, Basso Ostinato and P.O.M.P.E.I.
A co-founder in 1993 of the « Un oeuf is un oeuf - Biters Productions » company, he created the Woosh'ing Mach'ine collective in 1998. After Cyber Beans (SACD Award 1998) and research project Dog-Tricks (among them Babylonia Kiss with Alessandro Bernardeschi),), he created The Siegfried's Swan Song (2006-2011) tetralogy. He set and directed the last two creations of the Belgian contemporary circus company Feria Musica Infundibulum in 2009 and Sinué in 2012.
He is currently performing in creations by Caterina Sagna for Bal En Chine and with Olga de Soto for Autour de la Table Verte by Kurt Jooss.
Source : The company Woosh'ing Mach'ine 's website
More information : wooshingmachine.com
Infundibulum
Artistic direction / Conception : Philippe de Coen
Choreography : Mauro Paccagnella
Interpretation : Mathieu Antajan, Anke Bucher, Loïc Faure, Julien Fournier, Pascale Loiseau, Jean-Pierre Pagliari, Thomas Perrier, Anne Pribat
Artistic consultancy / Dramaturgy : Anne Ducamp
Stage direction : Mauro Paccagnella
Set design : Anne Ducamp, Philippe de Coen et Bruno Renson
Original music : Olivier Thomas
Live music : Marc Anthony, Olivier Hestin, Adrien Lambinet / Dree Peremans
Lights : Philippe Baste, Serge Simon, Gaëtan van den Berg ; Serge Simon / Thomas Dobruszkès
Costumes : Françoise Van Thienen, Marie Nils
Settings : Bruno Renson
Technical direction : Nicolas Haber
Sound : Nicolas Haber
Other collaborations : Luis Vergara Santiago (garçon de piste) ; Pierre Robelin (régie générale) ; Yuri Sakalov, Alessandro Bernardeschi, Foucault Falguerolles (intervenants)
Production / Coproduction of the choreographic work : produit par Feria Musica asbl, en coproduction avec l'Agora, scène conventionnée de Boulazac (F) • Charleroi/danses, PBA+EDEN (B) • Le Cirque-Théâtre d'Elbeuf (F) • La Coursive, scène nationale de La Rochelle (F) • Le Cratère, scène nationale d'Alès (F) • l'Espace des Arts, scène nationale de Chalon-sur-Saône (F) • La Maison de la Culture de Tournai/ PLÔT (B/F) • Le Phénix, scène nationale de Valenciennes (F) • Le Sémaphore, scène conventionnée de Cébazat (F).
DANCE AND DIGITAL ARTS
Noé Soulier Rethinking our movements
(LA)HORDE: RESIST TOGETHER
40 years of dance and music
When reality breaks in
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
States of the body
Explanation of the term « State of the body » when it’s about dance.
The BNP Paribas Foundation
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
La part des femmes, une traversée numérique
EIVV 2022 Dancing with the camera
Why do I dance ?
Scenic space
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Arts of motion
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
The American origins of modern dance. [1960-1990] Postmodern dance and Black dance: artistic movements of their time
While the various forms of modern dance that emerged from the late 1920s onwards continued to develop, evolve and grow internationally, a new generation of dancers arose in a changing America.
Strange works
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Dance at the crossroad of the arts
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.