Conférence de Lewis Gordon au Corpus africana 2018
2018 - Director : Carlès, James
Present in collection(s): Festival International Danses & Continents Noirs , Conférences/interviews/documentaires
Conférence de Lewis Gordon au Corpus africana 2018
2018 - Director : Carlès, James
Present in collection(s): Festival International Danses & Continents Noirs , Conférences/interviews/documentaires
Corpus Africana 2018
From October 27 to November 9, 2018, the Erasmus Mundus EuroPhilosophie University Consortium and the Center for Philosophy of Law of the Catholic University of Louvain are organizing at the University of Toulouse Jean Jaurès, as part of the research seminar “Thinking about decolonizations”, in collaboration with the Festival Danses et Continents Noirs of the James Carlès Choreographic Center, under the title “Corpus africana: Current philosophies and dances of Africa and its diasporas” an important international meeting aimed at bringing to the heart of European university research; in the field of Arts and Letters; knowledge and study of “Africana philosophy”, contemporary African and Afro-descendant choreographic knowledge.
Carlès, James
Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.
Centre chorégraphique James Carlès
Two methodologies transmitted by James Carlès and recognized internationally are part of the artistic and pedagogical project of the center :
- R.E.S.E.T. : Movement techniques with multiple applications for dancers and the person: form, health, expression, creativity, physicality are the assets of this method.
- James Carlès Dance Methodology : Choreographic technique for artists and thinkers. It allows dancers to develop their awareness and mastery of movement (flow), their gesture and their infinite technical and choreographic applications.
More than 2100 students have been trained in the span of 20 years, of which :
- 40% became artists/dancers
- 10% are working in cultural administration, in distribution or production
- 40% became teachers
- 10% are working in the body and well-being professions
Corpus Africana 2018
Artistic direction / Conception : James Carlès
Gordon, Lewis
Lewis Ricardo Gordon (born May 12, 1962) is an American philosopher at the University of Connecticut who works in the areas of Africana philosophy, existentialism, phenomenology, social and political theory, postcolonial thought, theories of race and racism, philosophies of liberation, aesthetics, philosophy of education, and philosophy of religion. He has written particularly extensively on Africana and black existentialism, postcolonial phenomenology, race and racism, and on the works and thought of W. E. B. Du Bois and Frantz Fanon. His most recent book is titled: Fear of Black Consciousness.
Roots of Diversity in Contemporary Dance
Vlovajobpru company
James Carlès
Do you mean Folklores?
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Pantomimes
Presentation of Pantomimes in the different types of dance.
MAPS - A EUROPEAN PROJECT FOR THE DEVELOPMENT OF SOCIETAL DANCE FILM
The American origins of modern dance: [1930-1950] from the expressive to the abstract
Why do I dance ?
SOUFFLE INDIAN OCEAN 1,2,3,4
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.